 Artist's arttributes:
|
| • |
Art Collective |
| • |
Video, Installation |
Most exhibitions in: |
| Country |
№ |
| USA | 23 |
| United Kingdom | 14 |
| India | 11 |
| Germany | 9 |
| Austria | 8 |
Most exhibitions held at: |
| Institution |
№ |
| |
Bose Pacia Gallery, USA |
3 |
| |
Frith Street Gallery, United Kingdom |
3 |
Biography: 
Jeebesh Bagchi *1965 New Delhi (IN), Monica Narula *1969 New Delhi (IN), Shuddhabrata Sengupta *1968 New Delhi (IN)
External links: | | Public exhibitions (Selection) 112
until 16.6.
Solo shows 15
2012
| |
| Reverse Engineering - Nature Morte - Berlin, Berlin |
| |
| Raqs Media Collective - Frith Street Gallery, London (England) |
2011
| |
| Raqs Media Collective: Surjection - AGYU / Art Gallery of York University, Toronto, ON |
| |
| Premonition - Raqs Media Collective - experimenter, Calcutta |
2010
| |
| Capital of Accumulation - Project 88, Mumbai |
| |
| The Capital of Accumulation - Muzeum Sztuki Nowoczesnej w Warszawie / Museum of Modern Art, Warsaw |
| |
| The Things That Happen When Falling in Love - BALTIC Centre for Contemporary Art, Gateshead (England) |
2009
| |
| Raqs Media Collective: Några steg från glömskan - Lunds konsthall, Lund |
| |
| Art Now Lightbox: Raqs Media Collective: The Surface of Each Day is a Different Planet - Tate Britain, London (England) |
| |
| When the Scales Fall From Your Eyes - Ikon Gallery, Birmingham (England) |
| |
| Escapement - Frith Street Gallery, London (England) |
2006
| |
| The KD Vyas Correspondence: Vol. 1 - Museum für Kommunikation Frankfurt, Frankfurt/Main |
| |
| Raqs Media Collective - Nature Morte - New Delhi, New Delhi |
2005
| |
| The Impostor in the Waiting Room - They Called it the Twentieth Century - Künstlerhaus Stuttgart, Stuttgart |
2004
 |
| Raqs Media Collective - Bose Pacia Gallery, New York City, NY |
Group shows 96
2013
| |
| Sharjah Biennial 11 - Sharjah Biennial, Sharjah |
 |
| In Deed: Certificates of Authenticity in Art - Weatherspoon Art Museum, Greensboro, NC |
2012
| |
| 7th Asia Pacific Triennial Of Contemporary Art (apt7) - Asia Pacific Triennial of Contemporary Art, Brisbane, QLD |
| |
| Biennale Bénin 2012 - Biennale Bénin, Cotonou |
| |
| 2nd Ural Industrial Biennial Of Contemporary Art - Production Of Meanings - Ural Industrial Biennial, Yekaterinburg |
| |
| Indian Highway - UCCA - Ullens Center for Contemporary Art, Beijing |
|
| Manifesta 9 - Koolmijn van Waterschei-Genk, Genk |
| |
| Creative Destruction - The Kitchen, New York City, NY |
| |
| Social Fabric - Institute of International Visual Arts - iniva, London (England) |
| |
| The Contemporary Sultanate - Exhibit 320, New Delhi |
| |
| Slipping Through The Cracks - Latitude 28, New Delhi |
| |
| Lines of Control: Partition as a Productive Space - Herbert F. Johnson Museum of Art, Ithaca, NY |
2011
| |
| Words: A User's Manual - Exhibit 320, New Delhi |
| |
| In You is the Illusion of Each Day - Latitude 28, New Delhi |
| |
| In DeedCerificates of Authenticity in Art - Fondazione Bevilacqua La Masa, Venice |
| |
| The Global Contemporary, Art Worlds After 1989 - ZKM | Zentrum für Kunst und Medientechnologie Karlsruhe, Karlsruhe |
| |
| In Deed: Certificates of Authenticity in Art - De Vleeshal, Middelburg |
| |
| The 6th Momentum Biennial 2011 - Imagine being here now - Momentum Nordic Biennial of Contemporary Art , Moss |
|
| Beziehungsarbeit – Kunst und Institution - Künstlerhaus Wien, Vienna |
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| Paris - Delhi - Bombay ... - Centre Pompidou - Musée National d´Art Moderne, Paris |
