Artist's arttributes:
|
| • |
Male |
| • |
Sculpture, Installation |
| • |
Minimalism, Land Art |
Most exhibitions in:
|
| Country |
№ |
| USA | 139 |
| Germany | 44 |
| Spain | 21 |
| United Kingdom | 17 |
| France | 16 |
Most exhibitions held at:
|
| Institution |
№ |
| |
James Cohan Gallery - New York, USA |
8 |
| |
Walker Art Center, USA |
6 |
| |
Museum of Contemporary Art Chicago (MCA), USA |
5 |
| |
Museu Serralves - Museu de Arte Contemporânea, Portugal |
5 |
Biography: 
1938 Born in Passaic, NJ (US)
1973 Died in Amarillo, TX (US)
External links:
| | Public exhibitions (Selection) 336 
until 4.11.
until 8.9.
until 17.8.
until 10.7.
until 1.7.
Solo shows 34
2013
| |
| Robert Smithson - Listasafn Reykjavikur - Reykjavík Art Museum, Reykjavik |
2012
| |
| Robert Smithson - Die Erfindung der Landschaft Broken Circle/Spiral Hill: Zeichnungen, Fotos, Film - Museum für Gegenwartskunst Siegen, Siegen |
2008
| |
| Robert Smithson - - Las Vegas Art Museum - LVAM, Las Vegas, NV (closed, 2009) |
| |
| Robert Smithson - Hotel Palenque - Museo Nacional Centro de Arte Reina Sofía, Madrid |
| |
| Robert Smithson: Spiral Jetty - IMA Institute of Modern Art, Brisbane, QLD |
2005
| |
| Robert Smithson - Floating Island To Travel Around Manhattan Island - James Cohan Gallery - New York, New York City, NY |
 |
| Robert Smithson - Whitney Museum of American Art, New York City, NY |
| |
| Robert Smithson - Retrospective - Dallas Museum of Art, Dallas, TX |
2004
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| Robert Smithson - MOCA Grand Avenue, Los Angeles, CA |
2001
| |
| Robert Smithson - Mapping Dislocations - James Cohan Gallery - New York, New York City, NY |
2000
| |
| Robert Smithson - Kunsthalle Wien (Museumsquartier), Vienna |
| |
| Robert Smithson - James Cohan Gallery - New York, New York City, NY |
1999
| |
| Robert Smithson – Retrospective – Works 1955-1973 - ARKEN Museum for Moderne Kunst, Ishoj |
 |
| Robert Smithson, retrospective - works 1955-1973 - Moderna Museet, Stockholm |
| |
| Robert Smithson - retrospective works 1955 - 1973 - The Museum of Contemporary Art Oslo, Oslo |
1998
| |
| Robert Smithson. Slideworks - The Rose Art Museum, Waltham, MA |
1997
| |
| Robert Smithson - Dead Tree - Pierogi Brooklyn, New York City, NY |
1995
| |
| Robert Smithson - Kölnischer Kunstverein, Cologne |
1993
| |
| Robert Smithson: Photo Works - ICP - International Center of Photography, New York City, NY |
| |
| Robert Smithson - photo works - Los Angeles County Museum of Art - LACMA, Los Angeles, CA |
1989
| |
| Robert Smithson. Zeichnungen aus dem Nachlaß - LWL - Westfälisches Landesmuseum für Kunst und Kulturgeschichte Münster, Münster |
1988
| |
| Robert Smithson: das Frühwerk 1959-62 - Kunstmuseum Luzern, Lucerne |
1983
| |
| Robert Smithson - Sara Hildén Art Museum, Tampere |
1980
| |
| Robert Smithson: Sculpture - Herbert F. Johnson Museum of Art, Ithaca, NY |
1977
| |
| Robert Smithson - Art Museum at U.C. Santa Barbara, Santa Barbara, CA |
| |
| Robert Smithson - Whitechapel Art Gallery, London (England) |
1976
| |
| Robert Smithson - Zeichnungen - Städtisches Museum Abteiberg, Mönchengladbach |
| |
| Robert Smithson - Mirror/Salt Works - The Renaissance Society at The University of Chicago, Chicago, IL |
1975
| |
| Robert Smithson: Drawings - San Francisco Museum of Modern Art - SFMOMA, San Francisco, CA |
1974
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| Robert Smithson Drawings - The Corcoran Gallery of Art, Washington, DC |
| |
| Robert Smithson - Orange County Museum of Art, Newport Beach |
| |
| Robert Smithson - drawings - - New York Cultural Center, New York City, NY (closed, 1975) |
| |
| Robert Smithson: Drawings - Dallas Museum of Art, Dallas, TX |
1969
| |
| Asphalt Rundown - Galleria L'Attico, Rome |
Group shows 297
2013
| |
| Ground. Materiality No. 2 (earth) - Sorø Kunstmuseum, Sorø |
2012
| |
| Desire Lines - ACCA - Australian Centre for Contemporary Art, Melbourne, VIC |
| |
| Cellblock Ii - Andrea Rosen Gallery, New York City, NY |
| |
| Cellblock I - Andrea Rosen Gallery, New York City, NY |
