 Artist's arttributes:
|
| • |
Male |
| • |
Installation, Interactive installation |
Most exhibitions in: |
| Country |
№ |
| United Kingdom | 47 |
| USA | 40 |
| Germany | 32 |
| Italy | 22 |
| France | 19 |
Most exhibitions held at: |
| Institution |
№ |
| |
The New Art Gallery Walsall, United Kingdom |
5 |
Biography: 
1968 Born in Wakefield, England (UK)
Lives and works in London (UK)
External links: | | Public exhibitions (Selection) 255
until 12.1.2014
until 30.6.
Solo shows 54
2013
| |
| Half the air in a given space - National Gallery of Canada - Musée des beaux-arts du Canada, Ottawa, ON |
2012
| |
| Martin Creed - Museo de Arte de Lima - MALI, Lima |
| |
| Work No. 965: Half the air in a given space - The Cleveland Museum of Art, Cleveland, OH |
| |
| Martin Creed - Pavement Gallery - Manchester Metropolitan Univerity, Manchester (England) |
| |
| Martin Creed - Museum of Contemporary Art Chicago (MCA), Chicago, IL |
| |
| Martin Creed - Michael Lett, Auckland |
| |
| Martin Creed at Tate Liverpool - Tate Liverpool, Liverpool (England) |
| |
| Wanting to Say Hello - Conceptual Art Centre Bukovje, Postojna |
2011
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| Martin Creed: Things/Cosas - ALCALÁ 31 - Sala de Exposiciones, Madrid |
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| Martin Creed, Work N° 200 - MAMAC - Musee d´Art Moderne et d`Art Contemporain Nice, Nice |
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| Martin Creed: Collected Works - Rennie Collection at Wing Sang, Vancouver, BC |
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| Martin Creed - MARCO Museo de Arte Contemporánea de Vigo, Vigo |
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| Martin Creed - Johnen Galerie, Berlin |
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| Sightings: Martin Creed - Nasher Sculpture Center, Dallas, TX |
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| Martin Creed - Galerie Rüdiger Schöttle, Munich |
2010
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| Numbers - Moscow museum of modern art - MMOMA, Moscow |
| |
| Open/Closed, Big/Small, Full/Empty, On/Off - Western Bridge, Seattle, WA |
 |
| Down Over Up - Fruitmarket Gallery, Edinburgh (Scotland) |
| |
| Martin Creed - Heidelberger Kunstverein, Heidelberg |
| |
| Martin Creed -Things - The Common Guild, Glasgow (Scotland) |
2009
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| Martin Creed - Artsonje Center, Seoul |
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| Martin Creed - Hiromi Yoshii Gallery, Tokyo |
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| Martin Creed - Hiroshima City Museum of Contemporary Art, Hiroshima |
2008
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| Martin Creed - Ikon Gallery, Birmingham (England) |
| |
| Tate Britain Duveens Commission: Martin Creed - Tate Britain, London (England) |
| |
| New Works - Galleria Lorcan O'Neill, Rome |
2007
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| Martin Creed - The Douglas Hyde Gallery, Dublin |
| |
| Martin Creed - Galleria Alberto Peola, Turin |
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| Martin Creed: The Lights Going On and Off - BCA - Boston Center for the Arts, Boston, MA |
| |
| Dogs - Sorry, we’re closed, Brussels |
2006
| |
| Martin Creed - Michael Lett, Auckland |
| |
| I Like Things - Fondazione Nicola Trussardi, Milan |
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| I like things - Palazzo Reale, Milan |
|
| Martin Creed - Work No. 547 - Johnen Galerie, Berlin |
2005
| |
| Martin Creed - ACCA - Australian Centre for Contemporary Art, Melbourne, VIC |
 |
| Martin Creed - Galerie Rüdiger Schöttle, Munich |
| |
| Martin Creed - Gavin Brown's Enterprise, New York City, NY |
2004
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| Martin Creed - Work No. 360 - Johnen Galerie, Berlin |
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| Martin Creed - Work no 289: everything is going to be alright - The British School at Rome, Rome |
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| Martin Creed - "Work N°330" et "Selected works" - Galerie Emmanuel Perrotin - Paris, Paris |
|
| MARTIN CREED WORKS - Installation, sculpture - Centre for Contemporary Art Ujazdowski Castle, Warsaw |
2003
|
| Martin Creed - Kunsthalle Bern, Bern |
| |
| Martin Creed - Analix Forever, Geneva |
2002
