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Most exhibitions in: |
| Country |
№ |
| Germany | 65 |
| United Kingdom | 41 |
| USA | 40 |
| France | 23 |
| Switzerland | 19 |
Most exhibitions held at: |
| Institution |
№ |
| |
Casey Kaplan Gallery, USA |
10 |
| |
Corvi-Mora, United Kingdom |
6 |
| |
ICA - Institute of Contemporary Arts London, United Kingdom |
5 |
| |
Städtische Galerie im Lenbachhaus & Kunstbau, Germany |
5 |
Biography: 
 |
|
Photo: Art Now, Taschen © Courtesy Air de Paris,Paris
|
1964 Born in Aylesbury (UK)
Lives and works in London and New York
1983 - 1984 Hertfordshire College of Art
1984 - 1987 Goldsmiths College, University of London, B.A.
| | Public exhibitions 293 
until 31.1.2010
until 10.1.2010
until 20.12.
until 29.11.
until 22.11.
Solo shows 35
2009
| |
| Liam Gillick, Literally Based H.Z., 2006 - Irish Museum of Modern Art - IMMA, Dublin |
2008
| |
| Liam Gillick - Casey Kaplan Gallery, New York City, NY |
| |
| Liam Gillick - Witte de With Center for Contemporary Art, Rotterdam |
2007
| |
| The State / Commune Itself as a Super State / Commune - Galerie Micheline Szwajcer, Antwerp |
| |
| Three Perspectives and a short scenario - Witte de With Center for Contemporary Art, Rotterdam |
2006
| |
| Liam Gillick - Kerlin Gallery, Dublin |
2005
| |
| Liam Gillick - CAC Centro de Arte Contemporáneo Malága, Málaga |
| |
| Liam Gillick - Galerie Meyer Kainer, Vienna |
 |
| Liam Gillick - Texte court sur la possibilité de créer une économie de l - Palais de Tokyo, Paris |
| |
| Liam Gillick - Galerie Eva Presenhuber, Zurich |
2004
| |
| Liam Gillick - Galerie Micheline Szwajcer, Antwerp |
| |
| On Site - Liam Gillick - Milwaukee Art Museum, Milwaukee, WI |
2003
 |
| Projects 79: Liam Gillick, Literally - MoMA - Museum of Modern Art, New York City, NY |
| |
| LIAM GILLICK - communes, bars and greenrooms - The Power Plant, Toronto, ON |
 |
| Liam Gillick - Exterior Days - Casey Kaplan Gallery, New York City, NY |
 |
| Liam Gillick - "…and Punctuated Everydays" - - Galerie Max Hetzler - Holzmarktstrasse (closed), Berlin (closed) |
2002
| |
| Liam Gillick - Relative Progress - 2002 - Pain in Building - 1999 - Mamco - musée d´art moderne et contemporain, Geneva |
| |
| Liam Gillick - Galerie Rüdiger Schöttle, Munich |
| |
| Liam Gillick - Galerie Meyer Kainer, Vienna |
| |
| Liam Gillick - The Wood Way - Whitechapel Art Gallery, London (England) |
| |
| Liam Gillick - Ann Lee You Proposes - 2001 - Mamco - musée d´art moderne et contemporain, Geneva |
2001
 |
| Liam Gillick: Annlee You Proposes - Tate Britain, London (England) |
| |
| Liam Gillick - Corvi-Mora, London (England) |
| |
| Liam Gillick - Galerie Eva Presenhuber, Zurich |
2000
| |
| Liam Gillick - Woody - Center for Contemporary Art, CCA Kitakyushu, Kitakyushu |
| |
| Liam Gillick - Casey Kaplan Gallery, New York City, NY |
| |
| Liam Gillick: consulation filter - Westfälischer Kunstverein, Münster |
| |
| Liam Gillick - Galleri Charlotte Lund, Stockholm |
1999
| |
| Liam Gillick - David - Frankfurter Kunstverein, Frankfurt/Main |
1998
| |
| Liam Gillick - Corvi-Mora, London (England) |
| |
| Mc Namara Papers / Erasmus and Ibuka! Realizations / The What if? Scenarios - Liam Gillick - Kunstverein in Hamburg, Hamburg |
1997
| |
| Liam Gillick - Le Consortium, Dijon |
1996
| |
| Liam Gillick: The What If? Scenario - Corvi-Mora, London (England) |
Group shows 253
2009
| |