| |
| Cartografías contemporáneas - CaixaForum Barcelona, Barcelona |
| |
| Cartografías contemporáneas. Dibujando el pensamiento - CaixaForum Madrid, Madrid |
| |
| Art, science & fiction - MAC's Grand Hornu - Musée des Arts Contemporains, Hornu |
 |
| Art on Paper 2012: The 42nd Exhibition - Weatherspoon Art Museum, Greensboro, NC |
| |
| Ends of the Earth – Land Art bis 1974 - Haus der Kunst München, Munich |
| |
| Transitions: Drawings From The Collection Of Mima - Mead Gallery - Warwick Arts Centre, Coventry (England) |
| |
| A Balea Negra. X Aniversario Do Marco - MARCO Museo de Arte Contemporánea de Vigo, Vigo |
| |
| Poesie der Reduktion - Minimal, Concept, Land Art - Museum Moderner Kunst Stiftung Ludwig - MUMOK , Vienna |
| |
| Materializing "Six Years": Lucy R. Lippard and the Emergence of Conceptual Art - Brooklyn Museum of Art, New York City, NY |
| |
| Notations: Contemporary Drawing as Idea and Process - Kemper Art Museum, Saint Louis, MO |
| |
| 30th São Paulo Biennial - Bienal de Sao Paulo, São Paulo |
| |
| Ghosts in the Machine - New Museum of Contemporary Art, New York City, NY |
| |
| When Does Something Become Something Else? - Walker Art Center, Minneapolis, MN |
 |
| Manifesta 9 - Koolmijn van Waterschei-Genk, Genk |
| |
| Ends of the Earth: Land Art to 1974 - The Geffen Contemporary at MOCA, Los Angeles, CA |
| |
| Unfinished Journeys - The Museum of Contemporary Art Oslo, Oslo |
| |
| Architecture In The Expanded Field - CCA Wattis Institute for Contemporary Arts, San Francisco, CA |
| |
| 1969 - 1972 - Volker Bradtke, Dusseldorf |
2011
| |
| La persistencia de la geometría - CaixaForum Madrid, Madrid |
| |
| Contemporary Drawings from the Irving Stenn Jr. Collection - The Art Institute of Chicago, Chicago, IL |
| |
| Arte Povera International - Castello di Rivoli Museo d'Arte Contemporanea, Turin |
| |
| 3. Bienal del Fin del Mundo – Antropoceno - Bienal al Fin del Mundo, Buenos Aires |
 |
| Cambio de paradigma - Colección Serralves años 60-70 - Musac - Museo de Arte Contemporáneo de Castilla y León, Léon |
| |
| Andy Coolquitt, Agnes Denes, Robert Smithson - Lisa Cooley Fine Art, New York City, NY |
| |
| Erre, variations labyrinthiques - Centre Pompidou-Metz, Metz |
| |
| arkhaiologia - Archäologie in der zeitgenössischen Kunst - Kunsthaus CentrePasquArt - Centre d'Art, Biel/Bienne |
| |
| Farbe im Fluss - 20 Jahre Weserburg - Weserburg | Museum für moderne Kunst, Bremen |
| |
| Carolina Collects: 150 Years of Modern and Contemporary Art from Alumni Collections - Ackland Art Museum, Chapel Hill, NC |
| |
| Nachrichten aus der Zwischenstadt - Museum Ludwig, Cologne |
 |
| Der Raum der Linie. Amerikanische Zeichnungen und Skulpturen ab 1960 aus einer Privatsammlung - Pinakothek der Moderne, Munich |
| |
| Sistemas, Acciones y Procesos. 1965-1975 - Fundación PROA, Buenos Aires |
| |
| 1991... (MEMORIAL PROMENADE) - Galerie Thomas Schulte, Berlin |
| |
| NUMBER FIVE: Cities of Gold and Mirrors. Works from the JULIA STOSCHEK COLLECTION - Julia Stoschek Collection, Dusseldorf |
 |
| Beziehungsarbeit – Kunst und Institution - Künstlerhaus Wien, Vienna |
 |
| Jeff Wall - The Crooked Path - BOZAR - Palais des Beaux-Arts / Paleis voor Schone Kunsten, Brussels |
| |
| Die Letzte Freiheit - Von den Pionieren der Land-Art der 1960er Jahre bis zur Natur im Cyberspace - Ludwig Museum im Deutschherrenhaus, Koblenz |
| |
| Construction in Process 1981 – the community tha - ms2 – Muzeum Sztuki Lodz, Lodz |
| |
| Wishing And Praying - CRG Gallery, New York City, NY |
 |
| Land Art - Hamburger Bahnhof - Museum für Gegenwart, Berlin |
| |
| Hyper Real – Kunst und Amerika um 1970 - Ludwig Forum für Internationale Kunst, Aachen |
| |
| The Original Copy: Photography of Sculpture, 1839 to Today - Kunsthaus Zürich, Zurich |
| |
| The Parallax View - Lehmann Maupin, New York City, NY |
| |
| Eco-Art - Pori Taidemuseo / Pori Art Museum, Pori |
| |
| Drawn/Taped/Burned: Abstraction on Paper - Katonah Museum of Art, Katonah, NY |
2010
| |
| Bild für Bild - Film und zeitgenössische Kunst - Museum Ostwall im Dortmunder U, Dortmund |