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| a large piece of furniture partially obstructing a door - Galleria Alberto Peola, Turin |
2001
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| A large piece of furniture partially obstructing a door - Galleria Alberto Peola, Turin |
| |
| Martin Creed - - Johnen & Schöttle, Cologne (closed, 2009) |
2000
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| Martin Creed - Camden Arts Centre, London (England) |
1999
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| Martin Creed - Marinie Weber - Galerie Praz-Delavallade - Paris, Paris |
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| Martin Creed - Galleria Alberto Peola, Turin |
1998
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| Martin Creed - Analix Forever, Geneva |
Group shows 199
2012
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| Living Loss: The Experience of Illness in Art - Lewis Glucksman Gallery, Cork |
| |
| Into The Mystic - Michael Kohn Gallery, Los Angeles, CA |
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| Sounds like Silence (Cage – 4'33'' – Stille / 1912 – 1952 – 2012) - HMKV - Hartware MedienKunstVerein, Dortmund |
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| Paper - MAMAC - Musee d´Art Moderne et d`Art Contemporain Nice, Nice |
| |
| 2012: you inspire me... - Bradford 1 Gallery, Bradford (England) |
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| la peinture sans les peintres - Villa du Parc - Centre d'Art Contemporain, Annemasse |
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| Painting in Space - Luhring Augustine Gallery, New York City, NY |
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| Utopraxia - TAF The Art Foundation, Athens |
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| Steel Life - Michael Benevento, Los Angeles, CA |
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| The British Cut - The Cat Street Gallery, Hong Kong, SAR |
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| Arte torna Arte - Galleria dell'Accademia, Florence |
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| B. Wurtz & Co. - Richard Telles Fine Art, Los Angeles, CA |
| |
| 2012-1 Building: Art in Relation to Architecture - Hiroshima City Museum of Contemporary Art, Hiroshima |
| |
| Da zero a cento, le nuove età della vita - Triennale Bovisa, Milan |
| |
| Positions on Conceptual Art - Galerie Rüdiger Schöttle, Munich |
| |
| Kadist: Pathways Into A Collection - Minsheng Art Museum, Shanghai |
2011
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| Government Art Collection: Selected by Cornelia Parker: Richard Of York Gave Battle In Vain - Whitechapel Art Gallery, London (England) |
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| Continuum_the Perception Zone - Tallinna Kunstihoone / Tallinn Art Hall, Tallinn |
| |
| Made in Britain: Contemporary Art from the British Council Collection 1980–2010 - Hong Kong Heritage Museum, Hong Kong, SAR |
|
| Folkstone Triennial 2011 - Folkestone Triennial, Folkestone (England) |
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| Museums, Galleries, Homes and other stories - Galleria Enrico Astuni - Bologna, Bologna |
| |
| Belief & Understanding - Nicole Klagsbrun Gallery, New York City, NY |
|
| Biennale di Venezia - 54th International Art Exhibition - La Biennale di Venezia, Venice |
| |
| Fun House - Western Bridge, Seattle, WA |
|
| Tate St Ives Summer Exhibition 2011 - Tate St. Ives, St. Ives, Cornwall (England) |
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| Space Oddity - Nymphius Projekte Berlin, Berlin |
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| Invocations of the blank page - NICC - New International Cultural Centre, Antwerp |
| |
| Destello - Galeria de Fundaciíon/Coleccion Jumex, Mexico City |
|
| Singapore Biennale 2011 - Singapore Biennale, Singapore |
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| Luftkunst - Zeppelin Museum, Friedrichshafen |
|
| Invocations of the Blank Page - Spike Island, Bristol (England) |
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| Light in Darkness - Western Bridge, Seattle, WA |
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| 8 1/2 - Stazione Leopolda, Florence |
2010
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| Other Rooms - Minsheng Art Museum, Shanghai |
|
| 21st Century: Art in the First Decade - Queensland Art Gallery / Gallery of Modern Art, Brisbane, QLD |
