 Artist's arttributes:
|
| • |
Male |
| • |
Photography |
| • |
Conceptual Art, Land Art |
Most exhibitions in: |
| Country |
№ |
| USA | 71 |
| Germany | 20 |
| France | 16 |
| United Kingdom | 7 |
| Switzerland | 7 |
Most exhibitions held at: |
| Institution |
№ |
| |
Leo Castelli Gallery, USA |
15 |
| |
Paula Cooper Gallery, USA |
5 |
| |
FRAC - Limousin, France |
3 |
| |
The Geffen Contemporary at MOCA, USA |
3 |
| |
Contemporary Arts Museum Houston, USA |
3 |
Biography: 
1924 Born in Ann Arbor, MI (US)
2.7.1997 Died in Truro, MA (US)
External links: | | Public exhibitions (Selection) 144
until 8.9.
Solo shows 20
2012
| |
| Douglas Huebler - Paula Cooper Gallery, New York City, NY |
2007
| |
| Douglas Huebler - Susan Inglett Gallery, New York City, NY |
2006
| |
| Douglas Huebler - Galerie Art & Essai, Rennes |
 |
| Douglas Huebler - Collection "in process" #1 - Mamco - musée d´art moderne et contemporain, Geneva |
| |
| Douglas Huebler - Marc Selwyn Fine Art, Los Angeles, CA |
2002
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| Douglas Huebler - Camden Arts Centre, London (England) |
1997
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| Douglas Huebler - Kunstverein in Hamburg, Hamburg |
1990
|
| Douglas Huebler - Leo Castelli Gallery, New York City, NY |
1986
|
| Douglas Huebler - Leo Castelli Gallery, New York City, NY |
1985
| |
| Douglas Huebler : crocodile tears - Albright-Knox Art Gallery, Buffalo, NY |
1983
|
| Douglas Huebler - Leo Castelli Gallery, New York City, NY |
1981
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| Douglas Huebler - Crocodile Tears - Leo Castelli Gallery, New York City, NY |
1978
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| Douglas Huebler - Mediations - Leo Castelli Gallery, New York City, NY |
1976
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| Douglas Huebler - Leo Castelli Gallery, New York City, NY |
1973
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| Douglas Huebler - Leo Castelli Gallery, New York City, NY |
1972
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| Douglas Huebler - Westfälischer Kunstverein, Münster |
| |
| Douglas Huebler - location pieces, site sculpture, duration works, drawings, variable pieces - MFA - Museum of Fine Arts, Boston, Boston, MA |
| |
| Douglas Huebler - Leo Castelli Gallery, New York City, NY |
1971
| |
| Douglas Huebler - Leo Castelli Gallery, New York City, NY |
1970
| |
| Douglas Huebler - Addison Gallery of American Art, Andover, MA |
Group shows 123
2013
| |
| Répétition II - Paula Cooper Gallery, New York City, NY |
2012
| |
| Les DÉrives De L'imaginaire - Palais de Tokyo, Paris |
| |
| Beyond Corrupted Eye - Akumulatory 2 Gallery, 1972–1990 - Zacheta - National Gallery of Art, Warsaw |
| |
| Materializing "Six Years": Lucy R. Lippard and the Emergence of Conceptual Art - Brooklyn Museum of Art, New York City, NY |
| |
| Proteus - Contemporary Art Centre (CAC), Vilnius |
| |
| Ends of the Earth: Land Art to 1974 - The Geffen Contemporary at MOCA, Los Angeles, CA |
| |
| Est–3: Southern California In New York - Los Angeles Art From The Beth Rudin Dewoody Collection - Parrish Art Museum, Southampton, NY |
| |
| Positions on Conceptual Art - Galerie Rüdiger Schöttle, Munich |
2011
| |
| Arte Povera International - Castello di Rivoli Museo d'Arte Contemporanea, Turin |
 |
| Under the Big Black Sun: California Art 1974-1981 - The Geffen Contemporary at MOCA, Los Angeles, CA |
| |
| Atlas. How to carry the world on one's back? - Deichtorhallen Hamburg, Hamburg |
| |
| Nachrichten aus der Zwischenstadt - Museum Ludwig, Cologne |
| |