| |
| Artists at Max’s Kansas City, 1965-1974 - Loretta Howard Gallery, New York City, NY |
| |
| Traffic: Conceptual Art in Canada c. 1965 to 1980 - UTAC - University of Toronto Art Centre , Toronto, ON |
| |
| Site Specifics - Spencer Museum of Art, Lawrence, KS |
| |
| From Picasso to Gary Hill - CDMAC - Centro Dragão do Mar de Arte e Cultura, Fortaleza, CE |
| |
| Between Here and There: Dislocation and Displacement in Contemporary Photography - The Metropolitan Museum of Art, New York City, NY |
| |
| Crystalline Architecture - Andrea Rosen Gallery, New York City, NY |
| |
| S-N-W-O - DREI Raum für Gegenwartskunst, Cologne |
| |
| Márgenes de Silencio / Margins of Silence - Centro de Artes Visuales Helga de Alvear, Cáceres |
| |
| Mirror Mirror: Then and Now - The Anne & Gordon Samstag Museum of Art, Adelaide, SA |
| |
| CONCEPT 70 - Hohenthal und Bergen, Berlin |
| |
| Incidentes de Viaje en Centro América, Chiapas, Yucatán y otros lugares... - Centro Cultural de España Guatemala (CCE/G), Ciudad de Guatemala |
| |
| Earthworks: Robert Smithson, Sam Durant, and Mary Brogger - Museum of Contemporary Art Chicago (MCA), Chicago, IL |
| |
| The Traveling Show - Galeria de Fundaciíon/Coleccion Jumex, Mexico City |
 |
| Haunted: Contemporary Photography/Video/Performance - Solomon R. Guggenheim Museum, New York City, NY |
| |
| Sonic Youth etc.: Sensational Fix - CA2M - Centro de Arte Dos de Mayo, Móstoles |
| |
| Collection / Porto : Museu Serralves - Domaine de Kerguéhennec - Centre d'Art Contemporain, Bignan |
| |
| Radical Nature - Dick Institute, Kilmarnock, East Ayshire (Scotland) |
2009
 |
| 1969 - MoMA PS1, New York City, NY |
 |
| Mirror Mirror: Then and Now - IMA Institute of Modern Art, Brisbane, QLD |
 |
| Manmade: Notions of Landscape from the Lannan Collection - New Mexico Museum Arts, Santa Fe, NM |
| |
| DIE MODERNE ALS RUINE. Eine Archäologie der Gegenwart - Kunstmuseum Liechtenstein, Vaduz |
| |
| Infinite Egress - Surrey Art Gallery, Surrey, BC |
| |
| MÁQUINAS DE MIRAR. O cómo se originan las imágenes - Centro Andaluz de Arte Contemporáneo (CAAC), Sevilla |
| |
| Die Kunst ist super! - Hamburger Bahnhof - Museum für Gegenwart, Berlin |
| |
| Serralves 2009 - The Collection, 2nd Part - Museu Serralves - Museu de Arte Contemporânea, Porto |
| |
| Pattern Recognition - - Leicester City Art Gallery, Leicester (England) (closed, 2010) |
| |
| Pattern Recognition - The City Gallery, Leicester (England) |
| |
| DAS BLAUE LICHT. Der Hang zum Kristallinen in Kunst und Design - Kunstverein Medienturm, Graz |
 |
| BLICKMASCHINEN / Visual Tactics or how pictures emerge - Mucsarnok Kunsthalle, Budapest |
| |
| Radical Nature - Art and Architecture for a Changing Planet 1969–2009 - Barbican Art Gallery, London (England) |
 |
| Die Moderna als Ruine - Eine Archäologie der Gegenwart - Generali Foundation, Vienna |
| |
| White Noise - James Cohan Gallery - New York, New York City, NY |
 |
| Poor. Old. Tired. Horse. - ICA - Institute of Contemporary Arts London, London (England) |
 |
| 2nd Athens Biennial 2009 - Heaven - Athens Biennial, Athens |
 |
| Rethinking Art: Objects and Ideas from the 1960s and 70s - Akron Art Museum, Akron, OH |
| |
| Serralves 2009 - The Collection, 1st Part - Museu Serralves - Museu de Arte Contemporânea, Porto |
 |
| SONIC YOUTH etc.: Sensational Fix - Malmö Konsthall, Malmö |
| |
| La nada y el ser - Galeria de Fundaciíon/Coleccion Jumex, Mexico City |
 |
| Pop Up! - Ludwig Forum für Internationale Kunst, Aachen |
| |
| Waiting for Video: Works From the 1960s To Today - National Museum of Modern Art Tokyo (MOMAT), Tokyo |
 |
| 1968. Die Große Unschuld - Kunsthalle Bielefeld, Bielefeld |
| |
| Drawings and Watercolors - Senior & Shopmaker Gallery, New York City, NY |
 |
| Nueva York - El Papel de las Ultimas Vanguardias - Museo de Arte Contemporáneo Esteban Vicente, Segovia |
 |
| Vivre l'art - collection Venet - Espace de l’art concret, Mouans Sartoux |
| |
| Los tiempos de un luga - CDAN - Centro de Arte y Naturaleza - Fundación Beulas, Huesca |
