 Artist's arttributes:
|
| • |
Male |
| • |
Painting, Works on Paper |
| • |
Minimalism, Conceptual Art |
Most exhibitions in: |
| Country |
№ |
| USA | 130 |
| Germany | 23 |
| United Kingdom | 13 |
| France | 12 |
| Switzerland | 12 |
Most exhibitions held at: |
| Institution |
№ |
| |
Peter Freeman, Inc., USA |
6 |
| |
David Nolan Gallery, USA |
6 |
| |
Rhona Hoffman Gallery, USA |
5 |
| |
Mamco - musée d´art moderne et contemporain, Switzerland |
5 |
Biography: 
1940 Born in Pittsburgh, PA (US)
External links:www.melbochner.net | | Public exhibitions (Selection) 226
until 29.6.
until 23.6.
until 25.5.
Solo shows 33
2012
| |
| Mel Bochner - Whitechapel Art Gallery, London (England) |
| |
| Working Drawings And Other Visible Things On Paper Not Necessarily Meant To Be Viewed As Art, 1966 And Recent Works - Gallery Karsten Schubert, London (England) |
| |
| Mel Bochner: Recent Paintings - Egeran Galeri, Istanbul |
| |
| Theory of Sculpture: Fontana's Light - Marc Selwyn Fine Art, Los Angeles, CA |
2011
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| Mel Bochner - Peter Freeman, Inc., New York City, NY |
| |
| In the Tower: Mel Bochner - The National Gallery of Art, Washington, DC |
2010
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| Photographs and Not Photographs 1966-2010 - Fraenkel Gallery, San Francisco, CA |
| |
| Mel Bochner - Galerie Nelson-Freeman, Paris |
| |
| Mel Bochner - Marc Selwyn Fine Art, Los Angeles, CA |
2009
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| Mel Bochner - M² - Metroquadro, Rivoli (TO) |
| |
| Mel Bochner - Blah, Blah, Blah - Rhona Hoffman Gallery, Chicago, IL |
2008
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| Mel Bochner - Peter Freeman, Inc., New York City, NY |
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| Mel Bochner - Marc Selwyn Fine Art, Los Angeles, CA |
2007
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| Mel Bochner - Domaine de Kerguéhennec - Centre d'Art Contemporain, Bignan |
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| Mel Bochner - Galerie Nelson-Freeman, Paris |
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| Mel Bochner - Quint Contemporary Art, La Jolla, CA |
2006
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| Mel Bochner : Obscene, Money, Stupid, Meaningless and other recent paintings on black velvet - Rhona Hoffman Gallery, Chicago, IL |
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| Mel Bochner - Drawing from Four Decades - Weatherspoon Art Museum, Greensboro, NC |
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| Focus: Mel Bochner--Language 1966-2006 - The Art Institute of Chicago, Chicago, IL |
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| Mel Bochner - Drawing from Four Decades - Birmingham Museum of Art, Birmingham, AL |
| |
| Thesaurus Paintings - Peter Freeman, Inc., New York City, NY |
2003
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| Mel Bochner - The Barbara Krakow Gallery, Boston, MA |
| |
| Mel Bochner - Measurement Paintings - Mamco - musée d´art moderne et contemporain, Geneva |
2002
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| Forum - Mel Bochner Photographs, - Carnegie Museum of Art, Pittsburg, PA |
| |
| Mel Bochner - Akira Ikeda - Berlin, Berlin |
| |
| Mel Bochner - Akira Ikeda - New York, New York City, NY |
2000
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| Mel Bochner, Measurements - Works From The 1960’S/1990’S - FRAC - Bourgogne, Dijon |
1997
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| Mel Bochner - Mamco - musée d´art moderne et contemporain, Geneva |
1990
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| Mel Bochner - Photo Pieces from 1966- 67 - David Nolan Gallery, New York City, NY |
1988
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| Mel Bochner - Recent Drawings - David Nolan Gallery, New York City, NY |
1983
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| Mel Bochner Prints - Kalamazoo Institute of Arts, Kalamazoo, MI |
1972
1971
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| Projects: Mel Bochner - MoMA - Museum of Modern Art, New York City, NY |
Group shows 190
2013
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| The Unphotographable - Fraenkel Gallery, San Francisco, CA |
