 Artist's arttributes:
|
| • |
Female |
| • |
Sculpture, Installation |
| • |
Land Art |
Most exhibitions in: |
| Country |
№ |
| USA | 30 |
| Germany | 10 |
| United Kingdom | 7 |
| Spain | 4 |
| Canada | 3 |
Most exhibitions held at: |
| Institution |
№ |
| |
MoMA - Museum of Modern Art, USA |
3 |
| |
MoMA PS1, USA |
3 |
| |
Contemporary Arts Museum Houston, USA |
2 |
Biography: 
1938 Born in Annapolis Valley, NS (CA)
External links: | | Public exhibitions (Selection) 64
until 17.8.
until 10.7.
until 7.7.
until 16.6.
until 16.6.
Solo shows 7
2012
| |
| Nancy Holt: Sightlines - Utah Museum of Fine Arts, Salt Lake City, UT |
| |
| Nancy Holt - Haunch of Venison - London, London (England) |
| |
| Haunch of Venison - Nancy Holt - The John Jones Project Space, London (England) |
| |
| Nancy Holt: Sight Lines - Tufts University Art Gallery, Medford, MA |
2011
2010
| |
| Nancy Holt: Sightlines - Miriam and Ira D. Wallach Art Gallery - Columbia University, New York City, NY |
| |
| Sightlines - The Wallach Art Gallery, New York City, NY |
Group shows 52
2013
| |
| Light Show - Hayward Gallery, London (England) |
2012
| |
| Cellblock Ii - Andrea Rosen Gallery, New York City, NY |
| |
| Ends of the Earth – Land Art bis 1974 - Haus der Kunst München, Munich |
| |
| Women Artists - Kennedy Museum of Art, Athens, OH |
| |
| Materializing "Six Years": Lucy R. Lippard and the Emergence of Conceptual Art - Brooklyn Museum of Art, New York City, NY |
| |
| Notations: Contemporary Drawing as Idea and Process - Kemper Art Museum, Saint Louis, MO |
2011
| |
| NUMBER FIVE: Cities of Gold and Mirrors. Works from the JULIA STOSCHEK COLLECTION - Julia Stoschek Collection, Dusseldorf |
| |
| Die Letzte Freiheit - Von den Pionieren der Land-Art der 1960er Jahre bis zur Natur im Cyberspace - Ludwig Museum im Deutschherrenhaus, Koblenz |
| |
| Construction in Process 1981 – the community tha - ms2 – Muzeum Sztuki Lodz, Lodz |
 |
| Land Art - Hamburger Bahnhof - Museum für Gegenwart, Berlin |
2010
| |
| Artpark: 1974-1984 - UB Art Galleries - University of Buffalo, Buffalo, NY |
| |
| S-N-W-O - DREI Raum für Gegenwartskunst, Cologne |
2009
|
| 1969 - MoMA PS1, New York City, NY |
| |
| Learn to Read Art: A History of Printed Matter - MoMA PS1, New York City, NY |
 |
| Nueva York - El Papel de las Ultimas Vanguardias - Museo de Arte Contemporáneo Esteban Vicente, Segovia |
2008
| |
| Sudden White part of Collision Course, GSK contemporary - Royal Academy of Arts, London (England) |
| |
| Conceptual Art From California - NBK - Neuer Berliner Kunstverein, Berlin |
| |
| A stake in the Mud, A hole in the Reel. Land Art's Expanded Field 1968–2008 - CA2M - Centro de Arte Dos de Mayo, Móstoles |
| |
| Decoys, Complexes, and Triggers: Feminism and Land Art in the 1970s - SculptureCenter, New York City, NY |
| |
| A stake in the mud, a hole in the reel - Museo Tamayo, Mexico City |
| |
| In Collaboration: Early Works from the Media Arts Collection - San Francisco Museum of Modern Art - SFMOMA, San Francisco, CA |
2007
| |
| Christmas Choice - Gallery 78, Fredericton, NB |
| |
| In The Poem About Love You Don't Write The Word Love - Overgaden - Institut for Samtidskunst, Copenhagen |
| |
| Videoveckor - Gävle Konstcentrum, Gävle |
| |
| Deambulatorios de una jornada, en el principio y el proyecto Tindaya - Centro de Arte Juan Ismael, Puerto de Rosario, Fuerteventura |
| |
| Cosmologies, - James Cohan Gallery - New York, New York City, NY |
2006
| |
| Radical Software - Art, Technology, and the Bay Area Underground - CCA Wattis Institute for Contemporary Arts, San Francisco, CA |
| |
| In The Poem About Love You Don't Write The Word Love - Artists Space, New York City, NY |
| |
| Time Frame - MoMA PS1, New York City, NY |
2004
| |
| Paisaje y Memoria - Centro Atlántico de Arte Moderno (CAAM), Las Palmas de Gran Canaria |
|
| "The Big Nothing" - ICA - Institute of Contemporary Art - University of Pennsylvania, Philadelphia, PA |
2002
| |
| The Mind is a Horse - Bloomberg Space, London (England) |
2001
|
| Ingenting / Nothing - - Rooseum Center for Contemporary Art, Malmö (closed, 2006) |
2000
| |
| USF Collects - University of South Florida Contemporary Art Museum, Tampa, FL |
|
| Land Art usw. - Kunstraum Innsbruck, Innsbruck |
| |
| Afterimage - Drawing Through Process - Contemporary Arts Museum Houston, Houston, TX |
1999
| |
| Afterimage: Drawing Through Process - MOCA Grand Avenue, Los Angeles, CA |
1998
| |
| Home Screen Home - Witte de With Center for Contemporary Art, Rotterdam |
1997
| |
| Places that are Elsewhere - David Zwirner, Inc., New York City, NY |
| |
| Surveying the first decade - Artspace, Auckland |
1996
|
| Reel Work: Artists Film and Video of the 1970’s - Museum of Contemporary Art - North Miami (MOCA), Miami, FL |
1994
| |
| Mapping - MoMA - Museum of Modern Art, New York City, NY |
1992
| |
| Video: Two Decades - MoMA - Museum of Modern Art, New York City, NY |
1991
| |
| Consumer Tools: Personal Visions - MoMA - Museum of Modern Art, New York City, NY |
1989
| |
| The Mindful Page - Contemporary Arts Museum Houston, Houston, TX |
1988
| |
| Porkkana - kokoelma: nykytaiteen museon puolesta - Kiasma - Museum of Contemporary Art, Helsinki |
1985
| |
| Inaugural Exhibit - Temple Gallery - Tyler School of Art, Philadelphia, PA |
1982
| |
| Ébauches : dix ans de dessins d'installations - Musée d´art contemporain de Montréal, Montreal, QC |
1981
| |
| Alternatives in Retrospect: An Overview 1969-1975 - New Museum of Contemporary Art, New York City, NY |
1976
| |
| Art In Landscape - Missoula Art Museum MAM, Missoula, MT |
| Dealer Directory 1 |
Canada
| | Gallery 78, Fredericton, NB
|
Collections 6
Australia
| | Queensland Art Gallery / Gallery of Modern Art, Brisbane, QLD
|
Canada
| | National Gallery of Canada - Musée des beaux-arts du Canada, Ottawa, ON
|
Finland
| | Kiasma - Museum of Contemporary Art, Helsinki
|
| | Tampere Art Museum, Tampere
|
USA
| | MoMA - Museum of Modern Art, New York City, NY
|
| | Miami University Art Museum, Oxford, OH
|
Catalogs
|
