 Artist's arttributes:
|
| • |
Male |
| • |
Video, Film, Installation |
| • |
Conceptual Art |
Most exhibitions in: |
| Country |
№ |
| USA | 26 |
| France | 25 |
| Belgium | 14 |
| Germany | 13 |
| Mexico | 11 |
Most exhibitions held at: |
| Institution |
№ |
| |
Galerie Jan Mot, Belgium |
10 |
| |
FRAC - Ile-de-France Le Plateau, France |
4 |
| |
CCA Wattis Institute for Contemporary Arts, USA |
3 |
| |
Musée d´Art Moderne de la Ville de Paris - MAM/ARC, France |
3 |
Biography: 
1975 Born in Moncolva (MX)
in Mexico City
External links: | | Public exhibitions (Selection) 161
until 9.6.
Solo shows 20
2012
| |
| Telltale of A Sunday Practice - Taka Ishii Gallery - Tokyo, Tokyo |
2011
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| Mario Garcia Torres - September Piece - Galerie Jan Mot, Brussels |
2010
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| I Will Be With You Shortly - Peep-Hole, Milan |
| |
| What Doesn't Kill You Makes You Stronger - FRAC - Franche-Comté, Besançon |
| |
| What Doesn't Kill You Makes You Stronger - Le Pavé Dans La Mare, Besançon |
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| Mario García Torres. ¿Alguna vez has visto la nieve caer? - Museo Nacional Centro de Arte Reina Sofía, Madrid |
2009
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| It's embarrassing, but for some time now I've only had title ideas in English - Fundación Joan Miró, Barcelona |
| |
| “Unspoken Dailies” - Taka Ishii Gallery - Tokyo, Tokyo |
| |
| Mario Garcia Torres - All That Color Is Making Me Blind - Galerie Jan Mot, Brussels |
 |
| Je ne sais si c’en est la cause, What Doesn’t Kill You Makes You Stronger, and Some Reference Materials / MATRIX 227 - Berkeley Art Museum and Pacific Film Archive BAM/PFA, Berkeley, CA |
| |
| Mario García Torres : Il aurait bien pu le promettre aussi - Jeu de Paume, Paris |
2008
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| Mario Garcia Torres - Kunsthalle Zürich, Zurich |
| |
| Mario Garcia Torres - White Cube - Hoxton Square, London (England) |
2007
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| Mario Garcia Torres - Kadist Art Foundation, Paris |
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| Mario García Torres - Galería Elba Benítez, Madrid |
| |
| Mario Garcia Torres - A Brief History of Jimmie Johnson’s Legacy - Stedelijk Museum Amsterdam, Amsterdam |
2006
| |
| Mario Garcia Torres - Meyer Riegger Karlsruhe, Karlsruhe |
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| Mario Garcia Torres - Galerie Jan Mot, Brussels |
2005
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| Mario Garcia Torres - Galerie Jan Mot, Brussels |
2004
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| Mario Garcia Torres - Galerie Jan Mot, Brussels |
Group shows 140
2013
| |
| Paint it blck - FRAC - Ile-de-France Le Plateau, Paris |
| |
| With a Name Like Yours, You Might Be Any Shape - Tiroler Künstlerschaft - Kunstpavillion, Innsbruck |
2012
| |
| Reflecting on Reflection - Galeri Mana, Istanbul |
 |
| When Attitudes Became Form Become Attitudes - CCA Wattis Institute for Contemporary Arts, San Francisco, CA |
| |
| The Edge In Landscape - The Towner Art Gallery, Eastbourne (England) |
| |
| Documenta (13) - Documenta, Kassel |
| |
| Performing Abstraction - Luciana Brito Galeria, São Paulo |
| |
| Performing Abstraction - Luciana Brito Galeria, São Paulo |
| |
| FrameArt - Centro para os Assuntos da Arte e Arquitectura - CAAA, Guimarães |
| |
| A Corral around Your Idea - Galerie Jan Mot, Brussels |
| |
| Kadist: Pathways Into A Collection - Minsheng Art Museum, Shanghai |
2011
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| Windflower, Perceptions of Nature - Kröller-Müller Museum, Otterlo |
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| Incongru. Quand l'art fait rire - Musée cantonal des Beaux-Arts, Lausanne |
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| Now: Obras De La Colección Jumex - Instituto Cultural Cabañas, Guadalajara |
|
| Power to the People - ACCA - Australian Centre for Contemporary Art, Melbourne, VIC |
|
| The Anxiety of Photography - - Arthouse at the Jones Center - Contemporary Art for Texas, Austin, TX (closed, 2011) |
|
| The Anxiety of Photography - Austin Museum of Art - AMOA, Austin, TX |
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| Staging the Archive - MACE - Museu de Arte Contemporânea de Elvas, Elvas |
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| The Object of Observation - Johnen Galerie, Berlin |
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| Material Witness - The Morris and Helen Belkin Art Gallery, Vancouver, BC |
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| Anarchisme sans adjectif - CAC - Centre d´art contemporain de Brétigny, Brétigny s/Orge |
|
| Beziehungsarbeit – Kunst und Institution - Künstlerhaus Wien, Vienna |
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| Paysages avec objets absents - Fri Art - Centre d'Art Contemporain, Fribourg |