2008
| |
| Sudden White part of Collision Course, GSK contemporary - Royal Academy of Arts, London (England) |
| |
| Blickmaschinen oder wie Bilder entstehen. Die zeitgenössische Kunst schaut auf die Sammlung Werner Nekes - Museum für Gegenwartskunst Siegen, Siegen |
| |
| A stake in the Mud, A hole in the Reel. Land Art's Expanded Field 1968–2008 - CA2M - Centro de Arte Dos de Mayo, Móstoles |
| |
| Nature, space and time - recent acquisitions - Kröller-Müller Museum, Otterlo |
 |
| Full House - Kiasma - Museum of Contemporary Art, Helsinki |
| |
| Sonic Youth etc. - Sensational Fix - MUSEION - Museum für moderne und zeitgenössische Kunst , Bolzano |
| |
| Julia Stoschek Collection: Destroy, she said - PinchukArtCentre, Kiev |
| |
| On Location: Art, Space and Place in the 1960s - Sainsbury Centre for Visual Arts, Norwich (England) |
| |
| The sublime is now - Galleria Civica di Modena, Modena |
| |
| The 1960s: Decade of Change - Weatherspoon Art Museum, Greensboro, NC |
| |
| Imaginary Spaces: Selections from The Menil Collection - The Menil Collection, Houston, TX |
| |
| du Jardin au Cosmos - Espace de l’art concret, Mouans Sartoux |
| |
| SONIC YOUTH etc. : SENSATIONAL FIX - LiFE - International Space for Emerging Arts, Saint-Nazaire |
 |
| 16th Biennale of Sydney - Biennale of Sydney, Sydney, NSW |
| |
| PHotoEspaña 08 - PHotoEspaña, Madrid |
| |
| Peripheral vision and collective body - MUSEION - Museum für moderne und zeitgenössische Kunst , Bolzano |
| |
| Sol LeWitt x2 - Austin Museum of Art - AMOA, Austin, TX |
| |
| La Construccion del Paisaje Contemporaneo - CDAN - Centro de Arte y Naturaleza - Fundación Beulas, Huesca |
| |
| Traces du Sacré - Centre Pompidou - Musée National d´Art Moderne, Paris |
| |
| A stake in the mud, a hole in the reel - Museo Tamayo, Mexico City |
| |
| In Collaboration: Early Works from the Media Arts Collection - San Francisco Museum of Modern Art - SFMOMA, San Francisco, CA |
| |
| Geometry of Motion 1920s/1970s - MoMA - Museum of Modern Art, New York City, NY |
| |
| Screenings - Haunch of Venison - London, London (England) |
| |
| Based on Paper - The Marzona Collection - Middlesbrough Institute of Modern Art - MIMA, Middlesbrough (England) |
| |
| Sculptural Concepts - Richmond Center for Visual Arts, Kalamazoo, MI |
2007
| |
| In The Poem About Love You Don't Write The Word Love - Overgaden - Institut for Samtidskunst, Copenhagen |
| |
| Artist’s Choice: Roy Arden Selects From the Collection - Vancouver Art Gallery, Vancouver, BC |
| |
| Fragments géographiques - Galerie Art & Essai, Rennes |
| |
| Double Resonator - Jessica Silverman Gallery, San Francisco, CA |
| |
| OUT OF THE CITY. Land art - City Gallery of Bratislava / Galéria mesta Bratislavy, Bratislava |
| |
| Elsewhere - University of South Florida Contemporary Art Museum, Tampa, FL |
| |
| No. 1: Destroy, she said - Julia Stoschek Collection, Dusseldorf |
| |
| Organizing Chaos - MoMA PS1, New York City, NY |
 |
| Before (Plus ou moins) - Palais de Tokyo, Paris |
| |
| In the Poem about love you don´t write the word love - Midway Contemporary Art, Minneapolis, MN |
| |
| DUMP - Postmodern Sculpture in the Dissolved Field - The Art Hall at Tullinløkka, Oslo |
| |
| Vårutstillingen 2007 - Fotogalleriet, Oslo |
| |
| The Shapes of Space - Solomon R. Guggenheim Museum, New York City, NY |
| |
| What does the jellyfish want? - Museum Ludwig, Cologne |
| |
| Deambulatorios de una jornada, en el principio y el proyecto Tindaya - Centro de Arte Juan Ismael, Puerto de Rosario, Fuerteventura |
| |
| Speed #1 - natura naturata - velocidad sin movimiento - IVAM - Institut Valencià d'Art Modern, Valencia |
| |
| the Domain of the Great Bear 3/3 Kosmische Sehnsucht - kunstraum muenchen, Munich |
| |
| Cosmologies, - James Cohan Gallery - New York, New York City, NY |
2006
| |
| Interventions - Thomas Solomon Gallery, Los Angeles, CA |
| |
| Radical Software - Art, Technology, and the Bay Area Underground - CCA Wattis Institute for Contemporary Arts, San Francisco, CA |
| |
