Artwork: |
 |
| Invisible Hole Revealed by the Shadow of the Artist, 1968 |
| MAUREEN PALEY |
 Artist's arttributes:
|
| • |
Male |
| • |
Photography |
Most exhibitions in: |
| Country |
№ |
| United Kingdom | 23 |
| USA | 3 |
| Greece | 2 |
Most exhibitions held at: |
| Institution |
№ |
| |
Richard Saltoun, United Kingdom |
2 |
| |
Henry Moore Institute, United Kingdom |
2 |
| |
National Media Museum, United Kingdom |
2 |
| |
Tate Liverpool, United Kingdom |
2 |
 |
MAUREEN PALEY, United Kingdom |
2 |
Biography: 
1930 Born in Oxford (UK)
2008 Died
External links: | | Public exhibitions (Selection) 41
Solo shows 8
2012
2009
| |
| Works 1968 - 1990 - Richard Saltoun, London (England) |
| |
| Keith Arnatt - Gallery Karsten Schubert, London (England) |
| |
| Box, Body, Burial: The sculptural imagination of Keith Arnatt - Henry Moore Institute, Leeds (England) |
2008
| |
| Keith Arnatt: I'm a real photographer - Glynn Vivian Art Gallery, Swansea (Wales) |
2007
| |
| Keith Arnatt - I am real photographer - The Photographers' Gallery, London (England) |
1994
| |
| One foot has not yet reached the next street - Christchurch Art Gallery Te Puna o Waiwhetu, Christchurch |
1977
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| Keith Arnatt - Whitechapel Art Gallery, London (England) |
Group shows 33
2013
| |
| A Stone Left Unturned - Yvon Lambert - Paris, Paris |
2012
| |
| Thresholds - Tate Liverpool, Liverpool (England) |
| |
| Ends of the Earth: Land Art to 1974 - The Geffen Contemporary at MOCA, Los Angeles, CA |
| |
| Focal Points - Manchester Art Gallery, Manchester (England) |
| |
| When Attitudes Became Form - Richard Saltoun, London (England) |
2011
| |
| United Enemies - The Problem of Sculpture in Britain in the 1960s and 1970s - Henry Moore Institute, Leeds (England) |
| |
| Signs of a Struggle: Photography in the Wake of Postmodernism - Victoria & Albert Museum - V&A, London (England) |
| |
| Made in Britain: Contemporary Art from the British Council Collection 1980–2010 - Hong Kong Heritage Museum, Hong Kong, SAR |
| |
| Sculpture In So Many Words: Text Pieces 1960-75 - ZieherSmith, New York City, NY |
2010
| |
| The Mousetrapp or Something old something new something borrowed something blue - Galleria Tiziana Di Caro, Salerno |
2009
| |
| We interrupt this program - Mercer Union - A Centre For Contemporary Visual Art, Toronto, ON |
 |
| 1969 - MoMA PS1, New York City, NY |
| |
| Animalism - National Media Museum, Bradford (England) |
2008
| |
| NO SUCH THING AS SOCIETY. Photography in Britain 1967-1987 - Centre for Contemporary Art Ujazdowski Castle, Warsaw |
| |
| No Such Thing As Society - Tullie House Museum, Carlisle, Cumbria (England) |
| |
| Nature is a Workshop - Turner Contemporary, Margate, Kent |
2007
| |
| says the junk in the yard - Flowers Galleries - Kingsland Road, London (England) |
| |
| Centre of the Creative Universe: Liverpool and the Avant-Garde - Tate Liverpool, Liverpool (England) |
2006
| |
| Six Feet Under; Autopsie unseres Umgang mit Toten - Kunstmuseum Bern, Bern |
2005
| |
| The Gravity in Art - de Appel arts centre, Amsterdam |
2004
|
| Behind the facts interfunktionen - Fundación Joan Miró, Barcelona |
2002
| |
| On generalrelease - The Gallery at Norwich University , Norwich (England) |
2000
| |
| New Natural History - Hasselblad Center, Gothenburg |
1999
| |
| New Natural History - National Media Museum, Bradford (England) |
1998
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| What is a photograph? - Five Years, London (England) |
| |
| De Composition - Photography Group Show - Ileana Tounta Contemporary Art Centre, Athens |
| |
| DeCOMPOSITION - Photography from Britain - MMCA Macedonian Museum of Contemporary Art, Thessaloniki |
1997
1991
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| 21° Bienal de São Paulo - Bienal de Sao Paulo, São Paulo |
1985
1972
| |
| The new art - Hayward Gallery, London (England) |
1971
| Dealer Directory 2 |
United Kingdom
| | Richard Saltoun, London (England)
|
Collections 2
United Kingdom
| | Tate Britain, London (England)
|
| | Harris Museum and Art Gallery, Preston, Lancashire (England)
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Catalogs
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