 Artist's arttributes:
|
| • |
Female |
| • |
Photography |
Most exhibitions in: |
| Country |
№ |
| USA | 188 |
| Canada | 5 |
| United Kingdom | 5 |
Most exhibitions held at: |
| Institution |
№ |
| |
Flomenhaft Gallery, USA |
7 |
| |
MoMA - Museum of Modern Art, USA |
5 |
| |
Contemporary Arts Museum Houston, USA |
5 |
Biography: 
1953 Born in Portland, OR (US)
External links: | | Public exhibitions (Selection) 213
from 26.1.2014
from 30.6.
until 7.7.
until 26.5.
Solo shows 33
2013
| |
| Carrie Mae Weems - Portland Art Museum, Portland, OR |
2012
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| Carrie Mae Weems - Frist Center for the Visual Arts, Nashville, TN |
2011
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| Carrie Mae Weems - Slow Fade to Black - Williams College Museum of Art, Williamstown, MA |
2010
| |
| Carrie Mae Weems: Estudios sociales - Centro Andaluz de Arte Contemporáneo (CAAC), Sevilla |
2009
| |
| Carrie Mae Weems: The Louisiana Project - Gallery Paule Anglim, San Francisco, CA |
2008
| |
| Carrie Mae Weems: A Survey - Jack Shainman Gallery, New York City, NY |
2007
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| Carrie Mae Weems - The Hampton Project - Williams College Museum of Art, Williamstown, MA |
2006
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| Carrie Mae Weems - To be Continued - Virginia Museum of Contemporary Art (MOCA), Virginia Beach, VA |
2005
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| Carrie Mae Weems - The Louisiana Project - Polk Museum of Art, Lakeland, FL |
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| Carrie Mae Weems - The Louisiana Project - Samek Art Gallery , Lewisburg, PA |
| |
| The Louisiana Project - DePaul University Art Museum, Chicago, IL |
| |
| From Here I Saw What Happened And I Cried + Coming Up For Air - CGP London, London (England) |
2004
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| Carrie Mae Weems: The Louisiana Project & Dreaming in Cuba - Spelman College Museum of Fine Art, Atlanta, GA |
| |
| The Jefferson Project - G Fine Art, Washington, DC |
| |
| Carrie Mae Weems - Susanne Hilberry Gallery, Ferndale, MI |
2003
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| Carrie Mae Weems: The Louisiana Project - Newcomb Art Gallery , New Orleans, LA |
| |
| Carrie Mae Weems - PPOW, New York City, NY |
2002
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| Rituals & Revolution - San Diego State University Art Gallery, San Diego, CA |
| |
| Carrie Mae Weems - Sheppard Fine Arts Gallery - University of Nevada, Reno, NV |
| |
| Carrie Mae Weems: The Jefferson Suite - Palmer Museum of Art, University Park, PA |
2001
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| Carrie Mae Weems - The Hampton Project - ICP - International Center of Photography, New York City, NY |
1999
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| The Jefferson Suites - An Audio-Visual Installation by Carrie Mae Weems - Santa Barbara Museum of Art, Santa Barbara, CA |
| |
| Carrie May Weems: Ritual and Revolution - Rhona Hoffman Gallery, Chicago, IL |
1998
| |
| Carrie Mae Weems - Matrix 176 - Berkeley Art Museum and Pacific Film Archive BAM/PFA, Berkeley, CA |
1996
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| Carrie Mae Weens: Sea Islands and Africa Series - Krannert Art Museum, Champaign, IL |
| |
| Carrie Mae Weems: From Here I Saw What Happened and I Cried - Rhona Hoffman Gallery, Chicago, IL |
| |
| Carrie Mae Weems: The Kitchen Table Series - Contemporary Arts Museum Houston, Houston, TX |
1995
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| Projects: Carrie Mae Weems - MoMA - Museum of Modern Art, New York City, NY |
| |
| Carrie Mae Weems: Sea Islands Series - University of Iowa Museum of Art, Iowa City, IA |
1993
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| Carrie Mae Weems - The Fabric Workshop and Museum, Philadelphia, PA |
