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 Most exhibitions in: |
| Country |
№ |
| USA | 59 |
| Netherlands | 29 |
| Germany | 23 |
| Switzerland | 14 |
| Japan | 13 |
| Most exhibitions held at: |
| Institution |
№ |
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Van Gogh Museum, Netherlands |
20 |
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Foundation Beyeler, Switzerland |
6 |
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Kunstverein in Hamburg, Germany |
6 |
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MFAH - Museum of Fine Arts Houston, USA |
5 |
| |
MoMA - Museum of Modern Art, USA |
5 |
Biography: 
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Self-Portrait with Pipe and Straw Hat, Amsterdam, Van Gogh Museum. Photo: www.vangoghgallery.com
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30.3.1853 Born in Zundert (NL)
to Theodorus van Gogh (1822-1885) and Anna Cornelia born Carbentus (1819-1907).
1857 Vincent's brother, Theo, is born on 1 May.
1862 While still living in Zundert, Vincent attempts his first drawings.
1864 Vincent begins schooling in Zevenbergen and studies French, English and German.
1869 After finishing his schooling, Vincent is apprenticed to Goupil & Cie, art dealers from Paris with a branch established in The Hague by his uncle Vincent (Uncle "Cent"). Vincent makes frequent visits to the museums of The Hague.
1872 Vincent spends a good deal of time with his brother, Theo. They begin a lifelong correspondence which today offers the best means of studying Vincent's opinions, feelings and state of mind.
1873 Vincent is transferred to the London branch of Goupil & Cie. He visits the museums and galleries and expands his knowledge of art. Vincent stays in a boarding house run by Mrs. Ursula Loyer. For decades it's been thought that Vincent was in love with Mrs. Loyer's, daughter, Eugenie. Recent evidence, however, suggests that Vincent was, in fact, in love with Caroline Haanebeek--a friend of the Van Gogh family living back in The Netherlands. Vincent's feelings are unreciprocated.
1874 Vincent shows little interest in his position at Goupil & Cie and eventually transferred to the Paris branch. By the end of the year, however, he returns to London.
1875 Vincent's performance at Goupil & Cie deteriorates while, at the same time, his devotion to his bible studies reach an obsessive level.
1876 After resigning his position in the early spring, Vincent journeys to Ramsgate, England where he takes a post at a small boarding school. Later in the year Vincent takes a new job as a teacher and curate with Reverend T. Slade Jones, a Methodist minister. On October 29 Vincent delivers his first Sunday sermon. As Vincent's religious fervour increase, his physical and mental state take a downturn.
1877 Vincent leaves England and takes a temporary job in a bookshop in Dordrecht. As with his Goupil & Cie position, Vincent shows little interest and behaves abrasively toward his colleagues and clients. Vincent then pursues religious studies in Amsterdam.
1878 Vincent's formal religious studies come to an end, but, determined to pursue a religious vocation, Vincent travels to the Borinage, a coal-mining district in Belgium. The conditions for both Vincent and the miners is extremely bad (look to some of Vincent's etchings from the period for an idea as to the bleakness and oppressively dismal atmosphere). Vincent reads from the bible to the miners and lives in complete poverty.
1879 His work at the Borinage continues. Vincent devotes all of his energy toward helping the miners--giving them clothes and food he can ill afford himself. His religious enthusiasm and drive to help the impoverished miners eventually attracts the attention of his superiors who feel that Vincent's behaviour is too extreme. Vincent is soon relieved of his position in the Borinage and subsequently suffers depression at what he perceives to be a failed effort.
Vincent then moves on to Cuesmes to continue similar work helping the miners. It is at this time, however, that his religious devotion begins to wane and his interest in painting is renewed.
1880 A turning point in Vincent's life. Vincent abandons his religious pursuits and devotes himself exclusively to painting the miners and poverty-stricken weavers. Theo begins to financially support Vincent, a situation that would continue until the end of Vincent's life. Later in the year, Vincent undertakes some formal studies of anatomy and perspective at the Academy in Brussels.