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| The Anxiety of Photography - Aspen Art Museum, Aspen, CO |
| |
| God Only Knows Who The Audience Is - CCA Wattis Institute for Contemporary Arts, San Francisco, CA |
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| Five Easy Pieces - Galleria Franco Noero, Turin |
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| Agitated Histories - - Contemporary Museum, Baltimore, Baltimore, MD (closed, 2012) |
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| Anti-Photography - Focal Point Gallery, Southend-on-Sea, Essex (England) |
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| BELVEDERE [VVAA] - Galería Estrany - De La Mota, Barcelona |
2010
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| 21st Century Outlook - FRAC - Ile-de-France Le Plateau, Paris |
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| Prospective XXIe siecle - FRAC - Ile-de-France Le Plateau, Paris |
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| Directions: Cyprien Gaillard and Mario Garcia Torres - Hirshhorn Museum and Sculpture Garden, Washington, DC |
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| Didacticas - Periférico Caracas, Caracas |
|
| 29° Bienal de São Paulo - Bienal de Sao Paulo, São Paulo |
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| Watchmen, Liars, Dreamers (Erudition concrete 3) - FRAC - Ile-de-France Le Plateau, Paris |
|
| Taipei Biennial 2010 - Taipei Biennial, Taipei |
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| Taking Place - Stedelijk Museum Amsterdam, Amsterdam |
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| MODELOS PARA ARMAR. Pensar Latinoamérica desde la Colección MUSAC - Musac - Museo de Arte Contemporáneo de Castilla y León, Léon |
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| E-Flux Video Rental - Fondazione Giuliani, Rome |
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| À l'ombre d'un doute - 49 NORD 6 EST – Frac Lorraine, Metz |
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| Les Ateliers de Rennes - Ce qui vient - Les Ateliers de Rennes - Biennale d'art contemporain, Rennes |
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| Incidentes de Viaje en Centro América, Chiapas, Yucatán y otros lugares... - Centro Cultural de España Guatemala (CCE/G), Ciudad de Guatemala |
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| Todo A Nada - Lectura Colecciones Muac - Museo Universitario de Arte Contemporáneo - MUAC, Mexico City |
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| In Lieu Of Unity / En Lugar De La Unidad - Ballroom Marfa, Marfa, TX |
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| In Lieu of unity - Ballroom Marfa, Marfa, TX |
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| Throwing Three Balls in the Air to Get a Straight Line - Malmö Konsthall, Malmö |
|
| Seconde main - Musée d´Art Moderne de la Ville de Paris - MAM/ARC, Paris |
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| Lost And Found - Neugerriemschneider, Berlin |
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| Neugierig? Kunst des 21. Jahrhunderts aus privaten Sammlungen - Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, Bonn |
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| 101 Collection: Route 1 - R for Replicant - CCA Wattis Institute for Contemporary Arts, San Francisco, CA |
2009
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| Registro 2 - mirar por segunda vez - Museo de Arte Contemporáneo de Monterrey MARCO, Monterrey, NL |
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| the rustle of language - Kaufman Repetto (former galleria francesca kaufmann), Milan |
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| Where Do We Go From Here? Selections from La Colección Jumex - Bass Museum of Art, Miami, FL |
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| Hecho en Casa - Museo de Arte Moderno de Mexico City, Mexico City |
|
| Pittoresk - Neue Perspektiven auf das Landschaftsbild - MARTa Herford, Herford |
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| Curators' Series #2. Sculpture of The Space Age - The David Roberts Art Foundation, London (England) |
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| TILT _Twilight - La Box - École Nationale Superieure d´Art de Bourges, Bourges |
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| 5x5CASTELLÓ09 Premi Internacional d’Art Contemporani Diputació de Castelló - EACC - Espai d´Art Contemporani de Castelló, Castellon de la Plana |
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| The Poetics of Space - Galerie Marian Goodman, Paris |
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| Pierre Bismuth, Mario Garcia Torres, Annette Kelm, Deimantas Narkevičius - Galerie Jan Mot, Brussels |
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| V.O.S.T. OV/OT - iMAL (interactive Media Art Laboratory), Brussels |