| Sistemas, Acciones y Procesos. 1965-1975 - Fundación PROA, Buenos Aires |
| |
| Atlas. How to carry the world on one's back? - ZKM | Zentrum für Kunst und Medientechnologie Karlsruhe, Karlsruhe |
| |
| Locations - Paula Cooper Gallery, New York City, NY |
|
| Land Art - Hamburger Bahnhof - Museum für Gegenwart, Berlin |
| |
| Aphasic Disturbance - Chelsea space - Chelsea College of Art and Design, London (England) |
| |
| Sculpture In So Many Words: Text Pieces 1960-75 - ZieherSmith, New York City, NY |
2010
|
| Never The Same River (Possible Futures, Probable Pasts) - Camden Arts Centre, London (England) |
|
| I Believe in Miracles - 10thanniversary of the Lambert Collection - Collection Lambert, Avignon |
|
| Exhibition, Exhibition - Castello di Rivoli Museo d'Arte Contemporanea, Turin |
| |
| Portrait - Thomas Solomon Gallery, Los Angeles, CA |
| |
| The Traveling Show - Galeria de Fundaciíon/Coleccion Jumex, Mexico City |
| |
| Ruptures and Continuities: Photography Made after 1960 from the MFAH Collection - MFAH - Museum of Fine Arts Houston, Houston, TX |
|
| Vertically Integrated Manufacturing - Murray Guy, New York City, NY |
2009
|
| 1969 - MoMA PS1, New York City, NY |
| |
| Learn to Read Art: A History of Printed Matter - MoMA PS1, New York City, NY |
| |
| Zig Zag - Sperone Westwater Gallery, New York City, NY |
| |
| Dematerialised: Jack Wendler Gallery 1971 to 1974 - Chelsea space - Chelsea College of Art and Design, London (England) |
| |
| The Quick and the Dead - Walker Art Center, Minneapolis, MN |
| |
| Compass in Hand: Selections from The Judith Rothschild Foundation Contemporary Drawings Collection - MoMA - Museum of Modern Art, New York City, NY |
|
| Nueva York - El Papel de las Ultimas Vanguardias - Museo de Arte Contemporáneo Esteban Vicente, Segovia |
2008
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| The Cover of a Book is the Beginning of a Journey - Arnolfini, Bristol (England) |
| |
| Tractatus Logico-Catalogicus - VOX contemporary image, Montreal, QC |
| |
| The Panza Collection and Ways of Seeing: Giuseppe and Giovanna Panza - Hirshhorn Museum and Sculpture Garden, Washington, DC |
|
| The order of things - MuHKA Museum voor Hedendaagse Kunst Antwerpen, Antwerp |
| |
| Roman Holiday - Henry Art Gallery, Seattle, WA |
| |
| Sol LeWitt x2 - Austin Museum of Art - AMOA, Austin, TX |
| |
| Blasted Allegories - Werke aus der Sammlung Ringier - Kunstmuseum Luzern, Lucerne |
| |
| W.D.A.O.V.T.O.P.N.N.M.T.B.V. - Galeria Bassols-Balmes, Barcelona |
2007
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| Mapping the Self - Museum of Contemporary Art Chicago (MCA), Chicago, IL |
| |
| Romantischer Konzeptualismus - Bawag Contemporary - Bawag Foundation, Vienna |
| |
| Suburban Sublime - Museum of Contemporary Art San Diego - MCASD Downtown, San Diego, CA |
| |
| what we do is secret - Blancpain Art Contemporain, Geneva |
| |
| Romantischer Konzeptualismus - Kunsthalle Nürnberg, Nuremberg |
| |
| Beneath the Underdog - Gagosian Gallery , New York City, NY |
| |
| What does the jellyfish want? - Museum Ludwig, Cologne |
| |
| Mapping the City - Stedelijk Museum Amsterdam, Amsterdam |
2006
| |
| Kunst aus Los Angeles der 60er bis 90er Jahre - Kunstverein Braunschweig, Braunschweig |
|
| busy going crazy. the Sylvio Perlstein collection - La Maison Rouge, Paris |
| |
| Twice Drawn - The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs, NY |
| |
| Nineteen Sixty-Eight - Thomas Solomon Gallery, Los Angeles, CA |
| |
| Inventur - Kunsthaus Graz, Graz |
| |
| Los Angeles 1955-1985 The birth of an art capital - Centre Pompidou - Musée National d´Art Moderne, Paris |
2005