1881 Vincent visits Theo in Etten and, later in the year, has his advances rejected by his cousin Cornelia Adriana Vos-Stricker (known as Kee). Vincent is devastated by this rejection, but throughout the period also follows his artistic pursuits. He spends time with the painter, Anton Mauve (1838-1888) who first introduces Vincent to watercolors. The situation with Kee causes Vincent's mental state to once again deteriorate and his relationship with his father also begins to crumble.
1882 Vincent meets Clasina Maria Hoornik (known as Sien) and they move in together. Sien is a prostitute with a five year old daughter and is pregnant with another child. While continuing his studies and painting with some acquaintances (painters Jan Hendrik Weissenbruch and George Hendrik Breitner), Vincent's physical state again deteriorates and he is hospitalized for three weeks for gonorrhoea. Upon his release Vincent begins to experiment with oils and spends much time painting nature as well as using Sien and her newborn child as models.
1883 After more than a year together, Vincent ends his relationship with Sien and pursues a life devoted exclusively to his work. He travels to Drenthe in northern Holland and paints the bleak landscape as well as the peasant workers. Later in the year, Vincent moves to Nuenen to stay with his parents. He sets up a small studio to work and continues to rely on Theo for support.
1884 While continuing with his work, Vincent begins a relationship with a neighbour's daughter, Margot Begemann. Both families are opposed to their plan to marry and, in despair, Margot attempts to poison herself. Vincent is extremely distressed as this relationship ends, but continues his work and strikes up a friendship with Anton C. Kerssemakers (1846-1926), a tanner and art enthusiast. They spend much time together, discussing art and visiting museums.
1885 After the death of his father in March, Vincent continues with his work and, in early spring, paints what many consider to be his first great work, The Potato Eaters. Vincent expands his experiments to include a greater variety of colours and becomes extremely interested in Japanese woodcuts.
1886 Wishing to continue with some more formal education in the arts, Vincent submits some of his works to the Antwerp Academy and is put in a beginner's class. As expected, Vincent doesn't fit in well with the Academy and leaves. Later in the year Vincent moves to Paris and lives with Theo.
After arriving in Paris Vincent begins studies with Cormon (1845-1924) at his atelier. It is not so much the training that influences Vincent, but rather his introduction to his fellow students: John Russell (1858-1931), Henri de Toulouse-Lautrec (1864-1901) and Emile Bernard (1868-1941). Later in the year, Theo, who is working for Boussod & Valadon managing an art gallery in Montmartre, introduces Vincent to the works of the Impressionists: Claude Monet, Pierre-August Renoir, Camille Pissarro, Edgar Degas and Georges Seurat. Their work has a profound influence on Vincent and his use of colour. Later in the year, Vincent becomes friends with painter, Paul Gauguin, a turbulent relationship that would later prove to be another turning point in Vincent's (and Gauguin's) life.
1887 Throughout the year, Vincent continues his work in Paris. He frequents cafes with other painters and argues about art with Bernard and Gauguin. Over the course of the year, Vincent experiments with some different styles, including Japonaiseries and pointillism.
1888 A pivotal point in Van Gogh's life. Vincent leaves Paris in February and moves to Arles in the south. At first the bad, winter weather prevents Vincent from working, but once spring arrives Vincent begins painting the flowering Provence landscapes. Vincent eventually moves into the "Yellow House", a dwelling he has rented where he will paint, and from which he hopes to establish an artists' community. Vincent is extremely productive during this period when he paints a number of seaside landscapes (in Saintes-Maries-de-la-Mer) as well as many of his most famous portraits (including his series of the postman, Joseph Roulin, and his family).