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| Usages du document - Centre culturel Suisse, Paris |
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| Desiring Necessities - John Hansard Gallery, Southampton (England) |
|
| Beyond The Picturesque - SMAK Stedelijk Museum voor Actuele Kunst, Gent |
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| Group Show - Jack Hanley Gallery - New York, New York City, NY |
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| Paper Exhibition - Artists Space, New York City, NY |
2008
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| Recursos incontrolables y otros desplazamientos naturales - Museo Universitario de Arte Contemporáneo - MUAC, Mexico City |
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| A stake in the Mud, A hole in the Reel. Land Art's Expanded Field 1968–2008 - CA2M - Centro de Arte Dos de Mayo, Móstoles |
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| Nature, space and time - recent acquisitions - Kröller-Müller Museum, Otterlo |
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| Salon of the Revolution - HDLU - Croatian Association of Artists, Zagreb |
|
| Yokohama Triennale 2008 - Time Crevasse - Central and Waterfront Sites in Yokohama, Yokohama |
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| 8 Bienal de Arte Panama 2008 - - Bienal de Arte Panama, Panama City (closed) |
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| An unruly history of the readymade - Galeria de Fundaciíon/Coleccion Jumex, Mexico City |
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| Die Wahrnehmung von Ideen führt zu neuen Ideen - Kunstverein für die Rheinlande und Westfalen, Düsseldorf, Dusseldorf |
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| When a clock is seen from the side it no longer tells the time - Johann König, Berlin |
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| 3500cm2 - Art Poster Project - Uqbar, Berlin |
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| One of this things is not like the other things - 1/9 unosunove arte contemporanea, Rome |
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| slow glass - Lisa Cooley Fine Art, New York City, NY |
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| THE MUSEUM AS MEDIUM - MARCO Museo de Arte Contemporánea de Vigo, Vigo |
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| The artist is a mysterious entertainer - de Appel arts centre, Amsterdam |
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| The Store - Tulips & Roses, Vilnius |
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| I desired what you were, I need what you are - Galleria Maze, Turin |
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| Old News 4 - Midway Contemporary Art, Minneapolis, MN |
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| A stake in the mud, a hole in the reel - Museo Tamayo, Mexico City |
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| You & Me, Sometimes... - Lehmann Maupin, New York City, NY |
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| Time pieces - Galerie Jan Mot, Brussels |
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| Martian Museum of Terrestrial Art - Barbican Art Gallery, London (England) |
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| Contemporáneo 21. Autopsia de lo invisible - MALBA Colección Costantini - Museo de Arte Latinoamericano de Buenos Aires, Buenos Aires |
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| Other than Yourself - An Investigation between Inner and Outer Space - T-B A21 - Thyssen-Bornemisza Art Contemporary, Vienna |
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| IMAGES - Forde - Espace d'art contemporain, Geneva |
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| Mitim - Maison populaire de Montreuil, Montreuil |
2007
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| In the Stream of Life - Bétonsalon, Paris |
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| Playback - Musée d´Art Moderne de la Ville de Paris - MAM/ARC, Paris |
|
| “Uneasy Angel / Imagine Los Angeles” - - Monika Sprüth Philomene Magers, Munich (closed) |
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| Le Truc - Project Arts Centre, Dublin |
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| 27th Biennial of Graphic Arts - The Unbound Eyes of Anxiousnes - Ljubljana Biennial of Graphic Arts, Ljubljana |
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| 27th Bienniale Of Graphic Arts – From The Sternens To The Comic Strip - Alkatraz gallery, Ljubljana |
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| Overtake - Lewis Glucksman Gallery, Cork |
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| Someone else with my fingerprints - Galerie Chantal Crousel, Paris |
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| OTRA DE VAQUEROS - CECCH - Centre d'édition contemporaine - Genève, Geneva |
