 Artist's arttributes:
|
| • |
Female |
| • |
Video, Performance |
| • |
Conceptual Art, Feminist Art |
Most exhibitions in: |
| Country |
№ |
| USA | 142 |
| Germany | 52 |
| Austria | 26 |
| France | 24 |
| Spain | 22 |
Most exhibitions held at: |
| Institution |
№ |
| |
New Museum of Contemporary Art, USA |
9 |
| |
MoMA - Museum of Modern Art, USA |
8 |
| |
Generali Foundation, Austria |
7 |
| |
Contemporary Arts Museum Houston, USA |
5 |
Biography: 
1943 Born in Brooklyn, NY (US)
Awards 2005 SPECTRUM - international price for photography of the "Stiftung Niedersachsen" 2005
Lives and works in New York (US)
External links:www.martharosler.net | | Public exhibitions (Selection) 368
until 8.9.
until 25.8.
until 22.7.
until 27.6.
Solo shows 35
2013
| |
| Martha Rosler - The Art Museum at the University of Kentucky, Lexington, KY |
2012
| |
| We Will Work With You! - Adam Art Gallery Te Pātaka Toi, Wellington |
| |
| Martha Rosler - Mitchell-Innes & Nash - West Street, New York City, NY |
2011
| |
| Martha Rosler - Pull Up Those Piigs - daadgalerie, Berlin |
| |
| Martha Rosler - Galleria Raffaella Cortese, Milan |
2010
| |
| Point and Shoot - Stedelijk Museum ’s-Hertogenbosch, 's-Hertogenbosch |
| |
| If you lived here still... - La Virreina - Centre de la Imatge, Barcelona |
| |
| Martha Rosler - Galleria Civica d´Arte Moderna e Contemporanea - GAM, Turin |
| |
| If You Lived Here Still... - Casco, Utrecht |
2009
| |
| Power Game - Galerie Christian Nagel - Köln, Cologne |
| |
| Martha Rosler - Private and public spaces - Espaivisor - Galería Visor, Valencia |
| |
| Martha Rosler - Centro José Guerrero, Granada |
2008
| |
| Martha Rosler: Bringing the War Home - Emory Visual Arts Gallery, Atlanta, GA |
| |
| Martha Rosler - Great Power - Mitchell-Innes & Nash - West Street, New York City, NY |
| |
| Martha Rosler - Langhans Galerie, Prague |
| |
| Martha Rosler - Portikus, Frankfurt/Main |
2007
| |
| Martha Rosler - Bringing the war home - Worcester Art Museum, Worcester, MA |
| |
| Martha Rosler - Virtual Minefield - Location One, New York City, NY |
2006
| |
| Martha Rosler - Galerie Art & Essai, Rennes |
| |
| Martha Rosler - Kriegsschauplätze - Galerie Christian Nagel - Berlin, Berlin |
2005
| |
| AG Fotografie - Neue Gesellschaft für Bildende Kunst (NGBK), Berlin |
| |
| Video Screening 1 - Martha Rosler - Center for Contemporary Art, CCA Kitakyushu, Kitakyushu |
 |
| Martha Rosler - London Garage Sale - ICA - Institute of Contemporary Arts London, London (England) |
|
| Martha Rosler - If not now, when? - Sprengel Museum Hannover, Hannover |
2004
| |
| Monumental Garage Sale - Project Arts Centre, Dublin |
2002
| |
| Martha Rosler - Maison Européenne de la Photographie, Paris |
| |
| Odd weeks - Martha Rosler - Moderna Museet, Stockholm |
2000
| |
| Martha Rosler - Positions in the Life World - ICP - International Center of Photography, New York City, NY |
|
| Martha Rosler - Positions in the Lifeworld - New Museum of Contemporary Art, New York City, NY |
1999
 |
| Martha Rosler - Posicionamientos en el mundo real - Museu d´Art Contemporani de Barcelona - MACBA, Barcelona |
| |
| Martha Rosler - Galerie Christian Nagel - Köln, Cologne |
| |
| Martha Rosler - Positionen in der Lebenswelt - Generali Foundation, Vienna |
| |
| Martha Rosler - IAC - Institut d'art contemporain Villeurbanne/Rhône-Alpes, Villeurbanne |
1998
| |
| Martha Rosler : positions in the life world - Ikon Gallery, Birmingham (England) |
Group shows 329
2013
| |
| Gnadenlos - Paula Modersohn-Becker Museum, Bremen |
| |
| More American Photographs - Wexner Center for the Arts, Columbus, OH |
| |
| No Place Like Home - Paul Robeson Galleries, Newark, NJ |
| |
| Amazing! Clever! Linguistic! - An Adventure in Conceptual Art - Generali Foundation, Vienna |
2012
| |
| re.act.feminism #2. A Performing Archive - Fundación Antoni Tŕpies, Barcelona |
| |
| Ourselves - ACCA - Australian Centre for Contemporary Art, Melbourne, VIC |
| |
| Glissement de terrain - Musée Ianchelevici, La Louvičre |
| |
| 9th Shanghai Biennale - Shanghai Biennale, Shanghai |
| |
| Performing Histories (1) - MoMA - Museum of Modern Art, New York City, NY |