Throughout the year, Vincent continues to paint some of his best work. He anxiously awaits the arrival of his friend, Paul Gauguin, who he dreams of helping him to set up the artists' community. Gauguin finally arrives in October and moves in with Vincent in his "Yellow House" This proves to be an extremely rewarding and productive time for Vincent and Gauguin, though a tense and often turbulent one in which they would endlessly argue about art. As the weather worsens, so too does their relationship, which is finally destroyed on 23 December when Vincent is supposed to have attacked Gauguin with a razor. Immediately after the failed attack, Vincent loses all reason and cuts off his left earlobe. He then wraps it in newspaper and presents it to a prostitute at the local brothel he frequented. He is then hospitalized and shortly afterward Theo arrives from Paris to make arrangements for Vincent's care.
1889 Vincent begins to improve in the new year and leaves the hospital in Arles on 7 January. During the early part of the year, Vincent's mental state fluctuates wildly. At times he is completely calm and coherent; at others he suffers from hallucinations and delusions. Vincent continues to work sporadically from his "Yellow House", but the increasing frequency of his mental breakdowns prompt him, with Theo's help, to enter the Saint Paul-de-Mausole mental asylum at Saint-R�my-de-Provence.
The year progresses with varying recoveries and lapses in Vincent's mental state. When able, Vincent continues his paintings of landscapes (his famous series of olive groves and cypresses) from the asylum, but is forced to stop when his attacks (in which he tries to poison himself by swallowing his own paints) return. Since these attacks often occur while Vincent is outdoors, he confines himself indoors and begins to do a series paintings based on the works of other artists he admires (specifically Millet and Delacroix).
Ironically, as Vincent's mental state steadily deteriorates throughout the course of the year, his work is finally beginning to receive recognition in the art community. His Starry Night over the Rhone and Irises are exhibited at the Salon des Ind�pendants in September and in November he is invited to exhibit six of his works by Octave Maus (1856-1919), secretary of the Belgian artist group, Les XX.
Vincent begins to work out of doors once again, but the year concludes with one of his worst attacks, in which he again tries to poison himself, and he is once more incapacitated.
1890 1890 begins much like the previous year with Vincent making various recoveries and breakdowns. As before, he continues to work when he can and, as his life draws to a close, his works gain more and more recognition. On 31 January Theo's wife, Jo, gives birth to a son who they name Vincent Willem. After a serious attack in February lasting two months, it's decided that Vincent should move closer to Theo and be put under the care of Dr. Paul Gachet. Vincent takes a drastic turn for the better during the course of this move and arrives in Paris looking fit and well (in fact, even more fit than his brother who had been suffering from ill health for years). In May Vincent moves to Auvers-sur-Oise, just north-west of Paris and, while under the care of Dr. Gachet, begins to paint with incredible energy, producing more than 80 paintings in the last two months remaining to him.
June: Vincent continues to produce some of his best work and his mental and physical health improve drastically. Dr. Gachet feels that Vincent has made a complete recovery, and Vincent spends a great deal of time with Theo, Jo and his new nephew. To many, it would appear that Vincent was finally happy.
July: As conditions for Vincent improved, they took a turn for the worse for Theo, who was experiencing financial difficulties and who was troubled at his new son's ill health. Vincent visits Theo on 6 July and is devastated at the state of Theo's condition. Vincent continues to work in the weeks to follow, but his mental state finally plummets, perhaps owing to his regarding himself as a burden to Theo and his family and for being responsible for their poor financial state and troubles. On 27 July Vincent goes for a walk and shoots himself in the chest with a pistol. He manages to stagger home late in the evening, but tells no one of his condition. The wounded Vincent is eventually found in his lodgings and a doctor is summoned. The bullet cannot be removed and Theo is called for.
Vincent's last hours are much like the last two years of his life--varying from complete mental anguish to seeming contentment. After attempting suicide, Vincent spends the little time he has left sitting up in bed and smoking a pipe, all the while with Theo at his side. Near the end, Theo climbs into bed with Vincent and cradles his head in his arms. Vincent says: "I wish I could pass away like this."
Vincent dies early the next morning on 29 July. The funeral takes place shortly thereafter and his coffin is covered with dozens of sunflowers, which he loved so much.