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| Classified Materials: Accumulations, Archives, Artists - Vancouver Art Gallery, Vancouver, BC |
|
| 8e Biennale de Lyon - Expérience de la durée - Experiencing Duration - La Biennale de Lyon, Lyon |
| |
| Area '70 - Studio d'Arte Cannaviello, Milan |
| |
| The Last Picture Show - Artists using Photography 1960-1982 - Miami Art Central, Miami, FL |
2004
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| Before The End (The Last Painting Show) - SI Swiss Institute, New York City, NY |
| |
| The last picture show. Artistas que hacen uso de la fotografía. Tendencias conceptuales de 1960-1982 - MARCO Museo de Arte Contemporánea de Vigo, Vigo |
| |
| A Minimal Future? Art As Object 1958-1968 - MOCA Grand Avenue, Los Angeles, CA |
|
| The Last Picture Show - Artists Using Photography, 1960-1982 - Hammer Museum, Los Angeles, CA |
| |
| Un conte d’hiver - FRAC - Limousin, Limoges |
| |
| Painter Editions - Patrick Painter Inc., Santa Monica, CA |
2003
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| Gestes, poses, attitudes… - FRAC - Limousin, Limoges |
| |
| Photo-sculpture (2) - Gestes, poses, attitudes… - FRAC - Limousin, Limoges |
|
| The Last Picture Show - Artists Using Photography - 1960-1982 - Walker Art Center, Minneapolis, MN |
| |
| Someone To Share My Life With - The Approach, London (England) |
2002
| |
| Photographier - Collection Lambert, Avignon |
| |
| From The Observatory - Paula Cooper Gallery, New York City, NY |
2001
|
| Ingenting / Nothing - - Rooseum Center for Contemporary Art, Malmö (closed, 2006) |
|
| Conception - The Conceptual Document 1968-1972 - The Morris and Helen Belkin Art Gallery, Vancouver, BC |
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| Nothing - Contemporary Art Centre (CAC), Vilnius |
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| Art Express, art minimal et conceptuel, état d’une collection - Mamco - musée d´art moderne et contemporain, Geneva |
2000
|
| Global Conceptualism - Points of Origin, 1950s-1980s - MIT List Visual Arts Center, Cambridge, MA |
|
| Voilà - Le monde dans la tête - Musée d´Art Moderne de la Ville de Paris - MAM/ARC, Paris |
1999
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| Alchemies of the Sixties. From the Rose Art Museum Permanent Collection - The Rose Art Museum, Waltham, MA |
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| Wall Drawings - - Lance Fung Gallery, New York City, NY (closed) |
| |
| Global Conceptualism: Points of Origin 1950s–1980s - Queens Museum of Art (QMA), New York City, NY |
1998
|
| A Choice from the Collection - Stedelijk Van Abbemuseum, Eindhoven |
| |
| Conceptual Photography from the 60s and 70s - David Zwirner, Inc., New York City, NY |
| |
| L’étonnante gravité des choses simples - Abbaye St André - Centre d'art contemporain Meymac, Meymac |
1997
| |
| Comme des Photos - Galerie Art & Essai, Rennes |
| |
| Critical Images - Leslie Tonkonow Artworks + Projects, New York City, NY |
| |
| Foto Text Text Foto - Fotomuseum Winterthur, Winterthur |
1996
|
| Love Gasoline - Mercer Union - A Centre For Contemporary Visual Art, Toronto, ON |
| |
| Op Losse Schroeven : Situaties en Cryptostructuren - Stedelijk Museum Amsterdam, Amsterdam |
1995
| |
| 1965-1975: Reconsidering The Object Of Art - The Geffen Contemporary at MOCA, Los Angeles, CA |
| |
| Abstand und Nähe – Prospect ‘68–‘69–’71 In Düsseldorf - Galerie Bugdahn und Kaimer, Dusseldorf |
| |
| Masterpieces from the Solomon R. Guggenheim Museum’s Panza Collection - Hessel Museum of Art & Center for Curatorial Studies Galleries at Bard College, Annandale-on-Hudson, NY |
1994
| |