| TOP 10 ALLEGORIES - Galerie Francesca Pia, Zurich |
| |
| Kunst aus einhundert Jahren 1909 – 2009. Highlights der Daimler Kunst Sammlung - Galerie im Prediger, Schwäbisch Gmünd |
 |
| Take the Money and Run - De Appel, Amsterdam |
 |
| Lapdogs of the Bourgeoisie - Arnolfini, Bristol (England) |
| |
| Una Fábrica, una Máquina, un Cuerpo... Arqueología y Memoria de los Espacios Industriales - Centre d’Art la Panera, Lérida |
| |
| FAX - The Drawing Center, New York City, NY |
| |
| STILL / MOVING / STILL - Cultuurcentrum Knokke-Heist, Knokke-Heist |
| |
| Espèces d’espaces - Yvon Lambert - New York, New York City, NY |
| |
| Group Exhibition - Casey Kaplan Gallery, New York City, NY |
 |
| A mancha humana / the human stein - CGAC - Centro Galego de Arte Contemporánea, Santiago de Compostela |
| |
| Supernova - Glynn Vivian Art Gallery, Swansea (Wales) |
| |
| Liam Gillick / Fabrice Gygi / Damien Mazières - Le Spot, Le Havre |
| |
| Custom Car Commandos - Art in General, New York City, NY |
2008
| |
| Jahresgaben 2008 - Kunstverein München, Munich |
| |
| FIFTY PERCENT SOLITUDE - Kerlin Gallery, Dublin |
 |
| is it tomorrow yet? - Singapore Art Museum, Singapore |
| |
| Getting Even - Oppositions + Dialogues in Contemporary Art - Lewis Glucksman Gallery, Cork |
 |
| theanyspacewhatever - Solomon R. Guggenheim Museum, New York City, NY |
| |
| OURS: Democracy in the Age of Branding - Sheila C. Johnson Design Center, New York City, NY |
| |
| Shaping a Space II - Galeria Mário Sequeira, Braga |
 |
| This is the Gallery and the Gallery is Many Things - Eastside Projects, Birmingham (England) |
| |
| This is the Gallery And the Gallery is Many Things - Eastside Projects, Birmingham (England) |
| |
| Exhibitions and Events Learn to Read Art: A History of Printed Matter - Artspeak, Vancouver, BC |
| |
| YESTERDAY - TODAY - TOMORROW - Galerie Hans Mayer, Dusseldorf |
| |
| Cover = Reencenação + Repetição - mam - Museu de Arte Moderna de São Paulo, São Paulo |
| |
| Mondo e Terra, La collezione del FRAC Corsica - MAN - Museo d`Arte di Nuoro, Nuoro |
| |
| Not So Subtle Subtitle - Casey Kaplan Gallery, New York City, NY |
 |
| 16th Biennale of Sydney - Biennale of Sydney, Sydney, NSW |
| |
| Call it what you like - Collection Rik Reinking - Kunst Centret Silkeborg Bad, Silkeborg |
| |
| Clinch / Cross / Cut - Team 404 & John Armleder - New Jerseyy, Basel |
| |
| Pasións Privadas, Visións Públicas - MARCO Museo de Arte Contemporánea de Vigo, Vigo |
| |
| The Store - Tulips & Roses, Vilnius |
| |
| Blasted Allegories - Werke aus der Sammlung Ringier - Kunstmuseum Luzern, Luzern |
| |
| Celebrating 20 year - Kerlin Gallery, Dublin |
| |
| Rhythmus 21 - Positionen des Abstrakten - Städtische Galerie im Lenbachhaus & Kunstbau, Munich |
| |
| Collectie XXII Fantasy - MuHKA Museum voor Hedendaagse Kunst Antwerpen, Antwerp |
| |
| Nathan Carter, Liam Gillick, Carsten Höller, Simon Starling, Garth Weiser - Casey Kaplan Gallery, New York City, NY |
| |
| Absence Recorded - Václav Spála Gallery, Prague |
| |
| MAXImin - Fundación Juan March, Madrid |
| |
| Collateral - SESC Paulista, São Paulo |
| |
| Group Show - Galerie Eva Presenhuber, Zurich |
| |
| Lapdogs of the Bourgeoisie - Tensta Konsthall, Spanga |
| |
| IMAGES - Forde - Espace d'art contemporain, Geneva |
| |
| Mixed Emotions. Apuntes para una colección del siglo XXI - DA2 - Domus Artium 2002, Salamanca |
2007
| |
| XMAS HYSTERIA - Galleria Emi Fontana, Milan |