1891 Theo never recovers from the death of his beloved brother and his health takes a turn for the worse. He dies on 25 January at Utrecht.
1914 Theo's body is exhumed and he is buried in a grave next to Vincent in Auvers-sur-Oise.
1960 The Vincent van Gogh Foundation is created, with a board consisting of V.W. van Gogh, his second wife, and his three children, and an official representing the Dutch government. The Foundation was established to preserve those works of Vincent van Gogh which were part of the family holdings and to eventually house them in a museum built specifically for the vast collection.
1962 The Vincent van Gogh Foundation purchases the collection of art works from V.W. van Gogh with the full cooperation and agreement of the Van Gogh family. The Dutch parliament passed a bill approving the proposal and on 21 July the official agreement was signed between the state and the Vincent van Gogh Foundation.
1973 The Van Gogh Museum is opened on June 2. The museum holds hundreds of Vincent's works as well as a huge archive containing letters and documents.
1990 30 March - 29 July: On the centenary of Vincent's death, The Van Gogh Museum mounts a retrospective exhibit including more than 120 paintings.
15 May: Vincent van Gogh only sold one painting, The Red Vineyard, but on this date The Portrait of Dr. Gachet is sold in auction at Christie's for $82.5 million, the highest price ever paid for a painting.
14 November: Vincent's pen-and-ink rendering, Garden with Flowers sells in a Christie's auction for $8.36 million, making it the highest price ever paid for a drawing.
1990 - the present
Countless works continue to be published about Vincent van Gogh, and the new technologies such as the World Wide Web and interactive CD-ROMs bring the story of Vincent's life and works to a new generation of enthusiasts.
29.7.1890 Died in Auvers-sur-Oise, Val-d´Oise (FR)
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Public exhibitions 196
from 4.12.
until 7.3.2010
until 10.1.2010
until 10.1.2010
until 22.11.
Solo shows 45
2009
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| Vincent van Gogh - Zwischen Erde und Himmel: Die Landschaften - Kunstmuseum Basel, Basel |
2008
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| Van Gogh and the Colors of the Night - MoMA - Museum of Modern Art, New York City, NY |
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| van Gogh - Albertina, Vienna |
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| Vincent van Gogh and the French still life - Van Gogh Museum, Amsterdam |
2007
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| Van Gogh in Budapest - Museum of Fine Arts - Budapest, Budapest |
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| Van Gogh : Voyage into the myth - Seoul Museum of Art (SeMA), Seoul |
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| The riddle of ‘Double Ingres’ - Kröller-Müller museum, Otterlo |
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| La Obra Invitada - Vincent van Gogh, "Campo de trigo con perdiz". - Museo de Bellas Artes de Bilbao, Bilbao |
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| Van Gogh and Britain - Scottish National Gallery of Modern Art, Edinburgh (Scotland) |
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| Van Gogh - Los últimos paisajes - Museo Thyssen-Bornemisza, Madrid |
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| Contextos - Van Gogh: "Les Vessenots" en Auvers, 1890 - Museo Thyssen-Bornemisza, Madrid |
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| Van Gogh and Expressionism - Neue Galerie New York, New York City, NY |
2006
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| Van Gogh and Britain: Pioneer Collections - Dean Gallery, Edinburgh (Scotland) |
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| Vincent Van Gogh - Art Gallery of Hamilton, Hamilton, ON |
2005
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| Looking into paintings - Van Gogh Museum, Amsterdam |
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| Vincent van Gogh - The Drawings - The Metropolitan Museum of Art, New York City, NY |
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| Van Gogh draughtsman - The masterpieces - Van Gogh Museum, Amsterdam |
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| Van Gogh in Context - NMAO National Museum of Art Osaka, Osaka |
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| Van Gogh in context - NMWA The National Museum of Western Art, Tokyo |
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| Van Gogh in Context - MOMAT The National Museum of Modern Art, Tokyo |
2004
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| Paintings fade like flowers - Van Gogh Museum, Amsterdam |
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| Van Gogh and the sea - Van Gogh Museum, Amsterdam |