| |
| Eyes Closed/Eyes Open - MoMA - Museum of Modern Art, New York City, NY |
| |
| Collages - Espace de l’art concret, Mouans Sartoux |
| |
| Chaotic Trajectories - Temporary Gallery Cologne, Cologne |
| |
| Reflecting Fashion - kunst und Mode seit der Moderne - Museum Moderner Kunst Stiftung Ludwig - MUMOK , Vienna |
| |
| Manifesto Collage - Die About Change, Collection zu Gast in der Berlinischen Galerie - Berlinische Galerie, Berlin |
|
| Atelier + Küche - MARTa Herford, Herford |
| |
| Making History - Frankfurter Kunstverein, Frankfurt/Main |
| |
| Remote Control - ICA - Institute of Contemporary Arts London, London (England) |
| |
| Matters of Fact - Hessel Museum of Art & Center for Curatorial Studies Galleries at Bard College, Annandale-on-Hudson, NY |
| |
| More American Photographs - Museum of Contemporary Art Denver, Denver, CO |
| |
| State of Mind: New California Art circa 1970 - Berkeley Art Museum and Pacific Film Archive BAM/PFA, Berkeley, CA |
|
| Vidéo Vintage 1963-1983 - Centre Pompidou - Musée National d´Art Moderne, Paris |
| |
| The Deconstructive Impulse: Women Artists Reconfigure the Signs of Power, 1973-1991 - Contemporary Arts Museum Houston, Houston, TX |
| |
| Spirits Of Internationalism - MuHKA Museum voor Hedendaagse Kunst Antwerpen, Antwerp |
|
| re.act.feminism #2 - a performing archive - Fundación Antoni Tŕpies, Barcelona |
2011
| |
| Body Gesture - Elizabeth Leach Gallery, Portland, OR |
| |
| More American Photographs - CCA Wattis Institute for Contemporary Arts, San Francisco, CA |
|
| Under the Big Black Sun: California Art 1974-1981 - The Geffen Contemporary at MOCA, Los Angeles, CA |
| |
| Doin’ It in Public: Feminism and Art at the Woman’s Building - Ben Maltz Gallery at Otis College of Art and Design, Los Angeles, CA |
| |
| Mass Distractions and Cultural Decay - Mason Gross Galleries at Civic Square, New Brunswick, NJ |
|
| Cambio de paradigma - Colección Serralves ańos 60-70 - Musac - Museo de Arte Contemporáneo de Castilla y León, Léon |
| |
| Time/bank: Time/food - Abrons Art Center, New York City, NY |
| |
| 12th International İstanbul Biennial - International Istanbul Biennial, Istanbul |
|
| The Deconstructive Impulse: Women Artists Reconfigure the Signs of Power, 1973 – 1991 - Nasher Museum of Art, Durham, NC |
|
| How to Philosophize with a Hammer - White Box, New York City, NY |
| |
| Sistemas, Acciones y Procesos. 1965-1975 - Fundación PROA, Buenos Aires |
| |
| Held Up By Columns - Leslie Fritz Gallery, New York City, NY |
| |
| Workers Leaving the Workplace - ms2 – Muzeum Sztuki Lodz, Lodz |
| |
| Inti - On Stellar Rays, New York City, NY |
|
| WESTEND - Museum on the Seam, Jerusalem |
| |
| Folios & Installations - BFAS Blondeau Fine Art Services, Geneva |
| |
| SO MACHEN WIR ES. Techniken und Ästhetik der Aneignung. Von Ei Arakawa bis Andy Warhol - Kunsthaus Bregenz, Bregenz |
| |
| SERIOUS GAMES - Krieg – Medien – Kunst - Mathildenhöhe, Darmstadt |
| |
| Hyper Real – Kunst und Amerika um 1970 - Ludwig Forum für Internationale Kunst, Aachen |
|
| Singapore Biennale 2011 - Singapore Biennale, Singapore |
| |
| The Pilgrim, the Tourist, the Flaneur (and the Worker) Play Van Abbe Part 4 - Stedelijk Van Abbemuseum, Eindhoven |
| |
| Seductive Subversion: Women Pop Artists, 1958-1968 - Tufts University Art Gallery, Medford, MA |
| |
| The Deconstructive Impulse: Women Artists Reconfigure The Signs Of Power, 1973-1992 - Neuberger Museum of Art, Purchase, NY |
2010
| |
| Alternatives to Memories - Galerie Art & Essai, Rennes |
| |
| Un-home-ly - Oakville Galleries, Oakville, ON |
| |
| żEstáis listos para la televisión? - Museu d´Art Contemporani de Barcelona - MACBA, Barcelona |
| |
| Seductive Subversion: Women Pop Artists, 1958–1968 - Brooklyn Museum of Art, New York City, NY |
| |
| Go West - Utah Museum of Contemporary Art, Salt Lake City, UT |
| |
| Está en mi cabeza. Detrás de los ojos - Centro Cultural Montehermoso, Vitoria-Gasteiz |
| |
| Seductive Subversion: Women Pop Artists, 1958-1968 - Sheldon Museum of Art, Lincoln, NE |
| |
| Workers Leaving the Workplace - ms - Muzeum Sztuki Lodz, Lodz |
| |