| Pictures Of The Real World (In Real Time) - Le Consortium, Dijon |
| |
| From Minimal to Conceptual Art - The National Gallery of Art, Washington, DC |
| |
| Pictures of The Real World (In Real Time) - Paula Cooper Gallery, New York City, NY |
1993
| |
| Works on paper - Galerie Bugdahn und Kaimer, Dusseldorf |
| |
| On the Road: Selections from the Permanent Collecton of the Museum of Contemporary Art, San Diego - Contemporary Arts Museum Houston, Houston, TX |
1992
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| 1968 - Le Consortium, Dijon |
| |
| Knowledge: Aspects Of Conceptual Art - Santa Monica Museum of Art, Santa Monica, CA |
1991
| |
| Word As Image: American Art 1960–1990 - Contemporary Arts Museum Houston, Houston, TX |
1990
| |
| L'art conceptuel, une perspective - Musée d´art contemporain de Montréal, Montreal, QC |
| |
| Pharmacy - Jan Kesner Gallery, Los Angeles, CA |
1987
|
| XXXth Anniversary The First Fifteen Years Part 2 - Leo Castelli Gallery, New York City, NY |
1983
| |
| Kunst mit Photographie - Die Sammlung Dr. Rolf H. Krauss - Kölnischer Kunstverein, Cologne |
| |
| Kunst mit Photographie - Die Sammlung Dr. Rolf H. Krauss - Neue Nationalgalerie, Berlin |
1980
|
| Group Installation - Leo Castelli Gallery, New York City, NY |
1977
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| American Narrative/Story Art: 1967–1977 - Contemporary Arts Museum Houston, Houston, TX |
| |
| documenta 6 - Documenta, Kassel |
1976
| |
| New York in Europa - Neue Nationalgalerie, Berlin |
| |
| Ideas on Paper 1970-1976 - The Renaissance Society at The University of Chicago, Chicago, IL |
1975
| |
| Group Exhibition - Leo Castelli Gallery, New York City, NY |
1974
| |
| Group Drawing Exhibition - Leo Castelli Gallery, New York City, NY |
1973
| |
| Group Exhibition - Leo Castelli Gallery, New York City, NY |
1972
| |
| Yvon Lambert Actualité d'un Bilan - Yvon Lambert - Paris, Paris |
| |
| Group Drawing Exhibition - Leo Castelli Gallery, New York City, NY |
| |
| documenta 5 - Documenta, Kassel |
| |
| Konzept-Kunst - Kunstmuseum Basel, Basel |
1971
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| Projects: Pier 18 - MoMA - Museum of Modern Art, New York City, NY |
1970
| |
| Conceptual Art and Conceptual Aspects - - New York Cultural Center, New York City, NY (closed, 1975) |
1969
| |
| When Attitudes Become Form - ICA - Institute of Contemporary Arts London, London (England) |
| |
| When Attitudes become Form - Museen Haus Lange / Haus Esters, Krefeld |
| |
| When Attitudes Become Form - Kunsthalle Bern, Bern |
|
| January 5-31, 1969 - - McLendon Building, New York City, NY (closed, 1969) |
1966
|
| Primary Structures: Younger American and British Sculpture - The Jewish Museum of New York, New York City, NY |
| Dealer Directory 4 |
Germany
| | Galerie Rüdiger Schöttle, Munich
|
Italy
| | Galleria Lia Rumma - Naples, Naples
|
USA
| | Paula Cooper Gallery, New York City, NY
|
| | Susan Inglett Gallery, New York City, NY
|
Collections 13
Belgium
| | SMAK Stedelijk Museum voor Actuele Kunst, Gent
|
Canada
| | National Gallery of Canada - Musée des beaux-arts du Canada, Ottawa, ON
|
Denmark
France
| | Musée d'Art Contemporain Lyon, Lyon
|
Netherlands
| | Stedelijk Van Abbemuseum, Eindhoven
|
| | Kröller-Müller Museum, Otterlo
|
Poland
| | ms - Muzeum Sztuki Lodz, Lodz
|
Switzerland
| | Fotomuseum Winterthur, Winterthur
|
United Kingdom
| | Tate Britain, London (England)
|
USA
| | The Art Museum of South Texas, Corpus Christi, TX
|
| | MOCA Grand Avenue, Los Angeles, CA
|
| | MoMA - Museum of Modern Art, New York City, NY
|
Catalogs
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