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| Missing Beat - Sommer Contemporary Art, Tel Aviv |
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| on&on - La Casa Encendida, Madrid |
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| BigMinis - Fetishes of Crisis - CAPC - Musée d'art contemporain, Bordeaux |
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| Cosa fa la mia anima mentre sto lavorando? - Museo MAGA, Gallarte (VA) |
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| In Memory of Painting 8 - Galerie Emanuel Layr, Vienna |
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| Lust und Laster. Die 7 Todsünden von Dürer bis Naumann - Kunstmuseum Bern, Bern |
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| Viaggio in Italia - Palazzo Fabroni Arti Visive Contemporanee, Pistoia |
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| Unsichtbare Schatten - Bilder der Verunsicherung - MARTa Herford, Herford |
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| Things evoke feelings - Centre for Contemporary Art Ujazdowski Castle, Warsaw |
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| Martin Creed - Jonathan Horowitz - Gavin Brown's Enterprise, New York City, NY |
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| One Man's Mess Is Another Man's Masterpiece - Bugada & Cargnel, Paris |
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| ... umso mehr - Kunsthalle Göppingen, Göppingen |
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| Living with art: collecting contemporary in metro New York - Neuberger Museum of Art, Purchase, NY |
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| The Gathering - Yorkshire Sculpture Park - YSP, Wakefield, West Yorkshire (England) |
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| Hide and Seek - Museum of Contemporary Art Chicago (MCA), Chicago, IL |
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| Think Pink - Gavlak Gallery, Palm Beach, FL |
|
| Party! - The New Art Gallery Walsall, Walsall, West Midlands (England) |
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| Konversationsstücke - Akt I - Johnen Galerie, Berlin |
2009
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| Pourquoi Attendre ! - Centre d´Art Contemporain Geneve, Geneva |
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| Les enfants terribles - Galeria de Fundaciíon/Coleccion Jumex, Mexico City |
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| Extraordinary Days - Oriel Davies Gallery, Newtown, Powys (Wales) |
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| Mermaids vs. Unicorns - I-20 Gallery, New York City, NY |
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| BP Exhibition: Classified: Contemporary British Art - Tate Britain, London (England) |
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| London Calling: Who Gets to Run the World - Total Museum of Contemporary Art, Seoul |
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| Compass in Hand: Selections from The Judith Rothschild Foundation Contemporary Drawings Collection - MoMA - Museum of Modern Art, New York City, NY |
|
| All that is solid melts into air - MuHKA Museum voor Hedendaagse Kunst Antwerpen, Antwerp |
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| English Lounge - Tang Contemporary Art - Beijing, Beijing |
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| Paper: Pressed, Stained, Slashed, Folded - MoMA - Museum of Modern Art, New York City, NY |
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| N´importe quoi - Musée d'Art Contemporain Lyon, Lyon |
2008
|
| Fresh Out of the Box - The New Art Gallery Walsall, Walsall, West Midlands (England) |
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| FEAR - Wedel Fine Art, London (England) |
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| The Wharf Road Project - V22, London (England) |
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| Recent acquisitions - Australian, International and Asian and Pacific Collections - Queensland Art Gallery / Gallery of Modern Art, Brisbane, QLD |
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| NOLEFTOVERS - Kunsthalle Bern, Bern |
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| A History of two Mountains II - Auto Italia South East, London (England) |
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| Standard Sizes - Andrew Kreps Gallery, New York City, NY |