| Off the Wall Part 1: Thirty Performative Actions - Whitney Museum of American Art, New York City, NY |
| |
| Bilder in Bewegung - Museum Ludwig, Cologne |
| |
| Nosotras - Centro Andaluz de Arte Contemporáneo (CAAC), Sevilla |
| |
| In full bloom - Galleria Raffaella Cortese, Milan |
| |
| DO / REDO / UNDO - WIELS - Centrum voor Hedendaagse kunst, Brussels |
|
| Pictures by Women: A History of Modern Photography - MoMA - Museum of Modern Art, New York City, NY |
| |
| Mulberry Tree Press - SE8, London (England) |
|
| Julia Stoschek Collection - I want to see how you see - Deichtorhallen Hamburg, Hamburg |
| |
| In-between Minimalisms - Play Van Abbe, Part 2: Time Machines - Stedelijk Van Abbemuseum, Eindhoven |
| |
| In-between Minimalisms & Free Sol Lewitt - Stedelijk Van Abbemuseum, Eindhoven |
| |
| So Be It: Interventions in Printed Matter - Andrew Roth Gallery, New York City, NY |
| |
| Le présent du passé - FRAC - Pays de la Loire, Carquefou |
| |
| Che cosa sono le nuvole? Werke aus der Sammlung Enea Righi - MUSEION - Museum für moderne und zeitgenössische Kunst , Bolzano |
 |
| From NY with Love - - Don't Projects, Paris (closed, 2010) |
| |
| Martha Rosler Reads Vogue - Grey Area, Brighton (England) |
| |
| Changing Channels - Kunst und Fernsehen 1963-1987 - Museum Moderner Kunst Stiftung Ludwig - MUMOK , Vienna |
|
| Wonder Women from the EMST collection / Project Room - National Museum of Contemporary Art - EMST, Athens |
| |
| Knock Knock: Who's There? That Joke Isn't Funny Anymore - Armand Bartos Fine Art, New York City, NY |
| |
| Krieg / Individuum - Kunsthalle Münster, Münster |
| |
| Donna. Avanguardia femminista negli anni 1970s - Galleria Nazionale d'Arte Moderna (GNAM) , Rome |
| |
| Shrew'd: The Smart & Sassy Survey of American Women Artists - Sheldon Museum of Art, Lincoln, NE |
| |
| Modernologies - Contemporary Artists Researching Modernity and Modernism - Muzeum Sztuki Nowoczesnej w Warszawie / Museum of Modern Art, Warsaw |
| |
| Augenschmaus - Vom Essen im Stilllebben - Bank Austria Kunstforum, Vienna |
|
| Malas Calles - IVAM - Institut Valenciŕ d'Art Modern, Valencia |
| |
| How Many Billboards? Art In Stead - MAK Center for Art and Architecture, West Hollywood, CA |
|
| Pieces of 9: Reframing the Collection - UAM - University Art Museum, Long Beach, CA |
| |
| It is it - Espacio 1414, Santurce |
|
| Use & Mention - Stephen Lawrence Gallery - University of Greenwich, London (England) |
| |
| Defending Our Values (Lightbox/The Module) - Kunstraum Innsbruck, Innsbruck |
2009
| |
| Indomitable Women at BAC 10.0 - CCCB - Centre de Cultura Contemporŕnia de Barcelona, Barcelona |
|
| MOCA´s First Thirty Years - MOCA Grand Avenue, Los Angeles, CA |
|
| 1969 - MoMA PS1, New York City, NY |
| |
| Lecture Performance - Kölnischer Kunstverein, Cologne |
| |
| Learn to Read Art: A History of Printed Matter - MoMA PS1, New York City, NY |
| |
| Kunst x 80 I Jahr x 80 - Künstlerhaus Graz am Joanneum, Graz |
| |
| The Moving Image: Scan to Screen, Pixel to Projection II - Orange County Museum of Art, Newport Beach |
|
| Dress Codes: The Third ICP Triennial of Photography and Video - The ICP Triennial of Photography and Video, New York City, NY |
|
| Modernologies - Museu d´Art Contemporani de Barcelona - MACBA, Barcelona |
| |
| El Dorado - Über das Versprechen der Menschenrechte - Kunsthalle Nürnberg, Nuremberg |
| |
| Big Shots: Andy Warhol, Celebrity Culture, and the 1980s - Spencer Museum of Art, Lawrence, KS |
|
| Jump Cut Pop - Haggerty Museum of Art, Milwaukee, WI |
| |
| Daughters Of The Revolution: Women & Collage - Pavel Zoubok Gallery, New York City, NY |
| |
| NARCOTICA - - Galerie Im Regierungsviertel - Forgotten Bar, Berlin (closed) |
|
| elles@centrepompidou, artistes femmes dans les collections du Centre Pompidou - Centre Pompidou - Musée National d´Art Moderne, Paris |
| |
| Still Revolution: Suspended in Time - mocca - Museum of Contemporary Canadian Art, Toronto, ON |
|
| Balance and Power: Performance and Surveillance in Video Art - MOCA - Museum of Contemporary Art Jacksonville, Jacksonville, FL |
|