| In The Poem About Love You Don't Write The Word Love - Artists Space, New York City, NY |
| |
| The Domain of the Great Bear 2/3 – Dystopische Landschaft - kunstraum muenchen, Munich |
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| busy going crazy. the Sylvio Perlstein collection - La Maison Rouge, Paris |
| |
| Twice Drawn - The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs, NY |
| |
| Fragments géographiques - Galerie Art & Essai, Rennes |
| |
| Espacio, Tiempo, Espectador.Instalaciones y nuevos medios en la Colección del IVAM - IVAM - Institut Valencià d'Art Modern, Valencia |
| |
| Ponto de Fuga: Obras da Colecção da Fundação de Serralves - Centro Cultural de Lagos, Lagos |
| |
| Data Mining - Wallspace Gallery, New York City, NY |
| |
| Time Frame - MoMA PS1, New York City, NY |
| |
| Nineteen Sixty-Eight - Thomas Solomon Gallery, Los Angeles, CA |
 |
| The Expanded Eye. Sehen - entgrenzt und verflüssigt - Kunsthaus Zürich, Zurich |
| |
| Inventur - Kunsthaus Graz, Graz |
| |
| Von Carl Andre bis Bruce Nauman - Hamburger Bahnhof - Museum für Gegenwart, Berlin |
| |
| Mapping the studio - Stedelijk Museum Amsterdam, Amsterdam |
| |
| The other side - Tony Shafrazi Gallery, New York City, NY |
 |
| Le mouvement des images - Centre Pompidou - Musée National d´Art Moderne, Paris |
 |
| Universal Experience: arte e vita. Lo sguardo del turista - MART- Museo d'Arte Moderna e Contemporanea di Trento e Rovereto, Rovereto |
| |
| 20ème anniversaire de la galerie - Galerie Gabrielle Maubrie, Paris |
2005
| |
| The Fluidity of Time - Selections from the MCA Collection - Museum of Contemporary Art Chicago (MCA), Chicago, IL |
| |
| Looking at Words - Andrea Rosen Gallery, New York City, NY |
| |
| Fast nichts - Minimalistische Werke aus der Friedrich Christian Flick Collection - Hamburger Bahnhof - Museum für Gegenwart, Berlin |
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| 50 Jahre - Years documenta 1955 – 2005 - Kunsthalle Fridericianum, Kassel |
| |
| Slide Show - CAC - Cincinnati Contemporary Arts Center, Cincinnati, OH |
 |
| BIG BANG - Centre Pompidou - Musée National d´Art Moderne, Paris |
| |
| OpenSystems - Rethinking Art c.1970 - Tate Modern, London (England) |
| |
| Natur – Raum – Kunst. Aus den Sammlungen des Museums und Ernst Ploil - Museum der Moderne Salzburg Mönchsberg, Salzburg |
| |
| Highlights - Statens museum for kunst, Copenhagen |
| |
| The Last Picture Show - Artists using Photography 1960-1982 - Miami Art Central, Miami, FL |
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| Set Up - Recent Acquisitions in Photography - Whitney Museum of American Art, New York City, NY |
| |
| Group Loop - G Fine Art, Washington, DC |
| |
| land - Ota Fine Arts, Tokyo |
| |
| The Transformative Power of Art - Art Gallery of Ontario, Toronto, ON |
2004
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| Attraversare Genova. Percorsi e linguaggi internazionali del contemporaneo. - Villa Croce Museo d´Arte Contemporanea, Genoa |
| |
| Another space - Kröller-Müller Museum, Otterlo |
| |
| The Summer Show - James Cohan Gallery - New York, New York City, NY |
| |
| Paisaje y Memoria - Centro Atlántico de Arte Moderno (CAAM), Las Palmas de Gran Canaria |
 |
| Artists' Favourites - act I - ICA - Institute of Contemporary Arts London, London (England) |
| |
| The last picture show. Artistas que hacen uso de la fotografía. Tendencias conceptuales de 1960-1982 - MARCO Museo de Arte Contemporánea de Vigo, Vigo |
 |
| "The Big Nothing" - ICA - Institute of Contemporary Art - University of Pennsylvania, Philadelphia, PA |
| |
| A Minimal Future? Art As Object 1958-1968 - MOCA Grand Avenue, Los Angeles, CA |
 |
| Behind the facts interfunktionen - Fundación Joan Miró, Barcelona |
 |
| The Last Picture Show - Artists Using Photography, 1960-1982 - Hammer Museum, Los Angeles, CA |
 |
| OUROBOROS THE MUSIC OF THE SPHERES - Centre for Contemporary Arts (CCA), Glasgow (Scotland) |
| |
| On Paper - Nicole Klagsbrun Gallery, New York City, NY |
2003