| |
| Fusion Now! - Rokeby, London (England) |
| |
| If Everybody had an Ocean: Brian Wilson, une exposition - CAPC - Musée d'art contemporain, Bordeaux |
| |
| Tomorrow - Kumho Museum of Art, Seoul |
| |
| e-flux - PawnShop Gallery, Los Angeles, CA |
| |
| Projektion - Lentos Kunstmuseum Linz, Linz |
| |
| Art Protects - Yvon Lambert - Paris, Paris |
| |
| Franz West - Souffle, eine Massenausstellung - Kunstraum Innsbruck, Innsbruck |
| |
| perspektive 07 - Städtische Galerie im Lenbachhaus & Kunstbau, Munich |
| |
| Intocable (el ideal de la transparencia) - Patio Herreriano - Museo de Arte Contemporáneo Español, Valladolid |
| |
| All you desire - PPOW, New York City, NY |
| |
| It Starts From Here - De La Warr Pavilion, Bexhill on Sea (England) |
| |
| Other Men's Flowers - Venetia Kapernekas Gallery, New York City, NY |
| |
| If Everybody had an Ocean: Brian Wilson: An Art Exhibition - Tate St. Ives, St. Ives, Cornwall (England) |
| |
| Memorial to the Iraq War - ICA - Institute of Contemporary Arts London, London (England) |
| |
| Antes y después del minimalismo - Museu d´Art Espanyol Contemporani (Fundación Juan March), Palma de Mallorca |
| |
| Drawing 2007 - The Drawing Room, London (England) |
| |
| The Shapes of Space - Solomon R. Guggenheim Museum, New York City, NY |
| |
| Re-distribution of the Sensible - magnusmuller (ehem. mullerdechiara), Berlin |
| |
| Trajectory 4 - AKA Institute of Contemporary Art - Latvian Centre for Contemporary Art - LCCA, Riga |
 |
| PURE - Sean Kelly Gallery, New York City, NY |
| |
| Modelle für Morgen - European Kunsthalle, Cologne |
| |
| Collateral – When Art Looks At Cinema - Hangar Bicocca | spazio d’arte contemporanea, Milan |
| |
| Active Constellation - The Brno House of Art - Central Building, Brno |
| |
| Lapdogs of the Bourgeoisie - Platform Garanti Contemporary Art Center, Istanbul |
2006
| |
| Drapeaux gris - CAPC - Musée d'art contemporain, Bordeaux |
| |
| All Hawaii Entrées/ Lunar Reggae - Irish Museum of Modern Art - IMMA, Dublin |
| |
| DEFINING THE CONTEMPORARY - Whitechapel Art Gallery, London (England) |
| |
| Faster! Bigger! Better! - ZKM | Zentrum für Kunst und Medientechnologie Karlsruhe, Karlsruhe |
| |
| Academy, Learning from the Museum - Stedelijk Van Abbemuseum, Eindhoven |
| |
| Projektion. Chan, Fischli&Weiß, Gander, Gillick, Graham, Knoebel, Parker, Streul - Kunstmuseum Luzern, Luzern |
| |
| How to Improve the World - Hayward Gallery, London (England) |
| |
| Modus - Kunst Halle Sankt Gallen, St. Gallen |
| |
| abstract art now - strictly geometrical? - Wilhelm Hack Museum, Ludwigshafen |
| |
| Thank you for the music (London beat) - Simon Lee Gallery, London (England) |
| |
| Untouchable - Villa Arson, Nice |
| |
| THANK YOU FOR THE MUSIC (London Beat) - Sprüth Magers London, London (England) |
| |
| Jump into Cold Water: Practice as Research - Shedhalle, Zurich |
| |
| GuestRoom #4: Atelier Rijksbouwmeester - Museum het Domein, Sittard |
| |
| Grey Flags - Sculpture Center, Long Island |
| |
| Stages of Life - Rethorics of Emotion - Städtische Galerie im Lenbachhaus & Kunstbau, Munich |
| |
| KAPITEL VII: Bühne des Lebens – Rhetorik des Gefühls - Städtische Galerie im Lenbachhaus & Kunstbau, Munich |
| |
| Ordnung und Verführung - Haus Konstruktiv, Stiftung für konstruktive und konkrete Kunst, Zurich |
| |
| When Artists Say We - Artists Space, New York City, NY |
| |