| |
| Carrie Mae Weems - Rhona Hoffman Gallery, Chicago, IL |
1991
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| Carrie Mae Weems / Matrix 115 - The Wadsworth Atheneum Museum of Art, Hartford, CT |
| |
| . . . And 22 Million Very Tired And Very Angry People - New Museum of Contemporary Art, New York City, NY |
Group shows 176
2012
| |
| Say it Loud! - Norton Museum of Art, West Palm Beach, FL |
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| Radical Presence: Black Performance In Contemporary Art - Contemporary Arts Museum Houston, Houston, TX |
| |
| This Will Have Been: Art, Love & Politics in the 1980s - ICA - Institute of Contemporary Arts London, London (England) |
| |
| This Will Have Been: Art, Love & Politics in the 1980s - ICA - Institute of Contemporary ArtBoston, Boston, MA |
| |
| Blues For Smoke - The Geffen Contemporary at MOCA, Los Angeles, CA |
| |
| Gaze - The Changing Face of Portrait Photography - Istanbul Modern, Istanbul |
| |
| Posing Beauty in African American Culture - Figge Art Museum, Davenport, IA |
| |
| Room In My Head: Staging Psychological Spaces - Gallery 1600 - Savannah College of Art and Design SCAD, Atlanta, GA |
| |
| The Record: Contemporary Art and Vinyl - Henry Art Gallery, Seattle, WA |
| |
| This Will Have Been: Art, Love & Politics in the 1980 - Walker Art Center, Minneapolis, MN |
| |
| The Soul of a City: Memphis Collects African American Art - Brooks Museum of Art, Memphis, TN |
| |
| Hearing Pictures - The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs, NY |
| |
| La Triennale 2012 - Intense Proximity - Palais de Tokyo, Paris |
| |
| Invitational Exhibition Of Visual Arts - The American Academy of Arts and Letters, New York City, NY |
| |
| An Orchestrated Vision: The Theater of Contemporary Photography - Saint Louis Art Museum, Saint Louis, MO |
| |
| This Will Have Been: Art, Love & Politics in the 1980s - Museum of Contemporary Art Chicago (MCA), Chicago, IL |
| |
| Performing for the Camera - ASU Art Museum - Arizona State University Art Museum, Tempe, AZ |
| |
| The Deconstructive Impulse: Women Artists Reconfigure the Signs of Power, 1973-1991 - Contemporary Arts Museum Houston, Houston, TX |
| |
| 28 Days: Reimagining Black History Month - Justina M Barnicke Gallery, University of Toronto, Toronto, ON |
| |
| 28 Days: Reimagining Black History Month - Georgia Scherman Projects, Toronto, ON |
| |
| African American Artists From The Flomenhaft Collection - Flomenhaft Gallery, New York City, NY |
2011
| |
| Narrative Interventions in Photography - The Getty Center, Los Angeles, CA |
 |
| 30 Americans - The Corcoran Gallery of Art, Washington, DC |
| |
| Doin’ It in Public: Feminism and Art at the Woman’s Building - Ben Maltz Gallery at Otis College of Art and Design, Los Angeles, CA |
|
| The Deconstructive Impulse: Women Artists Reconfigure the Signs of Power, 1973 – 1991 - Nasher Museum of Art, Durham, NC |
|
| At Fifty: Krannert Art Museum, 1961–2011 - Krannert Art Museum, Champaign, IL |
| |
| Face to Face: Works from the Bank of America Collection - The Museum of Photographic Arts, San Diego, CA |
| |
| Unsettled: Photography and Politics in Contemporary Art - Philadelphia Museum of Art, Philadelphia, PA |
| |
| Art Pix #1: Streetview: A Spectrum in Black and White - Ruth Chandler Williamson Gallery at Scripps College, Claremont, CA |
|
| 30 Americans - North Carolina Museum of Art, Raleigh, NC |
| |
| Seeing Now: Photography Since 1960 - The Baltimore Museum of Art, Baltimore, MD |
| |
| Conversations: Photography from the Bank of America - MFA - Museum of Fine Arts, Boston, Boston, MA |
| |
| Stargazers: Elizabeth Catlett in Conversation with 21 Contemporary Artists - Bronx Museum of the Arts (BxMA), New York City, NY |
| |
| Object as Multiple: 1960-2000 - Stephen Wirtz Gallery, San Francisco, CA |