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| Fine Lines: Drawings from the Collection of Wynn Kramarsky - Santa Barbara Contemporary Arts Forum, Santa Barbara, CA |
 |
| The Last Picture Show - Artists Using Photography - 1960-1982 - Walker Art Center, Minneapolis, MN |
 |
| A Simple Plan - James Cohan Gallery - New York, New York City, NY |
 |
| Recaptured Nature - Marian Goodman Gallery, New York City, NY |
| |
| exposition collective - CEAAC - Centre européen d'actions artistiques contemporaines, Strasbourg |
 |
| Basic Instinct: Minimalism Past, Present, and Future - Museum of Contemporary Art Chicago (MCA), Chicago, IL |
| |
| Warum! Bilder diesseits und jenseits des Menschen - Martin-Gropius-Bau, Berlin |
| |
| Merce Cunningham, Robert Smithson and Hannah Wilke - SolwayJones, Los Angeles, CA |
 |
| 50th International Art Exhibition Venice Biennale / Biennale di Venezia - La Biennale di Venezia, Venice |
 |
| Site Specific - Museum of Contemporary Art Chicago (MCA), Chicago, IL |
| |
| Drawings of Choice from a New York Collection - Bowdoin College Museum of Art, Brunswick, ME |
| |
| Imperfect Marriages - - Galleria Emi Fontana, Milan (closed) |
 |
| PROJECTION - Konrad Fischer Galerie - Düsseldorf, Dusseldorf |
 |
| Elemental - Selections from the permanent collection - Walker Art Center, Minneapolis, MN |
| |
| From Modernism to the Contemporary, 1958-1999 - The Allen Memorial Art Museum, Oberlin, OH |
| |
| upon reflection.... - Sean Kelly Gallery, New York City, NY |
2002
 |
| Concepts on Nature - Häusler Contemporary - Munich, Munich |
| |
| performing buildings - Moderna Museet, Stockholm |
| |
| The Mind is a Horse - Bloomberg Space, London (England) |
 |
| Representing Nature - Museum of Contemporary Art Chicago (MCA), Chicago, IL |
 |
| Moving Pictures - Solomon R. Guggenheim Museum, New York City, NY |
| |
| Skænket af…, Ny Carlsbergfondets 100 års jubilæumsudstilling - Ny Carlsberg Glyptotek, Copenhagen |
| |
| Summer - James Cohan Gallery - New York, New York City, NY |
| |
| My Head is on Fire but my Heart is full of Love - Kunsthal Charlottenborg, Copenhagen |
| |
| Na Paisagem: Obras da Colecção da Fundação de Serralves - Museu Serralves - Museu de Arte Contemporânea, Porto |
| |
| Teoría del ocio - Galeria de Fundaciíon/Coleccion Jumex, Mexico City |
2001
| |
| Robert Smithson/Berndt and Hilla Becher - Field Trips - Museu Serralves - Museu de Arte Contemporânea, Porto |
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| Points of Departure II: Connecting with Contemporary Art - San Francisco Museum of Modern Art - SFMOMA, San Francisco, CA |
 |
| Ingenting / Nothing - - Rooseum Center for Contemporary Art, Malmö (closed, 2006) |
 |
| Conception - The Conceptual Document 1968-1972 - The Morris and Helen Belkin Art Gallery, Vancouver, BC |
| |
| Art Express, art minimal et conceptuel, état d’une collection - Mamco - musée d´art moderne et contemporain, Geneva |
| |
| Drawing is Another Kind of Language - Honolulu Museum of Art, Honolulu, HI |
| |
| Eye of Modernism - Georgia O'Keeffe Museum, Santa Fe, NM |
| |
| Dillard Collection - The Douglas F. Cooley Memorial Art Gallery, Portland, OR |
 |
| The Waste Land - Wüste und Eis. Ödlandschaften in der Fotografie. - - Augarten Contemporary, Vienna (closed, 2011) |
 |
| Saying Seeing 4 From the Sixties - Leo Castelli Gallery, New York City, NY |
2000
| |
| Changing Visions of the North American Landscape - The Allen Memorial Art Museum, Oberlin, OH |
| |
| In Process - - Curt Marcus Gallery, New York City, NY (closed, 2002) |
| |
| The Cities Collect - Walker Art Center, Minneapolis, MN |
 |
| Land Art usw. - Kunstraum Innsbruck, Innsbruck |
| |
| Art at Work: Forty Years of the Chase Manhattan Collection - Queens Museum of Art (QMA), New York City, NY |
| |
| Afterimage - Drawing Through Process - Contemporary Arts Museum Houston, Houston, TX |
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| Campos de fuerzas - Un ensayo sobre lo cinético - Museu d´Art Contemporani de Barcelona - MACBA, Barcelona |
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| Postmedia - Conceptual Photography in the Guggenheim Museum Collection - Solomon R. Guggenheim Museum, New York City, NY |