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| Escultura Social: A New Generation of Art from Mexico City - Museum of Contemporary Art Chicago (MCA), Chicago, IL |
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| How Soon Is Now? - Fundación Luis Seoane, A Coruña |
|
| Learn to Read - Tate Modern, London (England) |
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| 52nd International Art Exhibition Venice Biennale / Biennale di Venezia - La Biennale di Venezia, Venice |
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| Little did he know - Casa Luis Barragan, Mexico City |
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| Rainer Ganahl, Mario Garcia Torres, Hugo Hopping, John Menick - - Sandroni Rey, Los Angeles, CA (closed, 2009) |
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| SUBLIME OBJECTS. Collections sans frontières V - National Museum of Contemporary Art (MNAC), Bucharest |
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| Whenever It Starts It Is The Right Time, Strategien für eine unstetige Zukunft - Frankfurter Kunstverein, Frankfurt/Main |
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| Otra de vaqueros - Laboratorio Arte Alameda, Mexico City |
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| 2 Moscow Biennale of Contemporary Art - Moscow Biennale of contemporary art, Moscow |
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| Some time waiting - Kadist Art Foundation, Paris |
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| May the Twelfth - - Store Gallery, London (England) (closed) |
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| Elephant Cemetery - Artists Space, New York City, NY |
2006
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| Aspen 11 (Part 1) - Neue Alte Brücke, Frankfurt/Main |
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| No Negative - Objectif exhibitions, Antwerp |
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| NEOCON - Contemporary Returns to Conceptual Art - The British School at Rome, Rome |
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| neo-con. Contemporary Returns to Conceptual Art - Apexart, New York City, NY |
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| TEMENOS EL DUCHAMP... - Galería de Arte Mexicano - GAM, Mexico City |
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| Bring the war home - Elizabeth Dee Gallery, New York City, NY |
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| Le spectre des armatures - Glassbox, Paris |
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| The Backroom: Sf - SF Camerawork, San Francisco, CA |
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| the backroom - - New Langton Arts, San Francisco, CA (closed, 2009) |
2005
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| Strictement confidentiel. A partir de la collection de Marc et Josée Gensollen - Centre international d´art et du paysage de l´île de Vassivière, Ile de Vassivière |
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| BMW - Contemporary Art Centre (CAC), Vilnius |
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| The IX Baltic Triennial of International Art - BMW - The Baltic Triennial of International Art, Vilnius |
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| Disappearance - Fri Art - Centre d'Art Contemporain, Fribourg |
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| Fragile - Analix Forever, Geneva |
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| li still believe in miracles - Museo de Arte Contemporáneo de Monterrey MARCO, Monterrey, NL |
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| I Still Believe in Miracles - part 1 - Musée d´Art Moderne de la Ville de Paris - MAM/ARC, Paris |
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| Video 2005 Part II: No Convenient Subway Stops - Art in General, New York City, NY |
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| Today is just a copy of yesterday - Galerie Jan Mot, Brussels |
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| Dataspace Arte Electronico - Museo Municipal de Arte Contemporáneo de Madrid /Centro Cultural del Conde Duque, Madrid |
2004
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| What did you expect? - Galerie Jan Mot, Brussels |
2003
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| 24/7: Wilno - Nueva York (visa para) - Contemporary Art Centre (CAC), Vilnius |
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| In the Absence of Recombination - Bronx River Art Center (BRAC), New York City, NY |
2001
|
| Sans valeur commerciale - Institut du Mexique à Paris, Paris |
| Dealer Directory 5 |
Belgium
| | Galerie Jan Mot, Brussels
|
Japan
| | Taka Ishii Gallery - Kyoto, Kyoto
|
| | Taka Ishii Gallery - Tokyo, Tokyo
|
Spain
| | Galería Elba Benítez, Madrid
|
United Kingdom
| | White Cube - Mason´s Yard, London (England)
|
Collections 2
France
| | 49 NORD 6 EST – Frac Lorraine, Metz
|
| | Kadist Art Foundation, Paris
|
Catalogs
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