| Tate Triennial 2006 - New British Art - Tate Triennial, London (England) |
 |
| "Broken Surface" - Galerie Sabine Knust - Maximilian Verlag, Munich |
| |
| Eine Person allein in einem Raum mit Coca-Cola-farbenen Wänden - Grazer Kunstverein, Graz |
| |
| Fondos da colección CGAC. Entre o proceso e a forma - CGAC - Centro Galego de Arte Contemporánea, Santiago de Compostela |
| |
| Liam Gillick + Philippe Parreno - Briannnnnn & Ferryyyyy - Kunsthalle Zürich, Zurich |
| |
| Angela Bulloch and Liam Gillick - CUBITT, London (England) |
| |
| Storefront - National Gallery of Canada - Musée des beaux-arts du Canada, Ottawa, ON |
2005
| |
| KIOSK:' Modes Of Multiplicaation ' & Liam Gillick - ‘Edgar Schmitz’ - ICA - Institute of Contemporary Arts London, London (England) |
| |
| Supernova - Contemporary Art Center Vilnius (CAC), Vilnius |
 |
| thank you for the music - - Monika Sprüth Philomene Magers, Munich (closed) |
 |
| Rundlederwelten - Martin-Gropius-Bau, Berlin |
| |
| Des Deux Cotes Du Rhin -Ambiance- - K21 Kunstsammlung Nordrhein-Westfalen - im Ständehaus, Dusseldorf |
 |
| passion beyond reason - WALLSTREET ONE gallery, Berlin |
| |
| Etc. - Le Consortium, Dijon |
| |
| General Ideas - Rethinking Conceptual Art 1987–2005 - CCA Wattis Institute for Contemporary Arts, San Francisco, CA |
| |
| Briannnnnn & Ferryyyyyy - Vamiali's, Athens |
| |
| Supernova - Tallinna Kunstihoone / Tallinn Art Hall, Tallinn |
| |
| Go Between - Magazin4 - Bregenzer Kunstverein, Bregenz |
 |
| Nach Rokytnik - Die Sammlung der EVN - Museum Moderner Kunst Stiftung Ludwig - MUMOK , Vienna |
| |
| EN/OF - Galerie de multiples - GDM, Paris |
| |
| 100 Artists See God - Contemporary Art Center of Virginia, Virginia Beach, VA |
| |
| En/Of - Museum Kurhaus Kleve, Kleve |
| |
| Icestorm - Kunstverein München, Munich |
| |
| Group Show - Air de Paris, Paris |
| |
| Good Titles from Bad Books - Kevin Bruk Gallery, Miami, FL |
| |
| multiplo_1 - daily endless multiple made recyclable - N.O.Gallery, Milan |
| |
| 2005 Benefit Auction - White Columns, New York City, NY |
| |
| Edizione Straordinaria - Le case d’arte 1985-2005 - Assab One, Milan |
 |
| EXIT- Ausstieg aus dem Bild - ZKM | Zentrum für Kunst und Medientechnologie Karlsruhe, Karlsruhe |
| |
| Goodbye 14th Street - Casey Kaplan Gallery, New York City, NY |
2004
 |
| (rider): law and creativity - Lunds konsthal, Lund |
 |
| 100 Artists See God - ICA - Institute of Contemporary Arts London, London (England) |
 |
| utopia station: auf dem weg nach porto alegre - HDK - Haus der Kunst - München, Munich |
| |
| De leur temps. Collections privées Francaises - Musee des Beaux Arts Tourcoing, Tourcoing |
| |
| Für die Konstruktion des Unmöglichen - European Kunsthalle, Cologne |
 |
| Artists' Favourites - act II - ICA - Institute of Contemporary Arts London, London (England) |
| |
| Art Needs an Operation - Casey Kaplan Gallery, New York City, NY |
| |
| Emotions Eins - Frankfurter Kunstverein, Frankfurt/Main |
 |
| Artists' Favourites - act I - ICA - Institute of Contemporary Arts London, London (England) |
| |
| Drunkenmasters - Angus Fairhurst, Cerith Wyn Evans, Liam Gillick - Galeria Fortes Vilaça, São Paulo |
| |
| Across The Border - MDD - Museum Dhondt-Dhaenens, Deurle |
| |
| Durchleuchtet. Dialog mit der Sammlung - Kunstmuseum Liechtenstein, Vaduz |
| |
| Tonight - Studio Voltaire, London (England) |
| |
| Russian Doll - MOT International, London (England) |
| |