| Bilderschlachten – 2000 Jahre Nachrichten aus dem Krieg - Kunsthalle Dominikanerkirche, Osnabruck |
| |
| El Pasado en el Presente y lo propio en lo ajeno - Laboral - Centro de Arte y Creación Industrial, Gijón |
|
| A mancha humana / the human stein - CGAC - Centro Galego de Arte Contemporánea, Santiago de Compostela |
| |
| The Practice of Joy before Death; It just would not be a party without you - SCARAMOUCHE c/o Fruit and Flower Deli , New York City, NY |
|
| Action/Abstraction: Pollock, de Kooning, and American Art, 1940–1976 - Albright-Knox Art Gallery, Buffalo, NY |
|
| Rirkrit Tiravanija - "The house the cat built" - Galeria Salvador Díaz, Madrid |
| |
| The End - The Andy Warhol Museum, Pittsburg, PA |
| |
| live art /levende scene - Kunstnernes Hus, Oslo |
| |
| Domestic Life - Sun Valley Center for the Arts, Ketchum, ID |
2008
|
| Douglas Gordon, Anthony McCall, Martha Rosler - Artists Editions & Book Launch for 'Art and the Moving Image: A Critical - Tanya Leighton Gallery, Berlin |
|
| re.act.feminism - performancekunst der 1960er und 70er jahre heute - AdK - Akademie der Künste, Berlin |
| |
| shrink-wrapped - Or Gallery - Vancouver, Vancouver, BC |
| |
| Interieur/Exterieur. Wohnen in der Kunst - Kunstmuseum Wolfsburg, Wolfsburg |
| |
| Versus Inversus - Galleria Raffaella Cortese, Milan |
| |
| Human Nature(s) - Worcester Art Museum, Worcester, MA |
| |
| Happy Together, an american dream - Centre d’Art Bastille - CAB, Grenoble |
| |
| Present Tense - Centro Atlántico de Arte Moderno (CAAM), Las Palmas de Gran Canaria |
| |
| SEDITION - White Box, New York City, NY |
|
| Action/Abstraction - Saint Louis Art Museum, Saint Louis, MO |
| |
| Alternating Beats - The RISD Museum - University of Rhode Island, Providence, RI |
|
| WACK! Art and the Feminist Revolution - Vancouver Art Gallery, Vancouver, BC |
| |
| 49th October Salon - Oktobarski Salon / October Salon, Belgrade |
| |
| Museum as Hub: Six Degrees - New Museum of Contemporary Art, New York City, NY |
| |
| Political Corect - BFAS Blondeau Fine Art Services, Geneva |
| |
| Street Art, Street Life - Bronx Museum of the Arts (BxMA), New York City, NY |
| |
| Instantané (70), Porte-parole (épisode n°2) - FRAC - Pays de la Loire, Carquefou |
| |
| Close Encounters: Facing the Future - American University Museum at the Katzen Arts Center, Washington, DC |
| |
| Exhibitions and Events Learn to Read Art: A History of Printed Matter - Artspeak, Vancouver, BC |
| |
| Democracy in America—Convergence Center, curated by Nato Thompson, Creative Time - Creative Time, New York City, NY |
| |
| Thanks for coming - Michael Benevento, Los Angeles, CA |
| |
| regarde de toutes tes yeux regarde - Musée des Beaux-Arts de Nantes, Nantes |
| |
| Beyond the Backyard - MoCP - The Museum of Contemporary Photography, Chicago, IL |
| |
| Ambition d'art - IAC - Institut d'art contemporain Villeurbanne/Rhône-Alpes, Villeurbanne |
|
| Action/Abstraction: Pollock, de Kooning, and American Art, 1940-1976 - The Jewish Museum of New York, New York City, NY |
| |
| Bildpolitiken - Salzburger Kunstverein, Salzburg |
| |
| The Human Face is a Monument - - Guild & Greyshkul, New York City, NY (closed, 2009) |
| |
| Are We There Yet?: 40 Years of Feminism - ARC Gallery, Chicago, IL |
| |
| The Artist’s Library - Centre international d´art et du paysage de l´île de Vassivičre, Ile de Vassivičre |
|
| WACK!: Art and the Feminist Revolution - MoMA PS1, New York City, NY |
| |
| On the Margins - Kemper Art Museum, Saint Louis, MO |
| |
| Person Of The Crowd: The Contemporary Art Of Flânerie - Neuberger Museum of Art, Purchase, NY |
| |
| Collage: The Unmonumental Picture - New Museum of Contemporary Art, New York City, NY |
2007
| |
| Ich bin keine Küche - Ausstellungszentrum Heiligenkreuzer Hof, Vienna |
| |
| Unmonumental: The Object In The 21st Century - New Museum of Contemporary Art, New York City, NY |
| |
| Apocalypse Now: The Theater of War - CCA Wattis Institute for Contemporary Arts, San Francisco, CA |
| |
| Beauty and the Blonde: An Exploration of American Art and Popular Culture - Kemper Art Museum, Saint Louis, MO |
|
| 12č Biennale de l’Image en Mouvement - Biennale de l'Image en Mouvement, Geneva |
