Artist's arttributes:
|
| • |
Male |
| • |
Drawing, Sculpture, Object |
Most exhibitions in:
|
| Country |
№ |
| Germany | 44 |
| USA | 20 |
| United Kingdom | 15 |
Most exhibitions held at:
|
| Institution |
№ |
 |
Sies + Höke, Germany |
4 |
| |
CCA Wattis Institute for Contemporary Arts, USA |
4 |
| |
White Cube - Hoxton Square, United Kingdom |
4 |
| |
MARTa Herford, Germany |
3 |
| |
Johann König, Germany |
3 |
Biography: 
1972 Born in Kortrijk (BE)
Kris Martin CV as pdf-File
Kris Martin bibliography as pdf-File
External links:
| | Public exhibitions (Selection) 125 
until 30.6.
Solo shows 27
2013
| |
| Kris Martin - White Cube - Mason´s Yard, London (England) |
2012
| |
| Kris Martin - every day of the weak - kestnergesellschaft, Hannover |
| |
| Kris Martin - Do not cross the Red Line - Kunst-Station Sankt Peter Köln, Cologne |
| |
| Kris Martin - Festum II - Kunsthistorisches Museum Wien, Vienna |
| |
| Kris Martin - Every Day of the Weak - Aargauer Kunsthaus, Aarau |
 |
| Kris Martin - Every Day of the Weak - Kunstmuseum Bonn, Bonn |
2011
| |
| Kris Martin - Marc Foxx Gallery, Los Angeles, CA |
| |
| The Magnificent Seven: Capp Street: Kris Martin - CCA Wattis Institute for Contemporary Arts, San Francisco, CA |
2010
 |
| Kris Martin - Festum - White Cube - Hoxton Square, London (England) |
| |
| Kris Martin - K20 Grabbeplatz, Dusseldorf |
| |
| Kris Martin - Galerie Almine Rech - Brussels, Brussels |
2009
| |
| Kris Martin - Aspen Art Museum, Aspen, CO |
| |
| Kris Martin - Johann König, Berlin |
2008
 |
| Kris Martin - Passengers: 2.2 - CCA Wattis Institute for Contemporary Arts, San Francisco, CA |
| |
| Kris Martin - Every Day of the Weak - MDD - Museum Dhondt-Dhaenens, Deurle |
| |
| Kris Martin. Inter Pares - GAMeC - Galleria d´Arte Moderna e Contemporanea di Bergamo, Bergamo |
| |
| Kris Martin - Marc Foxx Gallery, Los Angeles, CA |
| |
| Kris Martin: What's the time? - White Cube - Hoxton Square, London (England) |
2007
| |
| Kris Martin - MoMA PS1, New York City, NY |
2006
| |
| Kris Martin - Johann König, Berlin |
2005
| |
| Kris Martin - Neuer Aachener Kunstverein, Aachen |
2004
| |
| Kris Martin - Hoet Bekaert Gallery, Gent |
Group shows 97
2013
| |
| Goldrausch - Gegenwartskunst aus, mit oder über Gold - Villa Merkel - Galerien der Stadt Esslingen, Esslingen |
2012
| |
| Im Schein des Unendlichen - Romantik und Gegenwart - ALTANA Kulturstiftung im Sinclair-Haus, Bad Homburg |
| |
| Jahresgaben 2012 - Bonner Kunstverein, Bonn |
| |
| Wonderful – Humboldt, Krokodil & Polke, Die Olbricht Collection - me Collectors Room Berlin, Berlin |
| |
| Cartografías contemporáneas - CaixaForum Barcelona, Barcelona |
| |
| Cartografías contemporáneas. Dibujando el pensamiento - CaixaForum Madrid, Madrid |
 |
| Private Kunstsammlungen Münster - Director´s Choice - Kunsthalle Münster, Münster |
| |
| Jahresgaben 2012 - Neuer Aachener Kunstverein, Aachen |
| |
| Goldrausch - Kunsthalle Nürnberg, Nuremberg |
| |
| A House of Leaves. First Movement - The David Roberts Art Foundation, London (England) |
 |
| When Attitudes Became Form Become Attitudes - CCA Wattis Institute for Contemporary Arts, San Francisco, CA |
| |
| en désordre - Philara - Sammlung zeitgenössischer Kunst, Dusseldorf |
| |
| Punkt.Systeme - Vom Pointillismus zum Pixel - Wilhelm Hack Museum, Ludwigshafen |
2011
 |