2012
| |
| Bad For You - Shizaru Gallery, London (England) |
| |
| A WINDOW ON THE WORLD, from Dürer to Mondrian and beyond - Museo Cantonale d´Arte Lugano, Lugano |
| |
| Notations: Contemporary Drawing as Idea and Process - Kemper Art Museum, Saint Louis, MO |
| |
| The Master Printer and the Collaborative Process - International Print Center New York, New York City, NY |
| |
| Art=Text=Art: Works by Contemporary Artists From the Collection of Sally and Wynn Kramarsky, New York - Jane Voorhees Zimmerli Art Museum, New Brunswick, NJ |
| |
| Group Show - Rhona Hoffman Gallery, Chicago, IL |
| |
| Line// Print - Bridgette Mayer Gallery, Philadelphia, PA |
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| Textual Attraction - Mary Ryan Gallery, New York City, NY |
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| The Floor Show: Gravity and Materials - Gagosian Gallery, Beverly Hills, CA |
| |
| Minimal Myth - Museum Boijmans van Beuningen, Rotterdam |
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| NEREDEN NEREYE | FROM WHERE TO WHERE - Galeri Mana, Istanbul |
| |
| second nature: abstract photography then and now - DeCordova Sculpture Park and Museum, Lincoln, MA |
| |
| Towards A Warm Math - On Stellar Rays, New York City, NY |
| |
| Text As Image - Senior & Shopmaker Gallery, New York City, NY |
| |
| Grey Full - Jeff Bailey Gallery, New York City, NY |
2011
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| Segment #1A - Borusan Contemporary, Istanbul |
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| Light Years: Conceptual Art and the Photograph, 1964–1977 - The Art Institute of Chicago, Chicago, IL |
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| Contemporary Drawings from the Irving Stenn Jr. Collection - The Art Institute of Chicago, Chicago, IL |
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| Arte Povera International - Castello di Rivoli Museo d'Arte Contemporanea, Turin |
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| Faith - Sims Reed Gallery, London (England) |
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| Atlas. How To Carry The World On One's Back? - Sammlung Falckenberg, Hamburg |
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| Segment #1 - Borusan Contemporary, Istanbul |
 |
| Der Raum der Linie. Amerikanische Zeichnungen und Skulpturen ab 1960 aus einer Privatsammlung - Pinakothek der Moderne, Munich |
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| Sistemas, Acciones y Procesos. 1965-1975 - Fundación PROA, Buenos Aires |
| |
| Shelter - Peter Freeman, Inc., New York City, NY |
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| Anti-Photography - Focal Point Gallery, Southend-on-Sea, Essex (England) |
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| Sculpture In So Many Words: Text Pieces 1960-75 - ZieherSmith, New York City, NY |
2010
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| S, M, L - Greenberg Van Doren Gallery, New York City, NY |
| |
| Post-War American Art: The Novak/O’Doherty Collection - Irish Museum of Modern Art - IMMA, Dublin |
| |
| Selections From The Hammer Contemporary Collection - Hammer Museum, Los Angeles, CA |
| |
| ITEM - Mitchell-Innes & Nash - West Street, New York City, NY |
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| ... avant il n’y avait rien, après on va pouvoir faire mieux. - Circuit, Lausanne |
| |
| Double Up Double Up - Quint Contemporary Art, La Jolla, CA |
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| CONCEPT 70 - Hohenthal und Bergen, Berlin |
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| Minimalism: Logic Structure in the Graphic Arts - Worcester Art Museum, Worcester, MA |
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| Mirror Mirror - James Harris Gallery, Seattle, WA |
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| Gallery Collections - Gallery 360 Degree, Tokyo |
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| FAX - Para/Site Art Space, Hong Kong, SAR |
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| DOUBLE BIND / Arrêtez d’essayer de me comprendre ! - Villa Arson, Nice |
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| Markowitz, Love Text, & Cold Press - Page Bond Gallery, Richmond, VA |