| Element ZEIT - Krypta 182 Kunstverein Bergisch Gladbach, Bergisch Gladbach |
| |
| The Drawing Project - Vamiali's, Athens |
| |
| Before the end - Part I - Le Consortium, Dijon |
| |
| Establishing Shot - Artists Space, New York City, NY |
2003
| |
| Lap Dissolve - Casey Kaplan Gallery, New York City, NY |
| |
| Sean Dack, Liam Gillick - Corvi-Mora, London (England) |
| |
| Adorno - Die Möglichkeit des Unmöglichen - Frankfurter Kunstverein, Frankfurt/Main |
| |
| Black-out (indices) - FRAC - Poitou-Charentes, Angoulême |
| |
| Telling Histories - Kunstverein München, Munich |
 |
| 2nd Bienniale Tirana 2003 - , Tirana |
| |
| Abstraction Now - Künstlerhaus Wien, Vienna |
| |
| 25th International Biennial of Graphic Arts - Ljubljana Biennial of Graphic Arts, Ljubljana |
| |
| Form Specific Arteast Exhibition - Moderna Galerija - Ljubljana, Ljubljana |
| |
| Coollustre - Collection Lambert, Avignon |
 |
| 50th International Art Exhibition Venice Biennale / Biennale di Venezia - La Biennale di Venezia, Venice |
| |
| typeofgravy - Cell - Project Space, London (England) |
 |
| The Moderns - Museo d´arte contemporanea Castello di Rivoli, Turin |
| |
| Imperfect Marriages - Galleria Emi Fontana, Milan |
| |
| Liam Gillick, Gabriel Kuri - por favor gracias de nada - kurimanzutto, Mexico City |
| |
| Architecture Schmarchitecture - Kerlin Gallery, Dublin |
 |
| Animations - Kunst-Werke Berlin e.V. - KW Institute for Contemporary Art, Berlin |
| |
| This was Tomorrow - New Art Centre, Salisbury (England) |
| |
| Ill Communication - Dundee Contemporary Arts - DCA, Dundee (Scotland) |
| |
| Perfect Timeless Repetition - c/o - Gerhardsen Gerner, Berlin |
2002
| |
| TRANS-POSITIONS - Centre d'Art Passerelle, Brest |
| |
| It's Unfair! - Museum De Paviljoens, Almere |
 |
| Public Affairs - Kunsthaus Zürich, Zurich |
| |
| JRP Editions - Galerie Martin Janda • Raum Aktueller Kunst, Vienna |
| |
| The movement began with a scandal - Städtische Galerie im Lenbachhaus & Kunstbau, Munich |
| |
| Collected Contemporaries - Moderna Museet, Stockholm |
| |
| That Place - - The Moore Space, Miami, FL (closed, 2008) |
| |
| Exchange and transform - Kunstverein München, Munich |
| |
| Parallel Structures - Gertrude contemporary art spaces, Fitzroy, VIC |
 |
| "Reflections" - - Monika Sprüth Philomene Magers, Munich (closed) |
| |
| Passenger - The Viewer as Participant - Astrup Fearnley Museet for Moderne Kunst, Oslo |
| |
| Minimal Maximal - National Museum of Contemporary Art Korea, Gwacheon |
 |
| Urgent painting - Musée d´Art Moderne de la Ville de Paris - MAM/ARC, Paris |
| |
| Demonstration Room: Ideal House - Gallery 400 - University of Illinois at Chicago, Chicago, IL |
2001
 |
| Ingenting / Nothing - - Rooseum Center for Contemporary Art, Malmö (closed, 2006) |
| |
| Animations - P.S.1 Contemporary Art Center, Long Island |
| |
| Liam Gillick & Gary Webb - Dedalic Convention: du und ich (Salzburg Version) - Salzburger Kunstverein, Salzburg |
 |
| 4FREE - art - politics - science & esthetic survival strategies - Büro Friedrich, Berlin |
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| Dedalic Convention - Museum für angewandte Kunst (MAK), Vienna |
| |
| Yokohama 2001 - International Triennale of Contemporary Art - Yokohama Triennale, Tokyo |
| |
| Geometrie & Gestus - Galerie Thaddaeus Ropac - Salzburg, Salzburg |
| |
| The Communications Department - Wilkinson Gallery, London (England) |