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| History in the Making - Mori Art Museum, Tokyo |
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| You Complete Me - Western Bridge, Seattle, WA |
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| PORZADKI UROJONE - SO IST ES UND ANDERS - Städtisches Museum Abteiberg, Mönchengladbach |
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| Permutations - Musée de Valence, Valence |
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| Reboot: The Jim Barr and Mary Barr Collection - Wellington City Gallery, Wellington |
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| ...same as it ever was - The Arts Gallery - University of The Arts London, London (England) |
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| Digitalia - Deborah Colton Gallery, Houston, TX |
2007
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| Delusive orders - ms - Muzeum Sztuki Lodz, Lodz |
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| Presque Rien I (Next to Nothing) - - Laure Genillard, London (England) (closed, 2010) |
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| Out of the Box And In The Garman Ryan Collection - The New Art Gallery Walsall, Walsall, West Midlands (England) |
|
| The Turner Prize: A Retrospective - Tate Britain, London (England) |
|
| Il Futuro del Futurismo - GAMeC - Galleria d´Arte Moderna e Contemporanea di Bergamo, Bergamo |
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| insubstantial pageant faded - Western Bridge, Seattle, WA |
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| Words Fail Me - Museum of Contemporay Art Detroit, Detroit, MI |
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| Deaf 2 "From the Audible to the Visible" - Galerie Frank Elbaz, Paris |
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| Ensemble - ICA - Institute of Contemporary Art - University of Pennsylvania, Philadelphia, PA |
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| III Bienal de Jafre - Bienal de Jafre, Jafre (Girona) |
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| 4'33", Magazin 4 - Magazin4 - Bregenzer Kunstverein, Bregenz |
|
| The Lath Picture Show - Friedrich Petzel Gallery, New York City, NY |
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| Silenzio. Una mostra da ascoltare - Fondazione Sandretto Re Rebaudengo, Turin |
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| Critical Mass – Kritische Masse IV - Kunsthalle Bern, Bern |
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| Into Me, Out of Me - MACRO Testaccio (MACRO Future), Rome |
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| Critical Mass – Kritische Masse III - Kunsthalle Bern, Bern |
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| Out of Time - A Contemporary View - MoMA - Museum of Modern Art, New York City, NY |
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| The Sublime is Now! Das Erhabene in der zeitgenössischen Kunst - museum franz gertsch, Burgdorf |
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| Maximinimalist - INOVA - Institute of Visual Arts, Milwaukee, WI |
|
| Martin Creed, Robert Ryman - - Hauser & Wirth, London (England) (closed, 2011) |
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| The Invisible Show - Centro José Guerrero, Granada |
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| Gail Wigley Window Box - The New Art Gallery Walsall, Walsall, West Midlands (England) |
2006
| |
| Off the Wall: Floor and Ceiling-based works from the Collection of the Scottish National Gallery of Modern Art - Scottish National Gallery of Modern Art, Edinburgh (Scotland) |
|
| INTO ME / OUT OF ME - Kunst-Werke Berlin - KW Institute for Contemporary Art , Berlin |
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| martin creed, vincent lamouroux, christian robert-tissot - Le Spot, Le Havre |
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| Word Sculpture - Tate Modern, London (England) |
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| The invisible Show - MARCO Museo de Arte Contemporánea de Vigo, Vigo |
|
| SCAPE 2006 - don’t misbehave! - SCAPE Biennial of Art in Public Space, Christchurch |
| |
| Passionate Collectors - The New Art Gallery Walsall, Walsall, West Midlands (England) |
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| Concrete Language - CAG - Vancouver Contemporary Art Gallery, Vancouver, BC |