2003
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| Vincent & Helene - to celebrate the 150th anniversary of Van Gogh's birth - Kröller-Müller museum, Otterlo |
2002
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| Van Gogh - Felder - Kunsthalle Bremen, Bremen |
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| Vincent van Gogh - Die Pariser Zeichnungen - Hamburger Kunsthalle, Hamburg |
2001
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| Vincent van Gogh - Drawings - Antwerp and Paris 1885-1888 - Van Gogh Museum, Amsterdam |
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| Der Sämann - Vincent van Gogh - Villa Flora Winterthur - Sammlung Hahnloser, Winterthur |
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| Van Gogh - MoMA - Museum of Modern Art, New York City, NY |
2000
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| Van Gogh - Face to Face - MFA - Museum of Fine Arts, Boston, Boston, MA |
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| Vincent van Gogh - Fondation Pierre Gianadda, Martigny |
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| Vincent van Gogh - Reflections - Japan and Japonism - Van Gogh Museum, Amsterdam |
1999
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| Dossier Van Gogh: I ritratti di Saint Rémy - Galleria Nazionale d'Arte Moderna, Rome |
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| Vincent van Gogh-from the Kröller-Müller Museum - Bunkamura, Tokyo |
1992
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| Vincent Van Gogh and Japan - Setagaya Art Museum, Tokyo |
1988
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| Van Gogh in Paris - Musée d´Orsay, Paris |
1977
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| Vincent Van Gogh - Aichi Prefectural Museum of Art, Nagoya |
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| Vincent Van Gogh - MOMAK National Museum of Modern Art Kyoto, Kyoto |
1976
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| van Gogh-teckningar i faksimil - Göteborgs Konstmuseum, Göteborg |
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| Vincent Van Gogh - NMWA The National Museum of Western Art, Tokyo |
1968
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| Vincent van Gogh: Drawings, Watercolors - National Gallery of Canada - Musée des beaux-arts du Canada, Ottawa, ON |
1961
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| Vincent van Gogh: Paintings, Drawings - National Gallery of Canada - Musée des beaux-arts du Canada, Ottawa, ON |
1937
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| Vincent van Gogh - MoMA - Museum of Modern Art, New York City, NY |
1935
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| Vincent van Gogh - MoMA - Museum of Modern Art, New York City, NY |
1930
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| Vincent Van Gogh : Acquarelle und Zeichnungen - Kunstverein in Hamburg, Hamburg |
1929
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| Vincent Van Gogh Sammlung Kröller im Haag - Kunstverein in Hamburg, Hamburg |
Group shows 146
2009
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| Impressionist and Modern Masters: Nature and Light - Palm Springs Art Museum, Palm Springs, CA |
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| Turner to Cezanne - Masterpieces from the Davies Collection, National Museum Wales - Columbia Museum of Art, Columbia, SC |
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| Paul Gauguin, La Vision du sermon, l'invention du synthétisme - Musée des Beaux-Arts de Quimper, Quimper |
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| Becoming Edvard Munch: Influence, Anxiety, and Myth - The Art Institute of Chicago, Chicago, IL |
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| Monet, Renoir, Van Gogh, Gauguin - Impressionists And Postimpressionists In The Israel Museum, Jerusalem - ARKEN Museum for Moderne Kunst, Copenhagen |
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| Raphael to Renoir: Drawings from the Collection of Jean Bonna - The Metropolitan Museum of Art, New York City, NY |
2008
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| Monet to Dalí: Modern Masters from the Cleveland Museum of Art - The Detroit Institute of Arts, Detroit, MI |
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| Anton Mauve and Vincent van Gogh: the master and his pupil - Van Gogh Museum, Amsterdam |
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| Synesthesia: Art and the Mind - McMaster Museum of Art, Hamilton, ON |
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| From Manet to Miró: Modern Drawings from the Abello Collection - Meadows Museum, Dallas, TX |
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| Escritos de artistas - Museu Serralves - Museu de Arte Contemporânea, Porto |