1999
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| Tomorrow for ever - Photographie als Ruine - MKM Museum Küppersmühle für Moderne Kunst, Duisburg |
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| Drawing is Another kind of language - Parrish Art Museum, Southampton, NY |
| |
| Impact: Revealing Sources for Contemporary Art - - Contemporary Museum, Baltimore, Baltimore, MD (closed, 2012) |
| |
| The American Century - Art & Culture 1900-2000 Part II - Whitney Museum of American Art, New York City, NY |
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| circa 1968 - Museu Serralves - Museu de Arte Contemporânea, Porto |
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| Afterimage: Drawing Through Process - MOCA Grand Avenue, Los Angeles, CA |
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| Tomorrow for ever - Photographie als Ruine - Kunsthalle Krems, Krems |
| |
| Art at Work - Forty Years of the Chase Manhattan Collection - Contemporary Arts Museum Houston, Houston, TX |
| |
| Impact: Revealing Sources for Contemporary Art - - Contemporary Museum, Baltimore, Baltimore, MD (closed, 2012) |
1998
| |
| Conceptual Photography from the 60s and 70s - David Zwirner, Inc., New York City, NY |
| |
| Mesótica III - instalo-mesótica - MADC Museo de Arte y Diseño Contemporáneo, San José |
| |
| 100 Years of Sculpture: From the Pedestal to the Pixel - Walker Art Center, Minneapolis, MN |
1997
| |
| Places that are Elsewhere - David Zwirner, Inc., New York City, NY |
| |
| And then there were none - Meyer Riegger Karlsruhe, Karlsruhe |
| |
| Dan Graham / Robert Smithson - Patrick Painter Inc., Santa Monica, CA |
1996
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| Demolitions and Other Works - Philadelphia Museum of Art, Philadelphia, PA |
| |
| The World Over: Art in the Age of Globalisation - Wellington City Gallery, Wellington |
| |
| Op Losse Schroeven : Situaties en Cryptostructuren - Stedelijk Museum Amsterdam, Amsterdam |
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| Reel Work: Artists Film and Video of the 1970’s - Museum of Contemporary Art - North Miami (MOCA), Miami, FL |
1995
| |
| 1965-1975: Reconsidering The Object Of Art - The Geffen Contemporary at MOCA, Los Angeles, CA |
| |
| Magazzino - Galleria L'Attico, Rome |
1994
| |
| Mapping - MoMA - Museum of Modern Art, New York City, NY |
| |
| From Minimal to Conceptual Art - The National Gallery of Art, Washington, DC |
| |
| European and American Drawings 1961-69 - David Nolan Gallery, New York City, NY |
1993
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| MoMA Drawings - Galerie Thomas Schulte, Berlin |
| |
| On the Road: Selections from the Permanent Collecton of the Museum of Contemporary Art, San Diego - Contemporary Arts Museum Houston, Houston, TX |
| |
| Motion and Document/Sequence and Time: Eadweard Muybridge and Contemporary American Photography - Henry Art Gallery, Seattle, WA |
1991
| |
| La Vitesse - Fondation Cartier pour l'art contemporain, Paris |
1990
| |
| L'art conceptuel, une perspective - Musée d´art contemporain de Montréal, Montreal, QC |
| |
| American Masters of the 60's - Tony Shafrazi Gallery, New York City, NY |
1988
| |
| 24 Cubes - Amherst Fine Arts Center - University of Massachusetts, Amherst, MA |
| |
| Zeichnung - - Galerie M + R Fricke - Düsseldorf, Dusseldorf (closed, 2006) |
| |
| Michael Heizer, Richard Serra, Robert Smithson - Tony Shafrazi Gallery, New York City, NY |
1987
| |
| Les années 70, les années mémoire : archéologie du savoir et de l’être - Abbaye St André - Centre d'art contemporain Meymac, Meymac |
| |
| Sculpture of the Sixties - Margo Leavin Gallery, Los Angeles, CA |
1986
| |
| Landscape - Luhring Augustine Gallery, New York City, NY |
1985
| |
| 18° Bienal de Sao Paulo - Bienal de Sao Paulo, São Paulo |
1984
| |
| American Sculpture - Margo Leavin Gallery, Los Angeles, CA |
| |
| Flyktpunkter - Moderna Museet, Stockholm |
1982
| |
