 Artist's arttributes:
|
| • |
Female |
| • |
Works on Paper, Video |
Most exhibitions in: |
| Country |
№ |
| Germany | 13 |
| Netherlands | 12 |
| USA | 10 |
| Mexico | 7 |
| United Kingdom | 6 |
Most exhibitions held at: |
| Institution |
№ |
| |
de Appel arts centre, Netherlands |
3 |
| |
Arnolfini, United Kingdom |
2 |
| |
Galerie Barbara Wien, Germany |
2 |
| |
Stedelijk Museum Bureau Amsterdam - SMBA, Netherlands |
2 |
| |
ICA - Institute of Contemporary Arts London, United Kingdom |
2 |
Biography: 
1975 Born in Ciudad de México (MX)
1989 - 1999 Philosophy, Iberoamerican University, MX
1993 - 1997 BA fine art, National University of Mexico, MX
2002 - 2004 Jan van Eyck Akademie, Maastricht, NL
Awards 2004 Winner Prix de Rome 2004,
The Netherlands.
Lives and works in Berlin and Amsterdam
External links: | | Public exhibitions (Selection) 86
from 26.5.
Solo shows 10
2013
| |
| Mariana Castillo Deball, What we caught we threw away, what we didn't catch we kept - Centre for Contemporary Arts (CCA), Glasgow (Scotland) |
2012
| |
| Mariana Castillo Deball - Zurich Art Prize - Haus Konstruktiv, Stiftung für konstruktive und konkrete Kunst, Zurich |
2011
| |
| We are silently illiterate - Galerie Barbara Wien, Berlin |
| |
| Este desorden construido, autoriza geológicas sorpresas a la memoria más abandonada - Museo Experimental El Eco , Mexico City |
2010
| |
| Mariana Castillo Deball - Molaa Museum of Latin American Art, Long Beach, CA |
2009
| |
| Mariana Castillo Deball - Kaleidoscopic Eye - Kunst Halle Sankt Gallen, St. Gallen |
2008
| |
| Nobody was Tomorrow - Galerie Barbara Wien, Berlin |
| |
| Mariana Castillo Deball- Do Ut Es - Objectif exhibitions, Antwerp |
2006
| |
| ESTAS RUINAS QUE VES (These Ruins you see) - Museo de Arte Carrillo Gil, Mexico City |
2005
| |
| Mariana Castillo Deball - (prize winner “Prix de Rome”) - Johan Deumens, Haarlem |
Group shows 75
2013
| |
| Arqueologica - Matadero Madrid, Madrid |
2012
| |
| Olinka or Where Movement is Created - Museo Tamayo, Mexico City |
 |
| Lieber Aby Warburg, was tun mit Bildern? - Museum für Gegenwartskunst Siegen, Siegen |
| |
| The Future that Was - - NIMk - Netherlands Media Art Institute, Amsterdam (closed, 2013) |
| |
| Jahresgaben 2012 - Neuer Aachener Kunstverein, Aachen |
 |
| When Attitudes Became Form Become Attitudes - CCA Wattis Institute for Contemporary Arts, San Francisco, CA |
| |
| Soundworks - ICA - Institute of Contemporary Arts London, London (England) |
| |
| Documenta (13) - Documenta, Kassel |
| |
| La idea de América Latina - Centro Andaluz de Arte Contemporáneo (CAAC), Sevilla |
| |
| Prism: Drawing from 1990 to 2012 - The Museum of Contemporary Art Oslo, Oslo |
2011
| |
| Homo Ludens – Act Ii - Motive Gallery, Amsterdam |
| |
| 4 Works - Sabina Lee Gallery, Los Angeles, CA |
| |
| Books on Books - SI Swiss Institute, New York City, NY |
| |
| La Vie Mode d’Emploi (Life A User’s Manual) - Meessen De Clercq, Brussels |
| |
| Never Odd Or Even - Grimmuseum, Berlin |
| |
| Universo vídeo. Fleeting Stories - Laboral - Centro de Arte y Creación Industrial, Gijón |
|
| Biennale di Venezia - 54th International Art Exhibition - La Biennale di Venezia, Venice |
| |
| A Wedding - Para/Site Art Space, Hong Kong, SAR |
| |
| Magical Consciousness - Arnolfini, Bristol (England) |
| |
| As Long As It Lasts... - Arratia, Beer, Berlin |
2010
| |
| Wandering Position - Selections from the inSite Archives - Museo Universitario de Arte Contemporáneo - MUAC, Mexico City |
| |
| panamericana - kurimanzutto, Mexico City |
| |
| Ars Viva 09/10 – Geschichte / History - Migros Museum für Gegenwartskunst, Zurich |
| |
| Para o cego no quarto escuro à procura do gato preto que não está lá / For the blind man in the dark room looking for th - Fundação Caixa Geral de Depósitos - Culturgest, Lisbon |
| |
| Abstract Derive - Ludlow 38, New York City, NY |
| |
| Incidentes de Viaje en Centro América, Chiapas, Yucatán y otros lugares... - Centro Cultural de España Guatemala (CCE/G), Ciudad de Guatemala |