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| Collection / Porto : Museu Serralves - Domaine de Kerguéhennec - Centre d'Art Contemporain, Bignan |
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| Floor Corner Wall: Selected Work from The Rachofsky Collection - Fort Worth Contemporary Arts, Fort Worth, TX |
| |
| FAX - Torrance Art Museum, Torrance, CA |
2009
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| L'arte è una parola - Galleria Il Ponte, Florence |
|
| FAX - Plug In Institute of Contemporary Art, Winnipeg, Manitoba |
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| Cold Press - Page Bond Gallery, Richmond, VA |
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| Spazialismo - bitforms Gallery - New York, New York City, NY |
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| Originalgrafiken, Zeichnungen und Skulpturen - Galerie Biedermann, Munich |
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| Idea As Art: Contemporary Works On Paper - Boise Art Museum BAM, Boise, ID |
|
| 1969 - MoMA PS1, New York City, NY |
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| Contemporary Works from the Cleve Carney Collection - Elmhurst Art Museum, Elmhurst, IL |
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| Why painting now? - BFAS Blondeau Fine Art Services, Geneva |
 |
| FAX - - Contemporary Museum, Baltimore, Baltimore, MD (closed, 2012) |
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| Three Decades of Contemporary Art - Quint Contemporary Art, La Jolla, CA |
|
| Quint: Three Decades of Contemporary Art - California Center for the Arts, Escondido, CA |
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| Serralves 2009 - The Collection, 1st Part - Museu Serralves - Museu de Arte Contemporânea, Porto |
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| Photoconceptualism, 1966–1973 - Whitney Museum of American Art, New York City, NY |
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| Sculpture Show - Eastside Projects, Birmingham (England) |
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| FAX - The Drawing Center, New York City, NY |
|
| Notation. Form und Kalkül in den Künsten - ZKM | Zentrum für Kunst und Medientechnologie Karlsruhe, Karlsruhe |
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| Talk Dirty to Me... - Larissa Goldston Gallery, New York City, NY |
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| Spazio Libro d’Artista - Palazzo Manganelli , Catania, CT |
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| 1968-69: 40 Years Later - Armand Bartos Fine Art, New York City, NY |
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| Rich Text - Fleisher/Ollman Gallery, Philadelphia, PA |
2008
|
| Equivalence: Acts of Translation in Contemporary Art - MFAH - Museum of Fine Arts Houston, Houston, TX |
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| Perverted by Theater - Apexart, New York City, NY |
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| Notation. Kalkül und Form in den Künsten - AdK - Akademie der Künste, Berlin |
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| The Sum of Its Parts - The Barbara Krakow Gallery, Boston, MA |
|
| For the Pleasure of Seeing - Peter Freeman, Inc., New York City, NY |
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| Sol LeWitt x2 - Austin Museum of Art - AMOA, Austin, TX |
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| GEOMETRY AS IMAGE - Robert Miller Gallery, New York City, NY |
| |
| W.D.A.O.V.T.O.P.N.N.M.T.B.V. - Galeria Bassols-Balmes, Barcelona |
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| To Infinity and Beyond: Mathematics in Contemporary Art - Heckscher Museum of Art, Huntington, NY |
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| Selections from the collection of Helga and Walther Lauffs - - Zwirner & Wirth, New York City, NY (closed, 2009) |
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| High Times, Hard Times. New York Painting 1967–1975 - ZKM | Zentrum für Kunst und Medientechnologie Karlsruhe, Karlsruhe |
|
| Genau + anders - Mathematik in der Kunst von Dürer bis Sol LeWitt - Museum Moderner Kunst Stiftung Ludwig - MUMOK , Vienna |
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| Sculptural Concepts - Richmond Center for Visual Arts, Kalamazoo, MI |