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| Surprise, Surprise - ICA - Institute of Contemporary Arts London, London (England) |
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| Nichts - Schirn Kunsthalle, Frankfurt/Main |
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| Yes Bruce Nauman - - Zwirner & Wirth, New York City, NY (closed, 2009) |
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| Into me / Out of me - MoMA PS1, New York City, NY |
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| Chauffe Marcel ! A propos de « mona lisa » - FRAC - Languedoc-Roussilon, Montpellier |
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| I, an exhibition in three acts - Futura, Prague |
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| Good Vibrations - Le arti visive e il Rock - SMS Contemporanea, ex Palazzo Delle Papesse, Siena |
|
| Strange I’ve Seen That Face Before - Kunst, Design, Architektur im Kopf - Städtisches Museum Abteiberg, Mönchengladbach |
|
| DISPOSITION - lukas feichtner galerie, Vienna |
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| The Sublime is Now! Das Erhabene in der zeitgenössischen Kunst - museum franz gertsch, Burgdorf |
|
| 4. Berlin Biennale für Zeitgenössische Kunst - berlin biennale für zeitgenössische kunst, Berlin |
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| Infinity, Etc. - Mercer Union - A Centre For Contemporary Visual Art, Toronto, ON |
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| Infinity - Mercer Union - A Centre For Contemporary Visual Art, Toronto, ON |
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| Reality 10´55 Odense - Kunsthallen Brandts, Odense |
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| Haubrokworks - Galerie Gisela Capitain, Cologne |
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| Hundert Küsse sind besser als einer (Hundred Kisses are better than one) - Krinzinger Projekte, Vienna |
2005
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| Joy - Casino Luxembourg - Forum d'art contemporain, Luxembourg |
|
| Lichtkunst aus Kunstlicht - ZKM | Zentrum für Kunst und Medientechnologie Karlsruhe, Karlsruhe |
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| Des Deux Cotes Du Rhin -Ambiance- - K21 Ständehaus, Dusseldorf |
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| L'humanité mise à nu et l'art en frac, même - Casino Luxembourg - Forum d'art contemporain, Luxembourg |
| |
| General Ideas - Rethinking Conceptual Art 1987–2005 - CCA Wattis Institute for Contemporary Arts, San Francisco, CA |
|
| 8e Biennale de Lyon - Expérience de la durée - Experiencing Duration - La Biennale de Lyon, Lyon |
| |
| Drunk vs. Stoned - Gavin Brown's Enterprise, New York City, NY |
|
| Remagine - Oeuvres du Fonds National d'Art Contemporain - Musée d'Art Contemporain Lyon, Lyon |
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| Private View 1980-2000 - Collection Pierre Huber - Musée cantonal des Beaux-Arts, Lausanne |
| |
| Fragile - Analix Forever, Geneva |
|
| Monuments to the USA - CCA Wattis Institute for Contemporary Arts, San Francisco, CA |
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| Feeling strangely fine - Galería Estrany - De La Mota, Barcelona |
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| Nothingness - Galerija Gregor Podnar - Ljubljana, Ljubljana |
2004
|
| None of the above - SI Swiss Institute, New York City, NY |
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| Nothingness - Galerie Eugen Lendl, Graz |
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| Nothing Compared to This - ambient, incidental and new minimal tendencies in cur - CAC - Cincinnati Contemporary Arts Center, Cincinnati, OH |
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| Feeling Strangely Fine [vvaa] - Galería Estrany - De La Mota, Barcelona |
| |
| CAFE in Mito 2004 - Art Tower Mito ATM, Mito |
|
| Artists' Favourites - act II - ICA - Institute of Contemporary Arts London, London (England) |
| |
| Strategies of Desire - Kunsthaus Baselland, Basel |
| |
| Sammlung Plum - Museum Kurhaus Kleve, Kleve |
| |
| Live - Palais de Tokyo, Paris |
| |
| OPTIMO: Manifestations of Optimism in Contemporary Art - Ballroom Marfa, Marfa, TX |
| |
| Russian Doll - MOT International, London (England) |
|
| State of Play - Serpentine Gallery, London (England) |
2003
| |
| Unplugged - Galleria Civica di Arte Contemporanea di Trento, Trento |
| |
| Adorno - Die Möglichkeit des Unmöglichen - Frankfurter Kunstverein, Frankfurt/Main |