| |
| The Deconstructive Impulse: Women Artists Reconfigure The Signs Of Power, 1973-1992 - Neuberger Museum of Art, Purchase, NY |
| |
| Wide Angle: Photography and Its Influence on Contemporary Art - Vanderbilt University Fine Arts Gallery, Nashville, TN |
2010
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| Collected. Black & White - The Studio Museum in Harlem, New York City, NY |
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| After a Fashion: Classic, Humorous, Subversive... - Stephen Daiter Gallery, Chicago, IL |
| |
| Myth, Manners and Memory: Photographers of the American South - De La Warr Pavilion, Bexhill on Sea (England) |
| |
| Posing Beauty in African American Culture - Williams College Museum of Art, Williamstown, MA |
 |
| THE RECORD Contemporary ART and VINYL - Nasher Museum of Art, Durham, NC |
| |
| Inside the Collection - Interiors from the Studio Museum - The Studio Museum in Harlem, New York City, NY |
| |
| Hauntology - Berkeley Art Museum and Pacific Film Archive BAM/PFA, Berkeley, CA |
| |
| A Summer of Photography - Flomenhaft Gallery, New York City, NY |
| |
| Off the Wall Part 1: Thirty Performative Actions - Whitney Museum of American Art, New York City, NY |
| |
| Summer 2010 - Weinstein Gallery, Minneapolis, MN |
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| Photography by Women Artists - Albright-Knox Art Gallery, Buffalo, NY |
| |
| Resurrectine - Ronald Feldman Fine Arts Inc, New York City, NY |
|
| Pictures by Women: A History of Modern Photography - MoMA - Museum of Modern Art, New York City, NY |
| |
| Photographic Typologies - Tate Modern, London (England) |
| |
| Shrew'd: The Smart & Sassy Survey of American Women Artists - Sheldon Museum of Art, Lincoln, NE |
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| The Chemistry of Color: Contemporary African-American Artists - Columbia Museum of Art, Columbia, SC |
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| From Then to Now : Masterworks of Contemporary African-American Art - MOCA - Museum of Contemporary Art Cleveland, Cleveland, OH |
| |
| In Focus: Photography from the Mills College Art Museum Colle - Mills College Art Museum, Oakland, CA |
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| The View from Here - San Francisco Museum of Modern Art - SFMOMA, San Francisco, CA |
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| Posing Beauty in African American Culture - Art Gallery of Hamilton, Hamilton, ON |
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| The Human Touch: Selections from the RBC Wealth Management Art Collection - Joslyn Art Museum, Omaha, NE |
2009
| |
| Trail Blazers in the 21st Century: Contemporary Prints and Photographs published by Exit Art - Jane Voorhees Zimmerli Art Museum, New Brunswick, NJ |
| |
| Creating Identity: Portraits Today - 21c Museum, Louisville, KY |
| |
| Highlights from the collection - Flomenhaft Gallery, New York City, NY |
|
| Confronting Identity - Krannert Art Museum, Champaign, IL |
|
| Signs Taken For Wonders - Jack Shainman Gallery, New York City, NY |
| |
| notes from the empire/aufzeichnungen aus dem empire - Kunsthaus Dresden, Dresden |
| |
| Across the Divide: Reconsidering the Other - Illinois State Museum, Chicago Gallery , Chicago, IL |
| |
| Connections - Jenkins Johnson Gallery - San Francisco, San Francisco, CA |
| |
| This Is Not a Fashion Photograph: Selections from the ICP Collection - ICP - International Center of Photography, New York City, NY |
| |
| African American Art and Life - Flomenhaft Gallery, New York City, NY |
2008
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| 30 Americans - Rubell Family Collection, Miami, FL |
|
| Burning Down the House: Building a Feminist Art Collection - Brooklyn Museum of Art, New York City, NY |