| |
| Nothing - Contemporary Art Center Vilnius (CAC), Vilnius |
| |
| Minimal Maximal - MOMAK National Museum of Modern Art Kyoto, Kyoto |
| |
| Dévoler - FRAC - Rhône-Alpes, IAC - Institute d`art contemporain, Villeurbanne |
| |
| The Wedding Show - Casey Kaplan Gallery, New York City, NY |
 |
| 2. Berlin Biennale für Zeitgenössische Kunst - berlin biennale für zeitgenössische kunst e. v., Berlin |
| |
| Contemporary Utopia - Latvian Centre for Contemporary Art - LCCA, Riga |
 |
| There’s gona be some trouble, a whole house will need rebuilding - - Rooseum Center for Contemporary Art, Malmö (closed, 2006) |
| |
| Demonstration Room: Ideal House: Apex Art: 2001 - Apexart, New York City, NY |
| |
| Century City - Tate Modern, London (England) |
| |
| Minimal Maximal - Fukuoka Art Museum, Fukuoka |
2000
 |
| British Art Show 5 - Ikon Gallery, Birmingham (England) |
| |
| Perfidy - Surviving Modernism - Kettle's Yard, Cambridge, Cambridgeshire (England) |
| |
| umziehen - Galerie Kai Hilgemann, Berlin |
| |
| British Art Show 5 - Chapter Gallery, Cardiff (Wales) |
| |
| "Berühmte Künstler helfen Koch und Kesslau" - - Koch und Kesslau, Berlin (closed) |
| |
| VICINATO 2 - Neugerriemschneider, Berlin |
| |
| 4. Werkleitz Biennale - real[work] - Werkleitz Biennale, Halle (Saale) |
| |
| British Art Show 5 - John Hansard Gallery, Southampton (England) |
| |
| Urbanities - Museum of Contemporary Art Skopje, Skopje |
| |
| Off the Shelf - Massachusetts Museum of Contemporary Art - MASS MoCA, North Adams ,MA |
| |
| Viva Maria III - Galerie Karin Guenther, Hamburg |
| |
| Últimas adquiscións. Colección Fundación ARCO / Colección CGAC - CGAC - Centro Galego de Arte Contemporánea, Santiago de Compostela |
| |
| Wider Bild Gegen Wart- Positionen zu einem politischen Diskurs - Galerie Martin Janda • Raum Aktueller Kunst, Vienna |
| |
| 10 ANS DE FRI-ART - Etat des lieux # 1 - Fri-Art - Centre d'Art Contemporain, Fribourg |
1999
| |
| Group Show - Taché-Lévy, Brussels |
| |
| Officina Europa - Galleria d´Arte Moderna di Bologna - GAM, Bologna |
 |
| Get Together - Kunst als Teamwork - KUNSTHALLE wien project space karlsplatz, Vienna |
| |
| Getting the corners - Or Gallery, Vancouver, BC |
| |
| the space here is everywhere - Villa Merkel & Bahnwärterhaus, Esslingen |
| |
| Mamcoms (Mamco Magazine Show) - Mamco - musée d´art moderne et contemporain, Geneva |
| |
| Le Capital - CRAC - Centre Régional d'Art Contemporain de Sète, Sète |
| |
| Liam Gillick / Blake Rayne - Galerie Rüdiger Schöttle, Munich |
| |
| To the People of the City of the Euro - Frankfurter Kunstverein, Frankfurt/Main |
| |
| Minimal Maximal - CGAC - Centro Galego de Arte Contemporánea, Santiago de Compostela |
| |
| Contines Investigation into the relevance of abstraction - Andrea Rosen Gallery, New York City, NY |
| |
| Minimal Maximal - Staatliche Kunsthalle Baden-Baden, Baden-Baden |
1998
| |
| 1 + 1 = 4 x 1 - Galerie für Zeitgenössische Kunst - GfZK, Leipzig |
| |
| Le proces de Pol Pot. Liam Gillick et Philippe Parreno - MAGASIN-Centre National d’art Contemporain de Grenoble, Grenoble |
| |
| Minimal-Maximal - Neues Museum Weserburg Bremen, Bremen |
| |
| Odradek - Hessel Museum of Art & Center for Curatorial Studies Galleries at Bard College, Annandale-on-Hudson, NY |
| |
| Weather Everything - Galerie für Zeitgenössische Kunst - GfZK, Leipzig |
| |
| The Erotic Sublime - Galerie Thaddaeus Ropac - Salzburg, Salzburg |
