 Artist's arttributes:
|
| • |
Artist group |
| • |
Performance, Sound Art |
Most exhibitions in: |
| Country |
№ |
| USA | 8 |
| United Kingdom | 7 |
| Austria | 4 |
| Germany | 4 |
| Poland | 3 |
Biography: 
Current and recent members of Ultra-red include:
Elizabeth Blaney joined Ultra-red in 1997
Manuela Bojadzijev
Pablo Garcia has been a member of Ultra-red since 1999
Janna Graham first collaborated on the Ultra-red project ARTICLES OF INCORPORATION at Art Metropole, Toronto in 2005
Taisha Paggett has an MFA in choreography from UCLA and a BA in Art History from UC Santa Cruz. She joined Ultra-red in 2006
Elliot Perkins
Dont Rhine co-founded Ultra-red in 1994
Robert Sember joined Ultra-red for SILENT|LISTEN in 2005
Leonardo Vilchis began working with Ultra-red in 1997 with STRUCTURAL ADJUSTMENTS
External links: | | Public exhibitions (Selection) 37
until 30.6.
Solo shows 9
2013
| |
| Ultra-red - Re:assembly - Serpentine Gallery, London (England) |
2010
 |
| Vogue-ology - The Vera List Center for Arts and Politics, New York City, NY |
| |
| The Middlesbrough Session - Middlesbrough Institute of Modern Art - MIMA, Middlesbrough (England) |
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| Untitled (for seven solo voices) - IMO, Copenhagen |
2009
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| Dub Curriculum - Outpost, Norwich (England) |
2008
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| Silent Listen - The KwaZulu Natal Society of Arts (KZNSA), Durban |
2007
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| LAxART SOUND: Ultra-red - Laxart, Los Angeles, CA |
2006
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| Present Tense - Ultra-red - Art Gallery of Ontario, Toronto, ON |
| |
| Ultra-Red - Encuentro - LACE - Los Angeles Contemporary Exhibitions, Los Angeles, CA |
Group shows 27
2012
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| Absolute Democracy - Rotor - association for contemporary art, Graz |
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| Sounds like Silence (Cage – 4'33'' – Stille / 1912 – 1952 – 2012) - HMKV - Hartware MedienKunstVerein, Dortmund |
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| Disobedience Archive (The Parliament) - Bildmuseet, Umeå |
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| On the Edgware Road - Serpentine Gallery, London (England) |
2011
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| Abstract Possible: The Tamayo Take - Museo Tamayo, Mexico City |
2010
| |
| Best Laid Plans - The Drawing Room, London (England) |
|
| Mediation Biennale 2010 - Mediations Biennale, Poznan |
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| Dead Fingers Talk: The Tape Experiments of William S. Burroughs - IMT Gallery, London (England) |
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| Art Always Has Its Consequences - ms2 – Muzeum Sztuki Lodz, Lodz |
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| Art Always Has Its Consequences - ms - Muzeum Sztuki Lodz, Lodz |
2009
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| Learn to Read Art: A History of Printed Matter - MoMA PS1, New York City, NY |
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| Curator Curator #5. After All, Everything Is Different In The End - HISK - Higher Institute for Fine Arts , Gent |
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| See this Sound. Versprechungen von Bild und Ton - Lentos Kunstmuseum Linz, Linz |
 |
| Thomas Bayrle, Ann Lislegaard, and Ultra-red - Raven Row, London (England) |
2008
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| Make Art/Stop AIDS - Fowler Museum at UCLA, Los Angeles, CA |
2007
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| Project Lab: Sound Oasis - UAM - University Art Museum, Long Beach, CA |
2006
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| Ear Appeal - WUK - Kunsthalle Exnergasse, Vienna |
2005
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| Projekt Migartion - Kölnischer Kunstverein, Cologne |
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| Prague Biennale 2 - Prague Biennale, Prague |
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| Art-Chitecture of Change - Isola Art Center, Milan |
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| The Lateral Slip - UCR Sweeney Art Gallery, Riverside, CA |
2002
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| Democracy When? - LACE - Los Angeles Contemporary Exhibitions, Los Angeles, CA |
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| Frequenzen Hz - Audiovisuelle Räume - Schirn Kunsthalle, Frankfurt/Main |
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| Die Gewalt ist der Rand aller Dinge - Generali Foundation, Vienna |
2001
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| (untitled) 654321 - Kunsthallen Brandts, Odense |
Catalogs
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