 Artist's arttributes:
|
| • |
Female |
| • |
Works on Paper, Installation |
Most exhibitions in: |
| Country |
№ |
| United Kingdom | 31 |
| Spain | 5 |
| USA | 4 |
| Germany | 4 |
| Sweden | 3 |
Most exhibitions held at: |
| Institution |
№ |
| |
Nottingham Contemporary, United Kingdom |
2 |
| |
Castlefield Gallery, United Kingdom |
2 |
| |
The Changing Room, United Kingdom |
2 |
| |
Tate Triennial, United Kingdom |
2 |
| |
ICA - Institute of Contemporary Arts London, United Kingdom |
2 |
Biography: 
1977 Born in London (UK)
External links: | | Public exhibitions (Selection) 66
from 26.6.
from 23.5.
Solo shows 7
2012
| |
| Olivia Plender: Rise Early, Be Industrious - Arnolfini, Bristol (England) |
| |
| Olivia Plender - Rise Early, Be Industrious - Milton Keynes Gallery, Milton Keynes, Buckinghamshire (England) |
2009
 |
| AADIEU ADIEU APA (Goodbye Goodbye Father) - Gasworks, London (England) |
| |
| Olivia Plender - KIOSK, Gent |
2007
| |
| Information, Education, Entertainment - Marabouparken, Sundbyberg |
2006
| |
| Reason #11- Olivia Plender - Frankfurter Kunstverein, Frankfurt/Main |
2005
| |
| The Medium and Daybreak - Castlefield Gallery, Manchester (England) |
Group shows 57
2012
| |
| Plus Ou Moins SorciÈres 2/3 : Épreuves RitualisÉes - Maison populaire de Montreuil, Montreuil |
| |
| Reflexion Und EinfÜhlung - KAI 10 Raum für Kunst , Dusseldorf |
2011
| |
| Nothing in the World But Youth - Turner Contemporary, Margate, Kent |
| |
| Terms of Belonging - Overgaden - Institut for Samtidskunst, Copenhagen |
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| Saatchi Gallery in Adelaide: British Art Now - Art Gallery of South Australia, Adelaide, SA |
|
| El grito - Musac - Museo de Arte Contemporáneo de Castilla y León, Léon |
|
| Folkstone Triennial 2011 - Folkestone Triennial, Folkestone (England) |
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| British Art Show7 In the Days of CometCharles Avery Juliette Blightman Steven Claydon Milena Dragicevic Michael Fullerto - GoMA - Gallery of Modern Art, Glasgow (Scotland) |
| |
| British Art Show 7: In the Days of the Comet - Hayward Gallery, London (England) |
| |
| ¿Tierra de nadie? - Centro Cultural Montehermoso, Vitoria-Gasteiz |
2010
| |
| Case study: Artistic self-education - Oktogon - Hochschule für Bildende Künste, Dresden |
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| British Art Show 7: In the Days of the Comet - Nottingham Contemporary, Nottingham (England) |
| |
| Manifesta 8 - Manifesta - European Biennial of Contemporary Art, Murcia |
 |
| Taipei Biennial 2010 - Taipei Biennial, Taipei |
| |
| Whitstable Biennale 2010 - Whitstable Biennale, Ramsgate (England) |
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| Neither From, Nor Towards... - Umjetnicki paviljon / Art Pavilion Zagreb, Zagreb |
| |
| There is no alternative (TINA) - Storey Gallery, Lancaster (England) |
|
| Bucharest Biennale 4 - Bucharest Biennale for Contemporary Art, Bucharest |
| |
| Making Ships in Bottles - CGP London, London (England) |
|
| The 4th Auckland Triennial - Last Ride in a Hot Air Balloon - Auckland Triennial, Auckland |
| |
| There Is No Alternative - Konsthall C, Hökarängen |
|
| Fall Out – Desire and Disengagement in Contemporary Art - Gl Holtegaard, Holte |
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| Fall Out – Desire and Disengagement in Contemporary Art - Malmö Konsthall, Malmö |
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| Brtish Art Show 7 - In The Days of the Comet - Nottingham Contemporary, Nottingham (England) |
2009
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| The Malady of Writing. A project on text and speculative imagination - Museu d´Art Contemporani de Barcelona - MACBA, Barcelona |
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| Practical Truths - Castlefield Gallery, Manchester (England) |
| |
| Desiring Necessities - John Hansard Gallery, Southampton (England) |
| |
| Drawing 2009 Biennal Fundraiser - The Drawing Room, London (England) |
|
| Tate Triennial 2009 - Altermodern - Tate Triennial, London (England) |
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| TINA - Hatton Gallery, Newcastle upon Tyne |
2008
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| Moot Points: Exercises in Self Organisation, Discourse and Collaboration - Transmission Gallery, Glasgow (Scotland) |
|
| TINA - The Drawing Room, London (England) |
|
| Bending the Word / MATRIX 226 - Berkeley Art Museum and Pacific Film Archive BAM/PFA, Berkeley, CA |
|
| The Greenroom: Reconsidering the Documentary and Contemporary Art - Hessel Museum of Art & Center for Curatorial Studies Galleries at Bard College, Annandale-on-Hudson, NY |
| |
| La gran transformacion - Arte y magia tactica - MARCO Museo de Arte Contemporánea de Vigo, Vigo |
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| Not Quite How I Remember It - The Power Plant, Toronto, ON |
|
| The Great Transformation - Kunst und taktische Magie - Frankfurter Kunstverein, Frankfurt/Main |
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| I desired what you were, I need what you are - Galleria Maze, Turin |
| |
| Cult Fiction - Art and Comics - Tullie House Museum, Carlisle, Cumbria (England) |
2007
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| Le Truc - Project Arts Centre, Dublin |
|
| Art Now Live - Tate Britain, London (England) |
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| Mystic truths - Auckland Art Gallery, Auckland |
2006
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| The Young Artists’ Biennial - Absent Without Leave (AWOL) - Bratianu Palace, Bucharest |
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| Busan Biennale 2006 - The Busan Biennale, Busan |
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| FLIP - François Ghebaly Gallery, Los Angeles, CA |
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| Beck’s Futures 2006 - ICA - Institute of Contemporary Arts London, London (England) |
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| Tate Triennial 2006 - New British Art - Tate Triennial, London (England) |
2005
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| Aw Jock Tamson's Bairns - The Changing Room, Stirling (Scotland) |
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| Le Voyage Intérieur, Paris-London - Espace Fondation EDF, Paris |
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| BMW - Contemporary Art Centre (CAC), Vilnius |
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| The IX Baltic Triennial of International Art - BMW - The Baltic Triennial of International Art, Vilnius |
2004
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| Romantic Detachment - Chapter Gallery, Cardiff (Wales) |
|
| Romantic Detachment - MoMA PS1, New York City, NY |
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| One Bright Day, People Get Together - The Ship, London (England) |
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| East End Academy - Whitechapel Art Gallery, London (England) |
2001
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| Department - The Changing Room, Stirling (Scotland) |
Collections 1
United Kingdom
Catalogs
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