Artist's arttributes:
|
| • |
Male |
| • |
Video, Digital photography |
Most exhibitions in:
|
| Country |
№ |
| USA | 19 |
| Spain | 4 |
| Germany | 3 |
| Switzerland | 2 |
Most exhibitions held at:
|
| Institution |
№ |
| |
Biennale de l'Image en Mouvement, Switzerland |
2 |
| |
Rena Bransten Gallery, USA |
2 |
| |
New Museum of Contemporary Art, USA |
2 |
Biography: 
1944 Born
External links:
| | Public exhibitions (Selection) 32 
Solo shows 3
2004
 |
| Ant Farm - 1968–1978 - Berkeley Art Museum and Pacific Film Archive BAM/PFA, Berkeley, CA |
2002
 |
| Chip Lord - Rena Bransten Gallery, San Francisco, CA |
1988
| |
| Chip Lord: Collaborative and Individual Tapes - ICP - International Center of Photography, New York City, NY |
Group shows 29
2011
| |
| God Only Knows Who The Audience Is - CCA Wattis Institute for Contemporary Arts, San Francisco, CA |
2010
| |
| ¿Estáis listos para la televisión? - Museu d´Art Contemporani de Barcelona - MACBA, Barcelona |
| |
| Broadcast - University of South Florida Contemporary Art Museum, Tampa, FL |
| |
| Broadcast - Picker Art Gallery at Colgate University, Hamilton, NY |
2009
| |
| Auto. Sueño y materia - CA2M - Centro de Arte Dos de Mayo, Móstoles |
| |
| Broadcast - Ronna and Eric Hoffman Gallery of Contemporary Art, Portland, OR |
 |
| AUTO. SUEÑO Y MATERIA - Laboral - Centro de Arte y Creación Industrial, Gijón |
2008
| |
| Conceptual Art From California - NBK - Neuer Berliner Kunstverein, Berlin |
 |
| The Art of Participation: 1950 to Now - San Francisco Museum of Modern Art - SFMOMA, San Francisco, CA |
| |
| Chip Lord, Curtis Schreier and Bruce Tomb - Gallery Paule Anglim, San Francisco, CA |
| |
| Broadcast - Museum of Contemporay Art Detroit, Detroit, MI |
| |
| Broadcast yourself - Cornerhouse, Manchester (England) |
| |
| 2008 01SJ - ZERO1 Biennial, San Jose, CA |
2007
| |
| Broadcast - - Contemporary Museum, Baltimore, Baltimore, MD (closed, 2012) |
2006
 |
| ATTITUDE 2006 - Cultural Center “Magaza”, Bitola |
| |
| Infrastructural Image - The Morris and Helen Belkin Art Gallery, Vancouver, BC |
2004
 |
| Ambulantes. Cultura portátil - Centro Andaluz de Arte Contemporáneo (CAAC), Sevilla |
2003
| |
| 10e Biennale de l'Image en Mouvement - Biennale de l'Image en Mouvement, Geneva |
 |
| Scenery - Rena Bransten Gallery, San Francisco, CA |
2001
| |
| 9e Biennale de l’Image en Mouvement - Biennale de l'Image en Mouvement, Geneva |
| |
| Rhethorics of surveillance from Bentham to Big Brother - ZKM | Zentrum für Kunst und Medientechnologie Karlsruhe, Karlsruhe |
1997
| |
| The History of Video Art in Boston:Part II: The 1980s - DeCordova Sculpture Park and Museum, Lincoln, MA |
1995
| |
| Downsizing the Image Factory - Philadelphia Museum of Art, Philadelphia, PA |
1992
| |
| The Art Mall: A Social Space - New Museum of Contemporary Art, New York City, NY |
1990
| |
| The Decade Show: Frameworks of Identity in the 1980s - New Museum of Contemporary Art, New York City, NY |
1987
| |
| documenta 8 - Documenta, Kassel |
1986
| |
| Media Hostages: Video Triptych - - Exit Art, New York City, NY (closed, 2012) |
1985
| |
| 18° Bienal de Sao Paulo - Bienal de Sao Paulo, São Paulo |
| |
| Video from Vancouver to San Diego - MoMA - Museum of Modern Art, New York City, NY |
Collections 2

Canada
| | National Gallery of Canada - Musée des beaux-arts du Canada, Ottawa, ON
|
Germany
| | ZKM | Zentrum für Kunst und Medientechnologie Karlsruhe, Karlsruhe
|
Catalogs
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