| |
| MACBA im Frankfurter Kunstverein - Frankfurter Kunstverein, Frankfurt/Main |
| |
| Tomorrow - Kumho Museum of Art, Seoul |
| |
| WACK! Art and the Feminist Revolution - National Museum of Women in the Arts, Washington, DC |
| |
| A batalla dos xéneros - CGAC - Centro Galego de Arte Contemporánea, Santiago de Compostela |
|
| BODYPOLITCX - Witte de With Center for Contemporary Art, Rotterdam |
| |
| Re-Dis-Play - Heidelberger Kunstverein, Heidelberg |
|
| skulptur projekte münster 07 - Skulptur Projekte Münster, Münster |
|
| Documenta 12 - Documenta, Kassel |
| |
| GINNUNGAGAP / PAVILION OF BELIEF - - Galerie Im Regierungsviertel - Forgotten Bar, Berlin (closed) |
|
| Die Kunst zu Sammeln - Museum Kunstpalast, Dusseldorf |
| |
| Erblätterte Identitäten: Mode-Kunst-Zeitschrift - Galerie der Hochschule für Grafik und Buchkunst Leipzig (HGB), Leipzig |
| |
| Personae: Two Decades of Feminist Video - Colby College Museum of Art, Waterville, ME |
| |
| I am making Art - Chapitre 4 - Féminisme - Centre d´Art Contemporain Geneve, Geneva |
| |
| ANACHRONISM - Argos, Brussels |
|
| WACK! - Art And The Feminist Revolution - The Geffen Contemporary at MOCA, Los Angeles, CA |
| |
| Wege zur Selbstverständlichkeit - Set 4 aus der Sammlung des Fotomuseum Winterthur - Fotomuseum Winterthur, Winterthur |
| |
| For a Special Place: Documents and Works from the Generali Foundation Collection - Austrian Cultural Forum New York, New York City, NY |
| |
| Mapping the City - Stedelijk Museum Amsterdam, Amsterdam |
| |
| AMERICAN VIDEO-ART - LAZNIA - Centre for Contemporary Art, Gdansk |
| |
| Private Americans in the Political Domain - San Diego State University Art Gallery, San Diego, CA |
| |
| Massiv Analog Academy - Galerie Christian Nagel - Köln, Cologne |
2006
| |
| Media Burn - Tate Modern, London (England) |
|
| The Studio - Dublin City Gallery The Hugh Lane, Dublin |
| |
| Weak Foundations - Momenta Art, New York City, NY |
| |
| work [w3:k] - - Ormeau Baths Gallery OBG, Belfast (Northern Ireland) (closed, 2011) |
| |
| Decoys & Destructions - - Overtones, Los Angeles, CA (closed, 2009) |
| |
| Food For Thought: A Video Sampler - The Jewish Museum of New York, New York City, NY |
| |
| War Fare - MoCP - The Museum of Contemporary Photography, Chicago, IL |
| |
| femmeusesaction # 15 - Centre d'Art du Parc Saint Léger, Pougues-les-Eaux |
| |
| Kapital - - Kent Gallery, New York City, NY (closed) |
| |
| Erblätterte Identitäten: Mode-Kunst- Zeitschrift - Stadthaus Ulm, Ulm |
| |
| Every Day ... another artist/work/show - Salzburger Kunstverein, Salzburg |
| |
| Equal And Less Equal - Museum on the Seam, Jerusalem |
| |
| ...und so hat Konzept noch nie Pferd bedeutet - Generali Foundation, Vienna |
| |
| Academy – Learning from Art - MuHKA Museum voor Hedendaagse Kunst Antwerpen, Antwerp |
| |
| How American Women Artists Invented Postmodernism 1970-1975 - The Harold B. Lemmerman Gallery at New Jersey City University, Jersey City, NJ |
| |
| Justine, Enoc, Natalie, Tjorg, Paul, Martha & Jessica - Mitchell-Innes & Nash - Madison Av., New York City, NY |
| |
| Home of the Free - Hyde Park Art Center, Chicago, IL |
| |
| Mary Rawlyk and Martha Rosler - slow boil - Agnes Etherington Art Center, Kingston, Ontario |
| |
| Terminals, Hotels & Wunderwelten - Stadtmuseum Graz, Graz |
| |
| work [wз:k] - Lewis Glucksman Gallery, Cork |
| |
| Mapping the studio - Stedelijk Museum Amsterdam, Amsterdam |
| |
| Globalización: indicaciones/ efectos secundarios/ advertencias - Espacio 1414, Santurce |
| |
| Fallout - Cold War Culture - Mitchell-Innes & Nash - West Street, New York City, NY |
| |
| Nouvelles Acqisition FRAC Basse-Normandie - FRAC - Basse-Normandie, Caen |
| |
| Los Angeles 1955-1985 The birth of an art capital - Centre Pompidou - Musée National d´Art Moderne, Paris |
| |
| Optik Schröder - Werke aus der Sammlung Alexander Schröder - Kunstverein Braunschweig, Braunschweig |
|
| LOCATION SHOTS - Galerie Erna Hécey, Brussels |
| |
| Now Voyager - The Islip Art Museum, East Islip, NY |
| |
| If It's Too Bad to Be True, It Could Be DISINFORMATION - Blackwood Gallery at the University of Toronto , Mississauga, ON |