| |
| Beaucoup de bruit pour rien - FRAC - Languedoc-Roussilon, Montpellier |
| |
| hands up, baby, hands up! - Oldenburger Kunstverein, Oldenburg |
| |
| Sound Systems - Salzburger Kunstverein, Salzburg |
| |
| ... Butt Seriously - - The Moore Space, Miami, FL (closed, 2008) |
| |
| Sculpture03 - Galerie Thaddaeus Ropac - Salzburg, Salzburg |
| |
| Group Show - - Johnen & Schöttle, Cologne (closed, 2009) |
| |
| Someone To Share My Life With - The Approach, London (England) |
| |
| SHINE - Wishful Fantasies and Visions of the Future in Contemporary Art - Museum Boijmans van Beuningen, Rotterdam |
2002
| |
| TRANS-POSITIONS - Centre d'Art Passerelle, Brest |
| |
| Time Space Motion - Galerie Thaddaeus Ropac - Salzburg, Salzburg |
| |
| On/off - Vistamare, Pescara |
|
| Tempo - MoMA - Museum of Modern Art, New York City, NY |
| |
| Through a Sequence of Space - Galerie Nordenhake - Berlin, Berlin |
| |
| to actuality ... work in process - ARGE Kunst Galerie Museum, Bolzano |
| |
| My Head is on Fire but my Heart is full of Love - Kunsthal Charlottenborg, Copenhagen |
| |
| A Painting and A Sculpture - The Physics Room, Christchurch |
| |
| Boyce - Creed - Sala - Sasnal - - Johnen & Schöttle, Cologne (closed, 2009) |
2001
|
| Turner Prize 2001 - Tate Britain, London (England) |
|
| Ingenting / Nothing - - Rooseum Center for Contemporary Art, Malmö (closed, 2006) |
| |
| Eingang Links - Projekte zu Kunst und Musik in der Baustelle - Kunstverein für die Rheinlande und Westfalen, Düsseldorf, Dusseldorf |
| |
| Nothing - Contemporary Art Centre (CAC), Vilnius |
| |
| Works on Paper - Victoria Miro Gallery, London (England) |
|
| There’s gona be some trouble, a whole house will need rebuilding - - Rooseum Center for Contemporary Art, Malmö (closed, 2006) |
| |
| Anri Sala - Martin Creed - Galerie Rüdiger Schöttle, Munich |
| |
| Under Pressure - SI Swiss Institute, New York City, NY |
2000
| |
| London Orphan Asylum - ACCA - Australian Centre for Contemporary Art, Melbourne, VIC |
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| Perfidy - Surviving Modernism - Kettle's Yard, Cambridge, Cambridgeshire (England) |
| |
| British Art Show 5 - John Hansard Gallery, Southampton (England) |
| |
| Give and Take - Jerwood Space, London (England) |
| |
| Air - air - Grimaldi Forum Monaco, Monaco |
| |
| Proper (Vilnius date) - Contemporary Art Centre (CAC), Vilnius |
|
| The Invisible Touch - Kunstraum Innsbruck, Innsbruck |
1999
| |
| Getting the corners - Or Gallery - Vancouver, Vancouver, BC |
| |
| Crossings - Galerie Rudolfinum, Prague |
| |
| Dimensions Variable - Contemporary British Art - Contemporary Art Centre (CAC), Vilnius |
| |
| Ainsi de suite 3 - CRAC - Centre Régional d'Art Contemporain de Sète, Sète |
1998
| |
| 11th Biennale of Sydney 1998 - Biennale of Sydney, Sydney, NSW |
|
| Crossings - Kunst zum Hören und Sehen - Kunsthalle wien project space karlsplatz, Vienna |
| |
| Camouflage - Galerie Praz-Delavallade - Paris, Paris |
| |
| Lovecraft - SLG South London Gallery, London (England) |
| |
| A to Z - The Approach, London (England) |
| |
| Martin Creed, Ceal Floyer and John Frankland - - Delfina Project Space, London (England) (closed) |
1997
| |
| Don Brown, Martin Creed, Stephen Murphy - Galerie Jan Mot, Brussels |
| |
| Snowflakes Falling On The International Dateline - Casco, Utrecht |
1995
| |
| Martin Creed & Stefan Altenburger - Analix Forever, Geneva |
| |
| Just Do It. - CUBITT, London (England) |
1992
| |
| Outta Here - Transmission Gallery, Glasgow (Scotland) |
| Dealer Directory 9 |
Germany
| | Galerie Rüdiger Schöttle, Munich
|
Italy
| | Galleria Lorcan O'Neill, Rome
|
| | Galleria Alberto Peola, Turin
|
Switzerland
United Kingdom
USA
| | Gavin Brown's Enterprise, New York City, NY
|
Collections 12
Australia
| | Queensland Art Gallery / Gallery of Modern Art, Brisbane, QLD
|
France
| | FRAC - Nord-Pas de Calais, Dunkerque
|
| | FRAC - Languedoc-Roussilon, Montpellier
|
| | Kadist Art Foundation, Paris
|
| | Musée d'Art Moderne et Contemporain (MAMCS), Strasbourg
|
Germany
| | Museum Kurhaus Kleve, Kleve
|
| | Kunstmuseum Stuttgart, Stuttgart
|
United Kingdom
| | Grundy Art Gallery, Blackpool, Lancashire (England)
|
| | Tate Britain, London (England)
|
| | Southampton City Art Gallery, Southampton (England)
|
USA
| | MoMA - Museum of Modern Art, New York City, NY
|
Catalogs
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