| |
| A to Z - The Approach, London (England) |
 |
| fast forward - 1. Abschnitt: FFWD image - Kunstverein in Hamburg, Hamburg |
| |
| Liam Gillick, John Miller und Joe Scanlan - Galerie Martin Janda • Raum Aktueller Kunst, Vienna |
1997
| |
| Hospital - Galerie Max Hetzler, Berlin |
| |
| Merlin Carpenter - Galerie Max Hetzler, Berlin |
| |
| Moment Ginza - Färgfabriken Stockholm, Stockholm |
| |
| Group Show - Corvi-Mora, London (England) |
| |
| documenta X - Documenta, Kassel |
1996
| |
| How Will We Behave - Corvi-Mora, London (England) |
| |
| Brilliant! New Art from London - Contemporary Arts Museum Houston, Houston, TX |
| |
| Traffic - CAPC - Musée d'art contemporain, Bordeaux |
1995
| |
| "Brilliant!" New Art from London - Walker Art Center, Minneapolis, MN |
| |
| Moral Maze - Le Consortium, Dijon |
1994
| |
| Surface de réparations 2 - FRAC - Bourgogne, Dijon |
| |
| Karaoke - Portikus, Frankfurt/Main |
| |
| Miniatures - The Agency Gallery, London (England) |
| |
| Cocktail I - Kunstverein in Hamburg, Hamburg |
| |
| Surface de réparations 1 - FRAC - Bourgogne, Dijon |
1993
| |
| Ausstellungen Topologie zeitgenössischer Kunst Backstage - Kunstverein in Hamburg, Hamburg |
| |
| International Departures - GAK - Gesellschaft für Aktuelle Kunst e.V. Bremen, Bremen |
Dealer Directory 15 |
Austria
| | Galerie Meyer Kainer, Vienna
|
Belgium
| | Galerie Micheline Szwajcer, Antwerp
|
France
| | Galerie de multiples - GDM, Paris
|
Germany
| | Galerie Hans Mayer, Dusseldorf
|
| | N.N. Project B-Site gallery, Dusseldorf
|
| | Galerie Rüdiger Schöttle, Munich
|
Italy
| | Galleria Emi Fontana, Milan
|
Netherlands
Spain
| | Galeria Javier López, Madrid
|
Switzerland
| | Galerie Eva Presenhuber, Zurich
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United Kingdom
| | Corvi-Mora, London (England)
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USA
| | Casey Kaplan Gallery, New York City, NY
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Public collections 16

Belgium
| | MuHKA Museum voor Hedendaagse Kunst Antwerpen, Antwerp
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France
| | FRAC - Poitou-Charentes, Angoulême
|
| | FRAC - Nord-Pas de Calais, Dunkerque
|
| | FRAC - Languedoc-Roussilon, Montpellier
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| | Musée d'Art Moderne et Contemporain (MAMCS), Strasbourg
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Germany
| | Neues Museum Weserburg Bremen, Bremen
|
| | ZKM | Zentrum für Kunst und Medientechnologie Karlsruhe, Karlsruhe
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| | Städtische Galerie im Lenbachhaus & Kunstbau, Munich
|
| | Kunsthalle Weishaupt, Ulm
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Spain
| | CAC Centro de Arte Contemporáneo Malága, Málaga
|
| | DA2 - Domus Artium 2002, Salamanca
|
| | CGAC - Centro Galego de Arte Contemporánea, Santiago de Compostela
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Switzerland
| | Mamco - musée d´art moderne et contemporain, Geneva
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United Kingdom
| | Tate Britain, London (England)
|
| | SCAG - Southampton City Art Gallery, Southampton (England)
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USA
| | Albright-Knox Art Gallery, Buffalo, NY
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Catalogs
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