2005
| |
| Persistent Vestiges - Drawing from the American-Vietnam War - The Drawing Center, New York City, NY |
|
| Occupying Space - MSU - Museum of Contemporary Art Zagreb, Zagreb |
| |
| Balance and Power - Performance and Surveillance in Video Art - Krannert Art Museum, Champaign, IL |
| |
| If It`s Too Bad To Be True, It Could be Disinformation - Apexart, New York City, NY |
|
| Videographies – The Early Decades - II Cycle - National Museum of Contemporary Art - EMST, Athens |
| |
| Peinture D'Histoire(s) - Astrid Klein, Martha Rosler, Zbigniew Libera - Galerie Anne de Villepoix, Paris |
| |
| Wie Gesellschaft und Politik ins Bild kommen - Generali Foundation, Vienna |
| |
| Pop Politics Power - LMAK Projects, New York City, NY |
| |
| Pop Politics Power - Elga Wimmer PCC, New York City, NY |
|
| Videographies – The Early Decades - I Cycle - National Museum of Contemporary Art - EMST, Athens |
|
| Occupying Space - The Generali Collection - Witte de With Center for Contemporary Art, Rotterdam |
| |
| Girls on film - - Zwirner & Wirth, New York City, NY (closed, 2009) |
|
| Recent Acquisitions - And Some Thoughts on the Current Art Market - Galerie St. Etienne, New York City, NY |
| |
| OpenSystems - Rethinking Art c.1970 - Tate Modern, London (England) |
| |
| (my private) Heroes - MARTa Herford, Herford |
|
| Covering the Real - Kunst und Pressebild, von Warhol bis Tillmans - Kunstmuseum Basel, Basel |
| |
| The Art of Aggression - - The Moore Space, Miami, FL (closed, 2008) |
| |
| The Last Picture Show - Artists using Photography 1960-1982 - Miami Art Central, Miami, FL |
|
| Occupying Space - Sammlung Generali Foundation - Haus der Kunst München, Munich |
|
| Just do it! - Die Subversion der Zeichen von Marcel Duchamp bis Prada Meinhof - Lentos Kunstmuseum Linz, Linz |
| |
| Trade - White Columns, New York City, NY |
| |
| Selected video pogramme from the Collection of New Media, Centre Georges Pompidou - Galerija Miroslav Kraljevic, Zagreb |
| |
| Le monde comme un tableau - L´Imagerie, Lannion |
2004
| |
| How do we want to be governes? (Figure and Ground - Miami Art Central, Miami, FL |
| |
| Last One On is a Soft Jimmy - Paula Cooper Gallery, New York City, NY |
| |
| Tapei Biennial 2004 - Do you believe in reality? - Taipei Biennial, Taipei |
| |
| Central Station, Collection Harald Falckenberg - La Maison Rouge, Paris |
|
| utopia station: auf dem weg nach porto alegre - Haus der Kunst München, Munich |
| |
| Liverpool Biennial 2004 - Liverpool Biennial of Contemporary Art, Liverpool (England) |
| |
| Joyce in Art - RHA Gallery - Royal Hibernian Academy, Dublin |
| |
| The last picture show. Artistas que hacen uso de la fotografía. Tendencias conceptuales de 1960-1982 - MARCO Museo de Arte Contemporánea de Vigo, Vigo |
| |
| En Guerra - CCCB - Centre de Cultura Contemporŕnia de Barcelona, Barcelona |
| |
| Part One - Orchard 47, New York City, NY |
| |
| Modern Means: Continuity and Change in Art from 1880 to the Present - Mori Art Museum, Tokyo |
| |
| American Idyll - The Greene Naftali Gallery, New York City, NY |
| |
| Terrain Vague - Photography, Architecture and the Post-Industrial Landscape - Carnegie Museum of Art, Pittsburg, PA |
| |
| Conversations - Text and Image - MoCP - The Museum of Contemporary Photography, Chicago, IL |
|
| The Last Picture Show - Artists Using Photography, 1960-1982 - Hammer Museum, Los Angeles, CA |
| |
| Group Exhibition: Le Cabinet des Collages - D'Amelio Terras, New York City, NY |
| |
| Nothing If Not Satirical - The Nunnery Gallery, London (England) |
2003
| |
| Crimes and Misdemeanors - Politics in U.S. Art of the 1980s - CAC - Cincinnati Contemporary Arts Center, Cincinnati, OH |
| |
| A Short History of Performance - Part II - Whitechapel Art Gallery, London (England) |
| |
| Terrain Vague - Atlanta Contemporary Art Center, Atlanta, GA |
|
| The Last Picture Show - Artists Using Photography - 1960-1982 - Walker Art Center, Minneapolis, MN |
| |
| 24/7: Wilno - Nueva York (visa para) - Contemporary Art Centre (CAC), Vilnius |
|
| Video Acts... - ICA - Institute of Contemporary Arts London, London (England) |