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| Cinema Remixed & Reloaded: Black Women Artists and the Moving Image since 1970 - Contemporary Arts Museum Houston, Houston, TX |
| |
| Four Women - Jackson Fine Art, Atlanta, GA |
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| Gallery artists and collection - Flomenhaft Gallery, New York City, NY |
| |
| About Us - Boulder Museum of Contemporary Art, Boulder, CO |
| |
| Highlights: African American Art from the Norton Collection - Norton Museum of Art, West Palm Beach, FL |
| |
| Ten Years in Focus: The Artist and the Camera - The Getty Center, Los Angeles, CA |
|
| Color Chart: Reinventing Color, 1950 to Today - MoMA - Museum of Modern Art, New York City, NY |
2007
| |
| Seen Inside: The Body and Photography - Figge Art Museum, Davenport, IA |
| |
| Cinema Remixed and Reloaded (Part I) - Spelman College Museum of Fine Art, Atlanta, GA |
| |
| From Africa to America - The Allen Memorial Art Museum, Oberlin, OH |
| |
| Black Panther Rank and File - Southeastern Center for Contemporary Art (SECCA), Winston-Salem, NC |
| |
| Charlottesville Collects African American Art - University of Virginia Art Museums - The Fralin Museum of Art, Charlottesville, VA |
| |
| Commemorating 30 Years Part III: 1991-2007 - Rhona Hoffman Gallery, Chicago, IL |
| |
| between what i said and not said... - Red Dot Contemporary, West Palm Beach, FL |
| |
| Out of Time - A Contemporary View - MoMA - Museum of Modern Art, New York City, NY |
| |
| Works on Paper - Flomenhaft Gallery, New York City, NY |
| |
| New Media/ New Materials: Highlights in Contemporary Art from The Fabric Workshop and Museum - CAC - Cincinnati Contemporary Arts Center, Cincinnati, OH |
| |
| Still I Rise - Columbus Museum of Art, Columbus, OH |
| |
| Embracing Eatonville - UMMA - The University of Michigan Museum of Art, Ann Arbor, MI |
| |
| Crossing The Line - Cornell Fine Arts Museum, Winter Park, FL |
| |
| Crossing the Waters - - Leicester City Art Gallery, Leicester (England) (closed, 2010) |
| |
| A Pink Curator Chooses Black Art: What’s In a Color? - Flomenhaft Gallery, New York City, NY |
2006
| |
| the human touch - selections from the rbc dain rauscher art collection - Rockford Art Museum, Rockford, IL |
| |
| Transvideo - MMoCA - The Madison Museum of Contemporary Art, Madison, WI |
| |
| black alphabet - conTEXTS of contemporary african-american art - Zacheta - National Gallery of Art, Warsaw |
| |
| Group Dynamic - Portfolios, Series, and Sets - Des Moines Art Center, Des Moines, IA |
| |
| Art on the Edge - , Omaha, NE |
| |
| Black Panther Rank and File - Yerba Buena Center for the Arts, San Francisco, CA |
| |
| Middle Ground: Photographs from the Whitney Museum of American Art - Miriam and Ira D. Wallach Art Gallery - Columbia University, New York City, NY |
2005
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| Photo Ops - Greenville County Museum of Art, Greenville, SC |
| |
| Being Good: Women’s Moral Values in the New Millennium - ALVA Gallery, New London, CT |
| |
| Black Is a Color: African American Art from the Corcoran Gallery of Art - Taft Museum of Art, Cincinnati, OH |
| |
| Carrie Mae Weems, Carolee Schneeman & Jenny Perlin - Jack Tilton Gallery, New York City, NY |
| |
| Portraits of black experience - The Allen Memorial Art Museum, Oberlin, OH |
| |
| Intuition Box - Curator's Office, Washington, DC |
|
| African American Art - Photographs from the Collection - Saint Louis Art Museum, Saint Louis, MO |
| |
| The Whole World is Rotten: Free Radicals and the Gold Coast Slave Castles of Paa Joe - Jack Shainman Gallery, New York City, NY |
| |
| Figuratively Speaking - MAM - Miami Art Museum, Miami, FL |
|
| African Queen - The Studio Museum in Harlem, New York City, NY |
2004
| |
| The Print Show - - Exit Art, New York City, NY (closed, 2012) |
| |
| 21 - PPOW, New York City, NY |
|