| Die Kunst der Entschleunigung - Bewegung und Ruhe in der modernen Kunst - Kunstmuseum Wolfsburg, Wolfsburg |
 |
| mémoires du futur - la collection Olbricht - La Maison Rouge, Paris |
 |
| The Silver Show - 25 Jahre Nak - Neuer Aachener Kunstverein, Aachen |
 |
| Wunder - Kunst, Wissenschaft Und Religion Vom 4. Jahrhundert Bis Zur Gegenwart. - Deichtorhallen Hamburg, Hamburg |
 |
| 29th Biennial of Graphic Arts - Ljubljana Biennial of Graphic Arts, Ljubljana |
| |
| 12th International İstanbul Biennial - International Istanbul Biennial, Istanbul |
| |
| arkhaiologia - Archäologie in der zeitgenössischen Kunst - Kunsthaus CentrePasquArt - Centre d'Art, Biel/Bienne |
| |
| La Vie Mode d’Emploi (Life A User’s Manual) - Meessen De Clercq, Brussels |
| |
| Under Destruction III - SI Swiss Institute, New York City, NY |
| |
| über dinge - Kunsthaus Muerz, Mürzzuschlag |
| |
| Under Destruction - SI Swiss Institute, New York City, NY |
| |
| Flemish Masters, That´s Life - Andrea Rosen Gallery, New York City, NY |
2010
| |
| Let´s Dance - Musée d´art contemporain du Val-de-Marne MAC/Val, Vitry-sur-Seine |
| |
| Under Destruction - Museum Tinguely, Basel |
 |
| Exhibition, Exhibition - Castello di Rivoli Museo d'Arte Contemporanea, Turin |
| |
| Liverpool Biennial 10 - Liverpool Biennial of Contemporary Art, Liverpool (England) |
| |
| You can't get there from here but you can get here from there - Apexart, New York City, NY |
| |
| Before and After - Galerie Balice Hertling, Paris |
| |
| Unsichtbare Schatten - Bilder der Verunsicherung - MARTa Herford, Herford |
| |
| Yesterday Will Be Better - Mit der Erinnerung in die Zukunft - Aargauer Kunsthaus, Aarau |
| |
| Lebenslust und Totentanz - Kunsthalle Krems, Krems |
| |
| Human Condition - Kunsthaus Graz, Graz |
 |
| Kupferstichkabinett: Between Thought and Action - White Cube - Hoxton Square, London (England) |
| |
| Christmas in July - - Yvon Lambert - New York, New York City, NY (closed, 2011) |
| |
| Signs of Life - Richard Telles Fine Art, Los Angeles, CA |
| |
| 11. Triennale Kleinplastik - Larger Than Life - Stranger Than Fiction - Triennale Kleinplastik Fellbach, Fellbach |
 |
| Passion fruits picked from the Olbricht Collection - me Collectors Room Berlin, Berlin |
| |
| Contemplating the Void - Solomon R. Guggenheim Museum, New York City, NY |
| |
| Neugierig? Kunst des 21. Jahrhunderts aus privaten Sammlungen - Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, Bonn |
| |
| Ich weiß gar nicht, was Kunst ist - Einblicke in eine private Sammlung - MARTa Herford, Herford |
2009
| |
| LA VIE À L'ÉPREUVE - IAC - Institut d'art contemporain Villeurbanne/Rhône-Alpes, Villeurbanne |
| |
| Beg Borrow and Steal - Rubell Family Collection, Miami, FL |
| |
| Silent - Hiroshima City Museum of Contemporary Art, Hiroshima |
 |
| Morality - Act I: Beautiful from Every Point of View - Witte de With Center for Contemporary Art, Rotterdam |
 |
| Moby Dick - CCA Wattis Institute for Contemporary Arts, San Francisco, CA |
| |
| cargo / cargo manifest / cargo vision - Autocenter, Berlin |
| |
| la importancia del pez cebra, the importance of the zebrafish - Parra & Romero, Madrid |
| |
| cargo manifest - Bayrische Staatsoper, Munich |
| |
| Site of Silence - Kunsthalle Münster, Münster |
 |
| Political/Minimal - Muzeum Sztuki in Lodz, Main Building, Lodz |
 |