2007
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| High Times, Hard Times. New York Painting 1967 – 1975 - Neue Galerie Graz - Universalmuseum Joanneum, Graz |
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| If Everybody had an Ocean: Brian Wilson, une exposition - CAPC - Musée d'art contemporain, Bordeaux |
| |
| I can only see things when I move - Positionen zeitgenössischer Kunst auf Papier - Kupferstich-Kabinett, Dresden |
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| perspektive 07 - Städtische Galerie im Lenbachhaus & Kunstbau, Munich |
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| Numerica - SMS Contemporanea, ex Palazzo Delle Papesse, Siena |
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| Le cinque anime della scultura - - Cesac - Centro Sperimentale per le Arti Contemporanee, Caraglio (closed) |
| |
| If Everybody had an Ocean: Brian Wilson: An Art Exhibition - Tate St. Ives, St. Ives, Cornwall (England) |
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| Commemorating 30 Years Part III: 1991-2007 - Rhona Hoffman Gallery, Chicago, IL |
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| Conceptual Photograpy 1964-1989 - - Zwirner & Wirth, New York City, NY (closed, 2009) |
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| What does the jellyfish want? - Museum Ludwig, Cologne |
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| Commemorating 30 Years Part I: 1976-1980 - Rhona Hoffman Gallery, Chicago, IL |
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| Lessons in Learning: Art and Aducation from the Artists Book Collection - Museum of Contemporary Art Chicago (MCA), Chicago, IL |
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| Group Show II - The Barbara Krakow Gallery, Boston, MA |
| |
| Das Buch-Gruppenausstellung mit 10 Beiträgen - Heidelberger Kunstverein, Heidelberg |
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| the Domain of the Great Bear 3/3 Kosmische Sehnsucht - kunstraum muenchen, Munich |
| |
| Overdrive - Barbara Davis Gallery, Houston, TX |
2006
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| A Show of Prints - James Kelly Contemporary, Santa Fe, NM |
|
| Konzept. Aktion. Sprache - Museum Moderner Kunst Stiftung Ludwig - MUMOK , Vienna |
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| No Negative - Objectif exhibitions, Antwerp |
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| Drawing through it - David Nolan Gallery, New York City, NY |
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| The Domain of the Great Bear 2/3 – Dystopische Landschaft - kunstraum muenchen, Munich |
|
| busy going crazy. the Sylvio Perlstein collection - La Maison Rouge, Paris |
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| Mel Bochner - Alfred Jensen - Marc Selwyn Fine Art, Los Angeles, CA |
|
| Elemental Form - L&M Arts, New York, New York City, NY |
| |
| Nineteen Sixty-Eight - Thomas Solomon Gallery, Los Angeles, CA |
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| Math Counts - Contemporary Art Galleies - UConn School of Fine Arts, Storrs, CT |
2005
|
| The Top Room: A Retrospective - Chelsea space - Chelsea College of Art and Design, London (England) |
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| Looking at Words - Andrea Rosen Gallery, New York City, NY |
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| Dessins de la collection / Drawings from the Collection - Musée d´art contemporain de Montréal, Montreal, QC |
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| Building and Breaking the Grid - Whitney Museum of American Art, New York City, NY |
| |
| Threshold - Max Wigram Gallery, New Bond Street, London (England) |
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| Group Show - The Barbara Krakow Gallery, Boston, MA |
| |
| Wordplay - Julie Saul Gallery, New York City, NY |
| |
| OpenSystems - Rethinking Art c.1970 - Tate Modern, London (England) |
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| The Last Picture Show - Artists using Photography 1960-1982 - Miami Art Central, Miami, FL |
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| Wahlverwandtschaften - Städel Museum, Frankfurt/Main |