| Common Ground - Discovering Community in 150 Years of Art - The Corcoran Gallery of Art, Washington, DC |
| |
| Social Studies: Eight Artists Address Brown v. Board of Education - Spencer Museum of Art, Lawrence, KS |
| |
| Social Studies - Eight Artists Address Brown v. Board of Education - Krannert Art Museum, Champaign, IL |
| |
| Art of the Americas: Latin America and the United States, 1800 to Now! - Santa Barbara Museum of Art, Santa Barbara, CA |
| |
| THE MUSE - Leslie Tonkonow Artworks + Projects, New York City, NY |
2003
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| Ten by Twenty - Yerba Buena Center for the Arts, San Francisco, CA |
| |
| Bibliocosmos - The Douglas F. Cooley Memorial Art Gallery, Portland, OR |
| |
| Paradise Now: Picturing the Genetic Revolution - Alyce de Roulet Williamson Gallery, Pasadena, CA |
| |
| History Now - The Presence Of The Past In Contemporary Photography - Sørlandets Art Museum, Kristiansand |
| |
| On the Wall - Wallpaper and Tableau - The Fabric Workshop and Museum, Philadelphia, PA |
| |
| Visual Poetics - Art and the Word - MAM - Miami Art Museum, Miami, FL |
| |
| Skin Deep - - Numark Gallery, Washington, DC (closed, 2006) |
| |
| Flesh Tones - 100 Years of the Nude - Robert Mann Gallery, New York City, NY |
2002
| |
| The Field's Edge - Africa, Diaspora, Lens - University of South Florida Contemporary Art Museum, Tampa, FL |
| |
| History Now - Liljevalchs konsthall, Stockholm |
| |
| Visions from America - Photographs from the Whitney Museum of American Art, 1940 - Whitney Museum of American Art, New York City, NY |
| |
| Parallels and Intersections - Art/Women/California, 1950-2000 - San Jose Museum of Art, San Jose, CA |
| |
| Issues of Identity in Recent American Art - Samek Art Gallery , Lewisburg, PA |
|
| Material World - From Lichtenstein to Viola 25 Years of The Fabric Workshop and - Museum of Contemporary Art Sydney - MCA, Sydney, NSW |
| |
| acquiring taste - Real Art Ways, Hartford, CT |
2001
| |
| Issues of Identity - Ewing Gallery of Art and Architecture, Knoxville, TN |
|
| Greed and Other Recent Acquisitions - ICP - International Center of Photography, New York City, NY |
| |
| Paradise Now: Picturing the Genetic Revolution - The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs, NY |
| |
| Looking Forward Looking Black - Victoria H. Myhren Gallery, Denver, CO |
| |
| Issues of Identity in Recent Contemporary American Art - University Galleries at Illinois State University, Normal, Il |
| |
| The Path of Resistance - MoMA meets Moderna 1960 - 2000 - Moderna Museet, Stockholm |
| |
| Love Supreme - La Criée - Centre d'Art Contemporain, Rennes |
| |
| Capturing Ligh - Masterpieces of California Photography - 1850-2000 - Oakland Museum of California, Oakland, CA |
| |
| Rhapsody - Selections from Valley Collections - ASU Art Museum - Arizona State University Art Museum, Tempe, AZ |
| |
| Capturing Light - Masterpieces of California Photography, - Oakland Museum of California, Oakland, CA |
| |
| African Affinities - Contemporary Connections - The RISD Museum - University of Rhode Island, Providence, RI |
|
| Televisions - Kunst sieht fern - Kunsthalle Wien (Museumsquartier), Vienna |
2000
|
| Collecting Ideas: Works from the Collection of Polly and Mark Addison - Denver Art Museum, Denver, CO |
| |
| Insight - Worcester Art Museum, Worcester, MA |
| |
| Paradise Now: Picturing the Genetic Revolution - - Exit Art, New York City, NY (closed, 2012) |
| |
| American Home - Works from the Permanent Collection - The Fabric Workshop and Museum, Philadelphia, PA |
| |
| Millennium Messages - Everson Museum of Art, Syracuse, NY |
| |
| Imaging African Art - Documentation and Transformation - Yale University Art Gallery, New Haven, CT |
|
| Selections from the Permanent Collection: The 1980s - Museum of Contemporary Art San Diego - MCASD Downtown, San Diego, CA |