| La Biennale di Venezia : Settore Arti Visive : 1982 - La Biennale di Venezia, Venice |
1981
| |
| Mythos und Ritual - Kunstverein in Hamburg, Hamburg |
1979
| |
| Contemporary Sculpture from Collection - MoMA - Museum of Modern Art, New York City, NY |
1978
| |
| Numerals 1924-1977 - Leo Castelli Gallery, New York City, NY |
1977
| |
| documenta 6 - Documenta, Kassel |
1976
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| New York in Europa - Neue Nationalgalerie, Berlin |
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| Art In Landscape - Missoula Art Museum MAM, Missoula, MT |
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| Ideas on Paper 1970-1976 - The Renaissance Society at The University of Chicago, Chicago, IL |
1973
| |
| Diagrams & drawings - Kunstmuseum Basel, Basel |
| |
| Whitney Biennial 1973 - Whitney Biennial, New York City, NY |
1972
| |
| documenta 5 - Documenta, Kassel |
1971
| |
| Sculptors' Drawings - Margo Leavin Gallery, Los Angeles, CA |
1970
| |
| 1970 annual exhibition Comtemporary American Sculpture - Whitney Museum of American Art, New York City, NY |
| |
| Preliminary Drawings - MoMA - Museum of Modern Art, New York City, NY |
| |
| American Painting and Sculpture 69th Annual - The Art Institute of Chicago, Chicago, IL |
1969
| |
| When Attitudes Become Form - ICA - Institute of Contemporary Arts London, London (England) |
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| When Attitudes become Form - Museen Haus Lange / Haus Esters, Krefeld |
| |
| When Attitudes Become Form - Kunsthalle Bern, Bern |
| |
| Earth Art - Herbert F. Johnson Museum of Art, Ithaca, NY |
1968
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| 6 artists, 6 exhibitions - Albright-Knox Art Gallery, Buffalo, NY |
| |
| 6 artists, 6 exhibitions - Walker Art Center, Minneapolis, MN |
| |
| Minimal art - Gemeentemuseum Den Haag, The Hague |
1966
| |
| 20 th Anniversary Exhibition - - Betty Parsons Gallery, New York City, NY (closed, 1982) |
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| Primary Structures: Younger American and British Sculpture - The Jewish Museum of New York, New York City, NY |
Dealer Directory 6 |
China
| | James Cohan Gallery - Shanghai, Shanghai
|
France
| | Galerie Gabrielle Maubrie, Paris
|
USA
| | ACE Gallery - Los Angeles, Los Angeles, CA
|
| | James Cohan Gallery - New York, New York City, NY
|
| | Peter Freeman, Inc., New York City, NY
|
| | Lawrence Markey, San Antonio, TX
|
Collections 31

Australia
| | Queensland Art Gallery / Gallery of Modern Art, Brisbane, QLD
|
Austria
| | Museum Moderner Kunst Stiftung Ludwig - MUMOK , Vienna
|
Canada
| | Art Gallery of Ontario, Toronto, ON
|
Denmark
| | Statens museum for kunst, Copenhagen
|
Finland
| | Kiasma - Museum of Contemporary Art, Helsinki
|
Germany
| | Julia Stoschek Collection, Dusseldorf
|
Portugal
| | Museu Serralves - Museu de Arte Contemporânea, Porto
|
Switzerland
| | Fotomuseum Winterthur, Winterthur
|
United Kingdom
| | Tate Liverpool, Liverpool (England)
|
| | Tate Britain, London (England)
|
| | Tate Modern, London (England)
|
USA
| | University Art Museum University at Albany, State University of New York, Albany, NY
|
| | Museum of Contemporary Art Chicago (MCA), Chicago, IL
|
| | Nora Eccles Harrison Museum of Art, East Logan, UT
|
| | The Modern Art Museum of Fort Worth, Fort Worth, TX
|
| | Weatherspoon Art Museum, Greensboro, NC
|
| | Los Angeles County Museum of Art - LACMA, Los Angeles, CA
|
| | MOCA Grand Avenue, Los Angeles, CA
|
| | Milwaukee Art Museum, Milwaukee, WI
|
| | Dia Art Foundation: Chelsea, New York City, NY
|
| | Solomon R. Guggenheim Museum, New York City, NY
|
| | The Metropolitan Museum of Art, New York City, NY
|
| | MoMA - Museum of Modern Art, New York City, NY
|
| | Fred Jones Jr. Museum of Art, Norman, OK
|
| | The Allen Memorial Art Museum, Oberlin, OH
|
| | Philadelphia Museum of Art, Philadelphia, PA
|
| | Utah Museum of Fine Arts, Salt Lake City, UT
|
| | San Francisco Museum of Modern Art - SFMOMA, San Francisco, CA
|
| | Hirshhorn Museum and Sculpture Garden, Washington, DC
|
Catalogs
|