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| b.a.-ba un choix dans la collection du Frac Bretagne - Domaine de Kerguéhennec - Centre d'Art Contemporain, Bignan |
2004
|
| Visions of America - ESSL MUSEUM - KUNST DER GEGENWART, Klosterneuburg |
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| Dialogue in a Landscape - The Miller Gallery at Carnegie Mellon University, Pittsburg, PA |
|
| INTRA-MUROS - MAMAC - Musee d´Art Moderne et d`Art Contemporain Nice, Nice |
|
| Beyond Geometry - Experiments in Form 1940s−70s - Los Angeles County Museum of Art - LACMA, Los Angeles, CA |
| |
| The last picture show. Artistas que hacen uso de la fotografía. Tendencias conceptuales de 1960-1982 - MARCO Museo de Arte Contemporánea de Vigo, Vigo |
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| Schriftbilder/Bilderschrift - von Bartha Collection, Basel |
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| A Minimal Future? Art As Object 1958-1968 - MOCA Grand Avenue, Los Angeles, CA |
|
| 2004 Whitney Biennial Exhibition - Whitney Museum of American Art, New York City, NY |
|
| The Last Picture Show - Artists Using Photography, 1960-1982 - Hammer Museum, Los Angeles, CA |
2003
|
| Fine Lines: Drawings from the Collection of Wynn Kramarsky - Santa Barbara Contemporary Arts Forum, Santa Barbara, CA |
| |
| Contemporary Art and the Mathematical Instinct - Tweed Museum of Art, Duluth, MN |
|
| Rien ne presse / Slow and Steaby / Festina lente (cinquième épisode) - Mamco - musée d´art moderne et contemporain, Geneva |
|
| The Last Picture Show - Artists Using Photography - 1960-1982 - Walker Art Center, Minneapolis, MN |
|
| "Game over" - Andreas Grimm - München, Munich |
| |
| Selected American Graphic Prints from the Lincoln Center Collection - Mestna Galerija / City Art Gallery Ljubljana, Ljubljana |
2002
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| Rags to Riches - 25 Years of Paper Art from Dieu Donné Papermill - Heckscher Museum of Art, Huntington, NY |
| |
| Dust Memories - SI Swiss Institute, New York City, NY |
| |
| From Pop to Now: Selections from the Sonnabend Collection - The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs, NY |
| |
| COPY - Andrew Roth Gallery, New York City, NY |
| |
| Close Reading #1 - Objectif exhibitions, Antwerp |
| |
| acquiring taste - Real Art Ways, Hartford, CT |
| |
| Under Pressure - Prints from Two Palms Press - Amherst Fine Arts Center - University of Massachusetts, Amherst, MA |
2001
| |
| Two-Palms Press: Under Pressure - Schick Art Gallery, Skidmore College, Saratoga Springs, NY |
| |
| Art Express, art minimal et conceptuel, état d’une collection - Mamco - musée d´art moderne et contemporain, Geneva |
| |
| Drawing is Another Kind of Language - Honolulu Museum of Art, Honolulu, HI |
|
| Saying Seeing 4 From the Sixties - Leo Castelli Gallery, New York City, NY |
| |
| Flashing into the Shadows - The Artist's Film in America 1966-76 - Whitney Museum of American Art, New York City, NY |
2000
| |
| In Process - - Curt Marcus Gallery, New York City, NY (closed, 2002) |
| |
| Afterimage - Drawing Through Process - Contemporary Arts Museum Houston, Houston, TX |
| |
| Persuasive Images: Selections from the Art Collections at the University at Albany - University Art Museum University at Albany, State University of New York, Albany, NY |
1999
| |
| Mamcoms (Mamco Magazine Show) - Mamco - musée d´art moderne et contemporain, Geneva |
| |
| Drawings from the 60s&70s, partII - - Curt Marcus Gallery, New York City, NY (closed, 2002) |
| |
| Afterimage: Drawing Through Process - MOCA Grand Avenue, Los Angeles, CA |
| |
| Thinking Aloud - Camden Arts Centre, London (England) |
1998
| |
| Action Replay - Post Object Art - Artspace, Auckland |
| |
| Summer Group Show - David Nolan Gallery, New York City, NY |
1997
| |
| Seven by Six - Amherst Fine Arts Center - University of Massachusetts, Amherst, MA |
| |
| Etchings of the Twentieth Century - Margo Leavin Gallery, Los Angeles, CA |
| |
| One-Line Drawing - Ubu Gallery, New York City, NY |
1996
| |
| Sammlung Sonnabend – Von Der Pop Art Bis Heute. Amerikanische Und Europäische Kunst Seit 1954 - Deichtorhallen Hamburg, Hamburg |
1995
| |
| 1965-1975: Reconsidering The Object Of Art - The Geffen Contemporary at MOCA, Los Angeles, CA |