| |
| The End: An Independent Vision of Contemporary Culture, 1982-2000 - - Exit Art, New York City, NY (closed, 2012) |
| |
| Art of the 1980's and 1990's. Focus on Recent Acquisitions - The Allen Memorial Art Museum, Oberlin, OH |
1999
| |
| Telling Histories: Installations by Ellen Rothenberg and Carrie Mae Weems - Boston University Art Gallery - BUAG, Boston, MA |
| |
| Rattling The Frame: The Photographic Space 1974-1999 - SF Camerawork, San Francisco, CA |
| |
| True West - PPOW, New York City, NY |
| |
| Other Narratives - Contemporary Arts Museum Houston, Houston, TX |
| |
| Future-Present: Photographs of Children from the Reader’s Digest Collection - The Aldrich Contemporary Art Museum, Ridgefield, CT |
1998
| |
| A Collector's View - Photographs from the Sondra Gilman Collection - Haggerty Museum of Art, Milwaukee, WI |
| |
| Word Perfect - Gallery 400 - University of Illinois at Chicago, Chicago, IL |
| |
| Rights of Spring - PPOW, New York City, NY |
1997
| |
| Un Bel Ete - Casino Luxembourg - Forum d'art contemporain, Luxembourg |
| |
| Laughter Ten Years After - The Morris and Helen Belkin Art Gallery, Vancouver, BC |
| |
| Civil Progress: Life in Black America - Greg Kucera Gallery, Seattle, WA |
1996
| |
| A Glimpse of the Norton Collection As Revealed by Kim Dingle - Site Santa Fe, Santa Fe, NM |
| |
| Herkunft? - Fotomuseum Winterthur, Winterthur |
1995
| |
| A Glimpse of the Norton Collection As Revealed by Kim Dingle - Santa Monica Museum of Art, Santa Monica, CA |
| |
| Storyland: Narrative Vision and Social Space - The Banff Centre - Walter Phillips Gallery, Banff, AB |
| |
| 1st Gwangju Biennal - Beyond The Borders - Gwangju Biennale, Gwangju |
1994
| |
| The Theater of Refusal: Black Art & Mainstream Criticism - Center for Art and Visual Culture, Baltimore, MD |
| |
| Bad Girls (Part I) - New Museum of Contemporary Art, New York City, NY |
1993
| |
| Mistaken Identities - Weserburg | Museum für moderne Kunst, Bremen |
| |
| 1920: The Subtlety of Subversion/The Continuity of Intervention - - Exit Art, New York City, NY (closed, 2012) |
1992
| |
| Boys & Girls Together - Arcadia University Art Gallery , Glenside, PA |
| |
| Contemporary Works by African-American Artists - Philadelphia Museum of Art, Philadelphia, PA |
1991
| |
| Pleasures and Terrors of Domestic Comfort - MoMA - Museum of Modern Art, New York City, NY |
1990
| |
| $pent: Currency, Security, and Art on Deposit - New Museum of Contemporary Art, New York City, NY |
1986
| |
| Past, Present, Future - New Museum of Contemporary Art, New York City, NY |
| Dealer Directory 2 |
USA
| | Charles Guice Contemporary, Berkeley, CA
|
| | Jack Shainman Gallery, New York City, NY
|
Collections 22
Switzerland
| | Fotomuseum Winterthur, Winterthur
|
USA
| | UMMA - The University of Michigan Museum of Art, Ann Arbor, MI
|
| | Asheville Art Museum, Asheville, NC
|
| | The Baltimore Museum of Art, Baltimore, MD
|
| | MIT List Visual Arts Center, Cambridge, MA
|
| | Krannert Art Museum, Champaign, IL
|
| | Gibbes Museum of Art, Charleston, SC
|
| | The Art Institute of Chicago, Chicago, IL
|
| | MoCP - The Museum of Contemporary Photography, Chicago, IL
|
| | Nasher Museum of Art, Durham, NC
|
| | Los Angeles County Museum of Art - LACMA, Los Angeles, CA
|
| | MOCA Grand Avenue, Los Angeles, CA
|
| | 21c Museum, Louisville, KY
|
| | Speed Art Museum, Louisville, KY
|
| | Maier Museum of Art, Lynchburg, VA
|
| | MAM - Miami Art Museum, Miami, FL
|
| | Montclair Art Museum, Montclair, NJ
|
| | The Fabric Workshop and Museum, Philadelphia, PA
|
| | The RISD Museum - University of Rhode Island, Providence, RI
|
| | Santa Barbara Museum of Art, Santa Barbara, CA
|
| | SCAD Museum of Art , Savannah, GA
|
| | Williams College Museum of Art, Williamstown, MA
|
Catalogs
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