| 2nd Athens Biennial 2009 - Heaven - Athens Biennial, Athens |
 |
| curated by_vienna 09 Beginnings, Middles, And Ends - Christine König Galerie, Vienna |
| |
| Beginnings, Middles, And Ends - Kerstin Engholm Galerie, Vienna |
| |
| The Quick and the Dead - Walker Art Center, Minneapolis, MN |
| |
| On second reading - Galería Estrany - De La Mota, Barcelona |
| |
| Born in the morning, dead by night - Leo Koenig Inc., New York City, NY |
2008
 |
| Heavy Metal. Die unerklärliche Leichtigkeit eines Materials - Kunsthalle zu Kiel, Kiel |
| |
| Political/Minimal - Kunst-Werke Berlin - KW Institute for Contemporary Art , Berlin |
| |
| Fade In / Fade Out - Bloomberg Space, London (England) |
| |
| The Library of Babel / In and Out of Place - Zabludowicz Collection London, London (England) |
| |
| Speicher fast voll - Sammeln und Ordnen - Kunstmuseum Solothurn, Solothurn |
| |
| The eternal flame - Kunsthaus Baselland, Basel |
| |
| When a clock is seen from the side it no longer tells the time - Johann König, Berlin |
| |
| L'Argent - FRAC - Ile-de-France Le Plateau, Paris |
| |
| Past-Forward - Zabludowicz Collection London, London (England) |
| |
| Traces du Sacré - Centre Pompidou - Musée National d´Art Moderne, Paris |
| |
| You dig the tunnel, i'll hide the soil - White Cube - Hoxton Square, London (England) |
| |
| God is design - Galeria Fortes Vilaça, São Paulo |
 |
| Die Hände der Kunst - MARTa Herford, Herford |
| |
| Countdown - Hessel Museum of Art & Center for Curatorial Studies Galleries at Bard College, Annandale-on-Hudson, NY |
| |
| Der eigene Weg - Perspektiven belgischer Kunst - MKM Museum Küppersmühle für Moderne Kunst, Duisburg |
| |
| All-Inclusive - Die Welt des Tourismus - Schirn Kunsthalle, Frankfurt/Main |
2007
| |
| The Office - Tanya Bonakdar Gallery, New York City, NY |
| |
| Gehen bleiben - Kunstmuseum Bonn, Bonn |
 |
| Invisible - Max Wigram Gallery, New Bond Street, London (England) |
| |
| Pensa | Piensa | Think - Arts Santa Mònica, Barcelona |
| |
| Re-Dis-Play - Heidelberger Kunstverein, Heidelberg |
 |
| Learn to Read - Tate Modern, London (England) |
| |
| Absent Without Leave - Victoria Miro Gallery, London (England) |
| |
| Some time waiting - Kadist Art Foundation, Paris |
2006
| |
| My Private Escaped From Italy - Centre international d´art et du paysage de l´île de Vassivière, Ile de Vassivière |
| |
| Faster! Bigger! Better! - ZKM | Zentrum für Kunst und Medientechnologie Karlsruhe, Karlsruhe |
| |
| protections - Kunsthaus Graz, Graz |
| |
| Nichts weiter als ein Rendezvous - Künstlerhaus Bremen, Bremen |
 |
| 4. Berlin Biennale für Zeitgenössische Kunst - berlin biennale für zeitgenössische kunst, Berlin |
2004
| |
| Trends 04. 50 hedendaagse kunstenaars stellen 200 originele werken tentoon en ... te koop. - Sint-Barbaracollege, Gent |
2003
 |
| Gelijk het leven is - SMAK Stedelijk Museum voor Actuele Kunst, Gent |
| |
| Opening Show - Hoet Bekaert Gallery, Gent |
2001
| |
| Locus Focus - Sonsbeek 2001 - Museum voor Moderne Kunst Arnhem - MMKA, Arnhem |
Dealer Directory 5 |
Germany
United Kingdom
| | White Cube - Hoxton Square, London (England)
|
| | White Cube - Mason´s Yard, London (England)
|
USA
| | Marc Foxx Gallery, Los Angeles, CA
|
Collections 4

Germany
| | Burger Collection, Berlin
|
United Kingdom
| | The David Roberts Art Foundation, London (England)
|
Catalogs
|