|
| CONUNDRUM - Bose Pacia Gallery, New York City, NY |
| |
| Indian Highway IV - Musée d'Art Contemporain Lyon, Lyon |
| |
| Experimental Geography - Foreman Art Gallery of Bishop’s University, Sherbrooke, QC |
2010
| |
| Cities and Things That Matter - Lombard Freid Gallery, New York City, NY |
| |
| 8th Shanghai Biennale - Shanghai Biennale, Shanghai |
| |
| The New Decor - Garage Center for Contemporary Culture - GCCC, Moscow |
|
| 29° Bienal de São Paulo - Bienal de Sao Paulo, São Paulo |
|
| Action Field Kodra 2010 - Action Field Kodra, Thessaloniki |
| |
| The River Project - Campbelltown Arts Centre, Campbelltown, NSW |
| |
| This is unreal - experimenter, Calcutta |
| |
| After the Volcano: a summer show of gallery artists - Frith Street Gallery, London (England) |
| |
| Krimiseries: Evidence, Narrative & the Forensic Imagination - Museum London, London, ON |
| |
| Treacherous Path - Nature Morte - Berlin, Berlin |
| |
| The New Décor - Hayward Gallery, London (England) |
| |
| Fetiches críticos. Residuos de la economía general I - CA2M - Centro de Arte Dos de Mayo, Móstoles |
|
| Dorm - The Model, Sligo |
| |
| Indian Highway - HEART - Herning Museum of Contemporary Art, Herning |
| |
| Experimental Geography - Colby College Museum of Art, Waterville, ME |
2009
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| LIVING OFF THE GRID - Anant Art Gallery, New Delhi |
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| Experimental Geography - The Miller Gallery at Carnegie Mellon University, Pittsburg, PA |
| |
| Learn to Read Art: A History of Printed Matter - MoMA PS1, New York City, NY |
|
| Whose Exhibition Is This? - Taipei Fine Arts Museum, Taipei |
| |
| Chalo! india - ESSL MUSEUM - KUNST DER GEGENWART, Klosterneuburg |
| |
| Indian Highway - Astrup Fearnley Museet for Moderne Kunst, Oslo |
| |
| Lines of Control - Green Cardamom, London (England) |
| |
| Experimental Geography - Rochester Art Center, Rochester, MN |
| |
| Lines of Control - The Third Line - Dubai, Dubai |
2008
|
| Indian Highway - Serpentine Gallery, London (England) |
| |
| Signs Taken for Wonders: Recent Art from India and Pakistan - Aicon Gallery - London, London (England) |
|
| Chalo! India: A New Era of Indian Art - Mori Art Museum, Tokyo |
|
| A QUESTION OF EVIDENCE - T-B A21 - Thyssen-Bornemisza Art Contemporary, Vienna |
|
| The Art of Participation: 1950 to Now - San Francisco Museum of Modern Art - SFMOMA, San Francisco, CA |
| |
| Manifesto Marathon - Serpentine Gallery, London (England) |
| |
| Experimental Geography - Richard E. Peeler Art Center - DePauw University , Greencastle, IN |
|
| Neti-Neti (or, the comforts of cultural indeterminacy) - Bose Pacia Gallery, New York City, NY |
| |
| Territorial Phantom - - NIMk - Netherlands Media Art Institute, Amsterdam (closed, 2013) |
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| Thyssen-Bornemisza Art Contemporary - Sammlung als Aleph - Kunsthaus Graz, Graz |
| |
| Santhal Family - MuHKA Museum voor Hedendaagse Kunst Antwerpen, Antwerp |
| |
| Art and Capital : Spiritual Odyssey - Alternative Space Loop, Seoul |
2007
| |
| Urban Manners - Hangar Bicocca | spazio d’arte contemporanea, Milan |
| |
| Horn Please. Erzählen in der zeitgenössischen indischen Kunst - Kunstmuseum Bern, Bern |
|
| 10th International İstanbul Biennial - International Istanbul Biennial, Istanbul |
| |
| India - New Installations (Part II) - The Mattress Factory, Pittsburg, PA |
