Artist's arttributes:
|
| • |
Male |
| • |
Painting, Sculpture |
Most exhibitions in:
|
| Country |
№ |
| USA | 19 |
| Germany | 5 |
| France | 2 |
| Switzerland | 2 |
| Austria | 2 |
Most exhibitions held at:
|
| Institution |
№ |
| |
Ubu Gallery, USA |
2 |
| |
The Geffen Contemporary at MOCA, USA |
2 |
| |
Konrad Fischer Galerie - Düsseldorf, Germany |
2 |
Biography: 
1940 Born in Battle Creek, MI (US)
Lives and works in Davies, CA (US)
External links:
| | Public exhibitions (Selection) 34 
Solo shows 2
2005
| |
| Stephen Kaltenbach - Konrad Fischer Galerie - Düsseldorf, Dusseldorf |
1967
| |
| Arts of San Francisco: Stephen Kaltenbach - San Francisco Museum of Modern Art - SFMOMA, San Francisco, CA |
Group shows 32
2012
| |
| Materializing "Six Years": Lucy R. Lippard and the Emergence of Conceptual Art - Brooklyn Museum of Art, New York City, NY |
2011
| |
| Contemporary Drawings from the Irving Stenn Jr. Collection - The Art Institute of Chicago, Chicago, IL |
 |
| Under the Big Black Sun: California Art 1974-1981 - The Geffen Contemporary at MOCA, Los Angeles, CA |
| |
| Rituals Of The Art World - Ludlow 38, New York City, NY |
| |
| Meisterwerke der multiplizierten Kunst - Galerie Philipp Konzett, Vienna |
| |
| Sculpture In So Many Words: Text Pieces 1960-75 - ZieherSmith, New York City, NY |
| |
| a box is a box is a box - Florence Loewy, Paris |
2010
| |
| Quid Pro Quo - Andrew Kreps Gallery, New York City, NY |
| |
| Joint Dialogue - Overduin and Kite, Los Angeles, CA |
2009
| |
| We interrupt this program - Mercer Union - A Centre For Contemporary Visual Art, Toronto, ON |
 |
| 1969 - MoMA PS1, New York City, NY |
| |
| The Quick and the Dead - Walker Art Center, Minneapolis, MN |
| |
| Group Show - Jack Hanley Gallery - New York, New York City, NY |
2008
| |
| Nature, space and time - recent acquisitions - Kröller-Müller Museum, Otterlo |
 |
| The Title Of This Show Is A List That Include... - Galerie Jan Mot, Brussels |
2006
 |
| busy going crazy. the Sylvio Perlstein collection - La Maison Rouge, Paris |
| |
| The Subverted Object - Ubu Gallery, New York City, NY |
| |
| Nineteen Sixty-Eight - Thomas Solomon Gallery, Los Angeles, CA |
 |
| Galerie mit Bleistift Fischer - Papierarbeiten aus den 60er und 70er Jahren - Konrad Fischer Galerie - Düsseldorf, Dusseldorf |
| |
| The Backroom: Sf - SF Camerawork, San Francisco, CA |
| |
| the backroom - - New Langton Arts, San Francisco, CA (closed, 2009) |
2004
 |
| kurze Karrieren - Museum Moderner Kunst Stiftung Ludwig - MUMOK , Vienna |
| |
| Humor, Irony and Wit - Ceramic Funk from the Sixties and Beyond - ASU Art Museum - Arizona State University Art Museum, Tempe, AZ |
2001
| |
| Art Express, art minimal et conceptuel, état d’une collection - Mamco - musée d´art moderne et contemporain, Geneva |
1997
| |
| And then there were none - Meyer Riegger Karlsruhe, Karlsruhe |
1996
| |
| The Subverted Object - Ubu Gallery, New York City, NY |
1995
| |
| 1965-1975: Reconsidering The Object Of Art - The Geffen Contemporary at MOCA, Los Angeles, CA |
1974
| |
| Multiples. Ein Versuch, die Entwicklung des Auflagenobjekts darzustellen - NBK - Neuer Berliner Kunstverein, Berlin |
1970
| |
| Conceptual Art and Conceptual Aspects - - New York Cultural Center, New York City, NY (closed, 1975) |
1969
| |
| When Attitudes Become Form - ICA - Institute of Contemporary Arts London, London (England) |
| |
| When Attitudes become Form - Museen Haus Lange / Haus Esters, Krefeld |
| |
| When Attitudes Become Form - Kunsthalle Bern, Bern |
Dealer Directory 2 |
Germany
| | Konrad Fischer Galerie - Düsseldorf, Dusseldorf
|
USA
| | Lawrence Markey, San Antonio, TX
|
Collections 4

USA
| | The Richard L. Nelson Gallery & The Fine Arts Collection, Davis, CA
|
| | MOCA Grand Avenue, Los Angeles, CA
|
| | Crocker Art Museum, Sacramento, CA
|
| | San Francisco Museum of Modern Art - SFMOMA, San Francisco, CA
|
Catalogs
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