1994
| |
| From Minimal to Conceptual Art - The National Gallery of Art, Washington, DC |
| |
| European and American Drawings 1961-69 - David Nolan Gallery, New York City, NY |
1993
| |
| Motion and Document/Sequence and Time: Eadweard Muybridge and Contemporary American Photography - Henry Art Gallery, Seattle, WA |
1991
| |
| Act-Up Benefit Exhibition - Paula Cooper Gallery, New York City, NY |
| |
| Immaterial Objects: Works from the Permanent Collection of the Whitney Museum of American Art - Henry Art Gallery, Seattle, WA |
| |
| Geometry and Minimalism - Greg Kucera Gallery, Seattle, WA |
1990
| |
| An Overview of Drawings - David Nolan Gallery, New York City, NY |
| |
| L'art conceptuel, une perspective - Musée d´art contemporain de Montréal, Montreal, QC |
1986
| |
| Point, ligne, plan - Musée d´art contemporain de Montréal, Montreal, QC |
1985
| |
| Les vingt ans du Musée à travers sa collection - Musée d´art contemporain de Montréal, Montreal, QC |
1984
| |
| Flyktpunkter - Moderna Museet, Stockholm |
1982
| |
| American Painting and Sculpture 74th Annual - The Art Institute of Chicago, Chicago, IL |
1981
| |
| Murs - Centre Pompidou - Musée National d´Art Moderne, Paris |
1980
| |
| The Decade in Review Selections from the 1970s from the Permanent Collection - Whitney Museum of American Art, New York City, NY |
| |
| Printed Art Since 1965 - MoMA - Museum of Modern Art, New York City, NY |
1978
| |
| Numerals 1924-1977 - Leo Castelli Gallery, New York City, NY |
1977
| |
| documenta 6 - Documenta, Kassel |
1976
| |
| Ideas on Paper 1970-1976 - The Renaissance Society at The University of Chicago, Chicago, IL |
| |
| Prints - National Gallery of Canada - Musée des beaux-arts du Canada, Ottawa, ON |
| |
| Drawing Now: 1955-1975 - MoMA - Museum of Modern Art, New York City, NY |
1975
| |
| Nouvelles Tendances de la Peinture américaine - Musée d´Art Moderne de la Ville de Paris - MAM/ARC, Paris |
| |
| Mel Bochner, Barry Le Va, Dorothea Rockburne, Richard Tuttle - CAC - Cincinnati Contemporary Arts Center, Cincinnati, OH |
1972
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| documenta 5 - Documenta, Kassel |
| |
| Konzept-Kunst - Kunstmuseum Basel, Basel |
1971
| |
| Projects: Pier 18 - MoMA - Museum of Modern Art, New York City, NY |
1970
| |
| Conceptual Art and Conceptual Aspects - - New York Cultural Center, New York City, NY (closed, 1975) |
1969
| |
| When Attitudes Become Form - ICA - Institute of Contemporary Arts London, London (England) |
| |
| When Attitudes become Form - Museen Haus Lange / Haus Esters, Krefeld |
| |
| When Attitudes Become Form - Kunsthalle Bern, Bern |
| Dealer Directory 15 |
Canada
| | Jessica Bradley Art + Projects, Toronto, ON
|
France
| | Galerie Nelson-Freeman, Paris
|
Germany
| | Akira Ikeda - Berlin, Berlin
|
| | Galerie Fred Jahn, Munich
|
Italy
| | Galeria D'Arte Il Gabbiano, Rome
|
Japan
| | Gallery 360 Degree, Tokyo
|
Turkey
USA
| | The Barbara Krakow Gallery, Boston, MA
|
| | Rhona Hoffman Gallery, Chicago, IL
|
| | Marc Selwyn Fine Art, Los Angeles, CA
|
| | Akira Ikeda - New York, New York City, NY
|
| | Senior & Shopmaker Gallery, New York City, NY
|
| | Two Palms, New York City, NY
|
| | Diane Villani Editions, New York City, NY
|
| | Lawrence Markey, San Antonio, TX
|
Collections 19
Australia
| | Queensland Art Gallery / Gallery of Modern Art, Brisbane, QLD
|
Austria
| | Museum Moderner Kunst Stiftung Ludwig - MUMOK , Vienna
|
Canada
| | Musée d´art contemporain de Montréal, Montreal, QC
|
Denmark
France
Germany
| | Städel Museum, Frankfurt/Main
|
Switzerland
| | Fotomuseum Winterthur, Winterthur
|
Turkey
| | Borusan Contemporary, Istanbul
|
United Kingdom
| | Tate Britain, London (England)
|
USA
| | University Art Museum University at Albany, State University of New York, Albany, NY
|
| | Michael C. Carlos Museum of Emory University, Atlanta, GA
|
| | Fogg Museum, Cambridge, MA
|
| | MIT List Visual Arts Center, Cambridge, MA
|
| | The Art Museum of South Texas, Corpus Christi, TX
|
| | The Wadsworth Atheneum Museum of Art, Hartford, CT
|
| | MOCA Grand Avenue, Los Angeles, CA
|
| | MoMA - Museum of Modern Art, New York City, NY
|
| | David Winton Bell Gallery, Providence, RI
|
Catalogs
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