| |
| Simone Schardt & Mariana Castillo Deball - SCHAU ORT. Christiane Büntgen , Zurich |
| |
| ars viva 09/10: Geschichte/ History - Kölnischer Kunstverein, Cologne |
| |
| For the blind man in the dark room looking for the black cat that isn't there - Museum of Contemporay Art Detroit, Detroit, MI |
| |
| Ginger Goodwin Way - Or Gallery - Vancouver, Vancouver, BC |
2009
| |
| This place you see has no size at all - Kadist Art Foundation, Paris |
|
| For the Blind Man in the Dark Room Looking For the Black Cat That Isn’t There - ICA - Institute of Contemporary Arts London, London (England) |
| |
| The Malady of Writing. A project on text and speculative imagination - Museu d´Art Contemporani de Barcelona - MACBA, Barcelona |
 |
| the archeologists - Ursula Blickle Stiftung, Kraichtal-Unteröwisheim |
|
| Performa 09 - Performa, New York City, NY |
| |
| Extranjerías - Espacio Fundaciòn Telefònica, Buenos Aires |
| |
| Various Platonsims - Elisa Platteau Galerie & Cie, Brussels |
|
| For the blind man in the dark room looking for the black cat that isn’t there - Contemporary Art Museum St. Louis, Saint Louis, MO |
| |
| Sequelism: Part 3 Possible, Probable or Preferable Futures - Arnolfini, Bristol (England) |
|
| 2nd Athens Biennial 2009 - Heaven - Athens Biennial, Athens |
| |
| Fantasy for Allan Kaprow - Contemporary Image Collective - CIC, Cairo |
| |
| The Happy Interval - Tulips & Roses, Vilnius |
| |
| Paper Exhibition - Artists Space, New York City, NY |
2008
| |
| XXIIe Ateliers internationaux - FRAC - Pays de la Loire, Carquefou |
| |
| Galeria Sentimental - Tensta Konsthall, Spanga |
| |
| Salon of the Revolution - HDLU - Croatian Association of Artists, Zagreb |
|
| 7th Shanghai Biennale - Translocalmotion - Shanghai Biennale, Shanghai |
| |
| Object, The Undeniable Success Of Operations - Stedelijk Museum Bureau Amsterdam - SMBA, Amsterdam |
| |
| Master Humphrey´s Clock - de Appel arts centre, Amsterdam |
2007
| |
| Blackboxing - Project Arts Centre, Dublin |
| |
| Transforming Memory - The politics of images - Galerija Nadezda Petrovic, Cacak |
| |
| A for Alibi - de Appel arts centre, Amsterdam |
| |
| Transacciones Filosóficas - Museo Astronomico, Cordoba |
| |
| Rendición Extraordinaria - Nogueras Blanchard, Barcelona |
| |
| Das Buch-Gruppenausstellung mit 10 Beiträgen - Heidelberger Kunstverein, Heidelberg |
2006
| |
| Resonance (How one reality can be understood through another?) - Stuk Kunstcentrum, Leuven |
| |
| Resonances - Or How one reality can be understood through another - Artis, 's-Hertogenbosch |
| |
| Just in Time – Proposal for Municipal Art Acquisitions - Stedelijk Museum Amsterdam, Amsterdam |
| |
| Libro-objeto, ejemplares - Museo Nacional de la Estampa - MUNAE, Mexico City |
| |
| 10 Defining Experiments - CIFO - Cisneros Fontanals Art Foundation, Miami, FL |
|
| undo redo - Kunsthalle Fridericianum, Kassel |
| |
| Changing Horizons - Kunstenaars & publicaties - de Vishal - ruimte voor beeldende kunst, Haarlem |
| |
| Mercury in Retrograde - de Appel arts centre, Amsterdam |
2005
| |
| 5. Bienal do Mercosul - Bienal do Mercosul, Porto Alegre |
| |
| BMW - Contemporary Art Centre (CAC), Vilnius |
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| The IX Baltic Triennial of International Art - BMW - The Baltic Triennial of International Art, Vilnius |
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| Tropical Abstraction - Stedelijk Museum Bureau Amsterdam - SMBA, Amsterdam |
2004
|
| "Black Friday. Exercises in Hermetics" - Galerie Kamm, Berlin |
2003
| |
| Aparentemente Sublime - Museo de Arte Moderno de Mexico City, Mexico City |
2002
| |
| Titel folgt - Neuer Aachener Kunstverein, Aachen |
2001
| |
| Erick Beltrán & Mariana Castillo - Se rendre à l'évidence - Institut du Mexique à Paris, Paris |
| Dealer Directory 1 |
Germany
| | Galerie Barbara Wien, Berlin
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Catalogs
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