| |
| Haupt-und Nebenwege - Galerie Christian Nagel - Köln, Cologne |
|
| Attack! - Kunst und Krieg in den Zeiten der Medien - Kunsthalle Wien (Museumsquartier), Vienna |
|
| 50th International Art Exhibition Venice Biennale / Biennale di Venezia - La Biennale di Venezia, Venice |
| |
| Acquisitions 2001-2002 - Photography and Video - National Museum of Contemporary Art - EMST, Athens |
| |
| Récentes acquisitions pour la collection du FRAC Bretagne - Domaine de Kerguéhennec - Centre d'Art Contemporain, Bignan |
|
| M_ARS - Art and War - Neue Galerie Graz - Universalmuseum Joanneum, Graz |
| |
| 0003-Edition - Artelier Contemporary, Graz |
2002
| |
| Gloria - another look at feminist art in the 1970s - White Columns, New York City, NY |
| |
| Video Art - Castello di Rivoli Museo d'Arte Contemporanea, Turin |
| |
| non-places - Frankfurter Kunstverein, Frankfurt/Main |
| |
| Der 3. Sektor - Galerie für Zeitgenössische Kunst - GfZK, Leipzig |
| |
| Subject Matters - Kravets / Wehby Gallery, New York City, NY |
2001
| |
| L’art vu ŕ distance - FRAC - Limousin, Limoges |
| |
| Ce qu'il te plaît 2 - Mamco - musée d´art moderne et contemporain, Geneva |
|
| Greed and Other Recent Acquisitions - ICP - International Center of Photography, New York City, NY |
|
| Brooklyn! - - The Palm Beach Institute of Contemporary Art (PBICA), Lake Worth, FL (closed) |
| |
| Werke aus der Sammlung - Generali Foundation, Vienna |
|
| Antagonismes... - Museu d´Art Contemporani de Barcelona - MACBA, Barcelona |
| |
| The Communications Department - Wilkinson Gallery, London (England) |
| |
| Affinités - Centre d’art contemporain de Quimper - le Quartier, Quimper |
| |
| New York ca. 1975 - David Zwirner, Inc., New York City, NY |
| |
| The Path of Resistance - MoMA meets Moderna 1960 - 2000 - Moderna Museet, Stockholm |
|
| Hypermental - Wahnhafte Wirklichkeit 1950 - 2000 - Von Salvador Dali bis Jeff K - Hamburger Kunsthalle, Hamburg |
| |
| Coupé-Collé vol.1 - FRAC - Limousin, Limoges |
| |
| Look Out - PM Gallery & House, London (England) |
|
| Televisions - Kunst sieht fern - Kunsthalle Wien (Museumsquartier), Vienna |
2000
|
| Hypermental - Wahnhafte Wirklichkeit 1955 - 2000 von Salvador Dalí bis Jeff Koon - Kunsthaus Zürich, Zurich |
|
| Critic as Grist - White Box, New York City, NY |
| |
| 4. Werkleitz Biennale - real[work] - Werkleitz Biennale, Halle (Saale) |
| |
| Quotidiana - Castello di Rivoli Museo d'Arte Contemporanea, Turin |
1999
| |
| Impact: Revealing Sources for Contemporary Art - - Contemporary Museum, Baltimore, Baltimore, MD (closed, 2012) |
|
| Einblicke in die Sammlung - Generali Foundation, Vienna |
| |
| 3. Österreichische Triennale zur Fotografie - Public Domain - - Österreichische Triennale zur Fotografie, Graz (closed, 2003) |
| |
| Mamcoms (Mamco Magazine Show) - Mamco - musée d´art moderne et contemporain, Geneva |
| |
| "Dream City"-ein Münchener Gemeinschaftsprojekt - Kunstverein München, Munich |
| |
| Insite 98 - Mysterious Voyages: Exploring the Subject of Photography - - Contemporary Museum, Baltimore, Baltimore, MD (closed, 2012) |
| |
| Impact: Revealing Sources for Contemporary Art - - Contemporary Museum, Baltimore, Baltimore, MD (closed, 2012) |
1998
| |
| Harriet Craig - Apexart, New York City, NY |
| |
| The cultured tourist - Leslie Tonkonow Artworks + Projects, New York City, NY |
| |
| Ruins in Reverse: Time and Progress in Contemporary Art Part I - Cepa Gallery, Buffalo, NY |
|
| fast forward - 2. Abschnitt: FFWD trade marks - Kunstverein in Hamburg, Hamburg |
| |
| Ce qu’il te plaît - Mamco - musée d´art moderne et contemporain, Geneva |
| |
| Travel and Leisure - Paula Cooper Gallery, New York City, NY |
| |
| Home Screen Home - Witte de With Center for Contemporary Art, Rotterdam |
1997
| |
| Airport - The Photographers' Gallery, London (England) |
1996
| |
| Family nation tribe community Shift - Ideologie und Utopie in der zeitgenössischen Kunst - Haus der Kulturen der Welt, Berlin |
| |
| Womens's work - The Greene Naftali Gallery, New York City, NY |
|
| Reel Work: Artists Film and Video of the 1970’s - Museum of Contemporary Art - North Miami (MOCA), Miami, FL |