| |
| Photography & Prints - Nature Morte - New Delhi, New Delhi |
| |
| Neue Asiatische Kunst. Thermocline of Art - ZKM | Zentrum für Kunst und Medientechnologie Karlsruhe, Karlsruhe |
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| shooting back - T-B A21 - Thyssen-Bornemisza Art Contemporary, Vienna |
| |
| World Factory - Walter and McBean Galleries at San Francisco Art Institute, San Francisco, CA |
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| Art of the possible - Lunds konsthall, Lund |
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| Edge of Desire - Recent Art in India - National Gallery of Modern Art - Mumbai, Mumbai |
2006
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| ACADEMY. Learning from Art - MuHKA Museum voor Hedendaagse Kunst Antwerpen, Antwerp |
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| Subcontingente - Fondazione Sandretto Re Rebaudengo, Turin |
|
| Edge of Desire - Recent Art in India - Berkeley Art Museum and Pacific Film Archive BAM/PFA, Berkeley, CA |
|
| 15th Biennale of Sydney 2006 - Biennale of Sydney, Sydney, NSW |
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| 2006 01SJ - ZERO1 Biennial, San Jose, CA |
|
| El Filo del Deseo - Arte Reciente en India - Museo de Arte Contemporáneo de Monterrey MARCO, Monterrey, NL |
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| The Backroom: Sf - SF Camerawork, San Francisco, CA |
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| the backroom - - New Langton Arts, San Francisco, CA (closed, 2009) |
| |
| Dark Places - Santa Monica Museum of Art, Santa Monica, CA |
2005
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| The 2nd Guangzhou Triennial - Guangzhou Triennial, Guangzhou, Guangdong |
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| El filo del deseo. Arte reciente en India - Museo Tamayo, Mexico City |
| |
| Citizens - PM Gallery & House, London (England) |
2004
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| How Latitudes Become Forms. Arte en la era global - Museo Tamayo, Mexico City |
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| Tapei Biennial 2004 - Do you believe in reality? - Taipei Biennial, Taipei |
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| Liverpool Biennial 2004 - Liverpool Biennial of Contemporary Art, Liverpool (England) |
|
| How Latitudes Become Forms: Art in a Global Age - Contemporary Arts Museum Houston, Houston, TX |
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| Adaptationen - Kunsthalle Fridericianum, Kassel |
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| Adaptations - Apexart, New York City, NY |
2003
| |
| How Latitudes Become Forms: Art in a Global Age - Fondazione Sandretto Re Rebaudengo, Turin |
|
| 50th International Art Exhibition Venice Biennale / Biennale di Venezia - La Biennale di Venezia, Venice |
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| How Latitudes Become Forms: Art in a Global Age - Walker Art Center, Minneapolis, MN |
| |
| Geografie und die Politik der Mobilität - Generali Foundation, Vienna |
2002
|
| Documenta 11 - Documenta, Kassel |
| Dealer Directory 4 |
Germany
| | Nature Morte - Berlin, Berlin
|
India
United Kingdom
| | Frith Street Gallery, London (England)
|
USA
| | Bose Pacia Gallery, New York City, NY
|
Collections 1
Germany
| | Burger Collection, Berlin
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Catalogs
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