1995
| |
| Division Of Labor: Women's Work In Contemporary Art - MOCA Grand Avenue, Los Angeles, CA |
| |
| Corpus loquendi, l'éloquence du corps : la vidéo corporelle ŕ Halifax, 1972-1982 - Musée d´art contemporain de Montréal, Montreal, QC |
1994
| |
| when tekkno turns to sound of poetry - Shedhalle, Zurich |
1993
| |
| 1. Österreichische Triennale zur Fotografie 1993 - - Österreichische Triennale zur Fotografie, Graz (closed, 2003) |
| |
| Mistaken Identities - Weserburg | Museum für moderne Kunst, Bremen |
| |
| In Transit - New Museum of Contemporary Art, New York City, NY |
1992
| |
| Video: Two Decades - MoMA - Museum of Modern Art, New York City, NY |
1991
| |
| Consumer Tools: Personal Visions - MoMA - Museum of Modern Art, New York City, NY |
| |
| Word As Image: American Art 1960–1990 - Contemporary Arts Museum Houston, Houston, TX |
1990
| |
| The Decade Show: Frameworks of Identity in the 1980s - New Museum of Contemporary Art, New York City, NY |
| |
| Video and Myth - MoMA - Museum of Modern Art, New York City, NY |
1989
| |
| The Arts for Television - Contemporary Arts Museum Houston, Houston, TX |
| |
| Video: Arts for Television - MoMA - Museum of Modern Art, New York City, NY |
| |
| The arts for television - Musée d´art contemporain de Montréal, Montreal, QC |
1986
| |
| New York Foundation for the Arts Video Fellows 1985 - New Museum of Contemporary Art, New York City, NY |
1985
| |
| The Art of Memory / The Loss of History - New Museum of Contemporary Art, New York City, NY |
| |
| Difference: On Representation and Sexuality - The Renaissance Society at The University of Chicago, Chicago, IL |
1984
| |
| Difference: On Representation and Sexuality - New Museum of Contemporary Art, New York City, NY |
1983
| |
| Video Art: A History - MoMA - Museum of Modern Art, New York City, NY |
| |
| Whitney Biennial 1983 - Whitney Biennial, New York City, NY |
1982
| |
| documenta 7 - Documenta, Kassel |
| |
| American Painting and Sculpture 74th Annual - The Art Institute of Chicago, Chicago, IL |
| |
| Livres d'artistes = Books by artists - Musée d´art contemporain de Montréal, Montreal, QC |
1980
| |
| Issue: Social Strategies by Women Artists - ICA - Institute of Contemporary Arts London, London (England) |
| |
| A Sound Selection: Audio Works by Artists - Contemporary Arts Museum Houston, Houston, TX |
1978
| |
| Double X - LACE - Los Angeles Contemporary Exhibitions, Los Angeles, CA |
1977
| |
| American Narrative/Story Art: 1967–1977 - Contemporary Arts Museum Houston, Houston, TX |
| Dealer Directory 6 |
Austria
| | Artelier Contemporary, Graz
|
France
| | Galerie de multiples - GDM, Paris
|
Germany
| | Galerie Christian Nagel - Köln, Cologne
|
Italy
| | Galleria Raffaella Cortese, Milan
|
USA
| | Mitchell-Innes & Nash - West Street, New York City, NY
|
| | Mitchell-Innes & Nash - Madison Av., New York City, NY
|
Collections 21
Austria
| | Neue Galerie Graz - Universalmuseum Joanneum, Graz
|
| | Generali Foundation, Vienna
|
Canada
| | Art Gallery of Ontario, Toronto, ON
|
Finland
| | Kiasma - Museum of Contemporary Art, Helsinki
|
France
| | FRAC - Basse-Normandie, Caen
|
| | FRAC - Pays de la Loire, Carquefou
|
| | FRAC - Bretagne, Châteaugiron
|
| | 49 NORD 6 EST – Frac Lorraine, Metz
|
| | Centre Pompidou - Musée National d´Art Moderne, Paris
|
| | Musée Départemental d'Art Contemporain de Rochechouart, Rochechouart
|
| | IAC - Institut d'art contemporain Villeurbanne/Rhône-Alpes, Villeurbanne
|
Greece
| | National Museum of Contemporary Art - EMST, Athens
|
Spain
| | Museu d´Art Contemporani de Barcelona - MACBA, Barcelona
|
| | CGAC - Centro Galego de Arte Contemporánea, Santiago de Compostela
|
Switzerland
| | Museum für Gegenwartskunst - Emanuel Hoffmann-Stiftung, Basel
|
| | Fotomuseum Winterthur, Winterthur
|
USA
| | MoCP - The Museum of Contemporary Photography, Chicago, IL
|
| | UAM - University Art Museum, Long Beach, CA
|
| | Solomon R. Guggenheim Museum, New York City, NY
|
| | San Francisco Museum of Modern Art - SFMOMA, San Francisco, CA
|
Catalogs
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