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| Monet to Picasso from the Cleveland Museum of Art - Utah Museum of Fine Arts, Salt Lake City, UT |
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| Art in the Age of Steam - Walker Art Gallery, Liverpool (England) |
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| Turner to Monet - National Gallery of Australia, Canberra, ACT |
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| Monet to Dalí - Frist Center for the Visual Arts, Nashville, TN |
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| From Russia: French and Russian Master Paintings 1870–1925 from Moscow and St Petersburg - Royal Academy of Arts, London (England) |
2007
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| All for Art! Our Great Private Collectors Share Their Works - The Montreal Museum of Fine Arts - Musée des beaux-arts de Montréal, Montreal, QC |
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| Maestros Modernos del Dibujo - Museo Thyssen-Bornemisza, Madrid |
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| Impressionist and Modern Masters from The Cleveland Museum of Art - The Cleveland Museum of Art, Cleveland, OH |
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| Paula Modersohn-Becker und die Kunst in Paris um 1900 - Kunsthalle Bremen, Bremen |
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| La Abstraction del Paisaje - Fundación Juan March, Madrid |
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| Wien-Paris - Van Gogh, Cézanne und Österreichs Moderne - Österreichische Galerie Belvedere, Vienna |
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| Monet and French Landscape Traveling to France with Artists - Pola Museum of Art, Kanagawa |
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| Entre Picasso y Dubuffet. La Colección Jean Planque - Museo de Bellas Artes de Bilbao, Bilbao |
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| Bonjour Russland - Französische und Russische Meisterwerke von 1870–1925 - Stiftung Museum Kunst Palast, Dusseldorf |
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| Die andere Sammlung. Hommage an Hildy und Ernst Beyeler - Foundation Beyeler, Riehen |
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| Modern Masters from the Guggenheim Collection - - Guggenheim Hermitage Museum, Las Vegas, NV (closed) |
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| Defining Modernity: European Drawings, 1800–1900 - The Getty Center, Los Angeles, CA |
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| Monet to Dalí - Modern Masters from the Cleveland Museum of Art - Vancouver Art Gallery, Vancouver, BC |
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| Manet to Matisse - The Nelson-Atkins Museum of Art, Kansas City, MO |
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| Dutch Dialogues - Sterling and Francine Clark Art Institute - The Clark, Williamstown, MA |
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| Französische Meisterwerke des 19. Jahrhunderts aus der Sammlung des Metropolitan Museum of Art New York zu Gast in Berli - Neue Nationalgalerie, Berlin |
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| 100 Jahre Kunsthalle Mannheim - Städtische Kunsthalle Mannheim, Mannheim |
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| Gärten: Inspiration, Ordnung, Glück - Städtische Galerie im Lenbachhaus & Kunstbau, Munich |
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| Tierschau - Wie unser Bild vom Tier entstand - Wallraf-Richartz-Museum & Fondation Corboud, Cologne |
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| The Masterpieces of French Painting from the Metropolitan Museum of Art - MFAH - Museum of Fine Arts Houston, Houston, TX |
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| Matisse, Picasso and the School of Paris - Frist Center for the Visual Arts, Nashville, TN |
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| Japan - Meiji-Kunst der Sammlung Khalili und Japonismus von Van Gogh bis Schiele - Kunsthalle Krems, Krems |
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| The Language of Flowers - Nationalmuseum, Stockholm |
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| El espejo y la máscara. El retrato en el siglo de Picasso - Museo Thyssen-Bornemisza, Madrid |
2006
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| Grandes Maestros de la Pintura Europea del Metropolitan Museum of Art de Nueva York - MNAC Museu Nacional d'Art de Catalunya, Barcelona |
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| Vincent van Gogh and Expressionism - Van Gogh Museum, Amsterdam |
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| Van Gogh - Sheaves of Wheat - Dallas Museum of Art, Dallas, TX |
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| Among Picasso and Dubuffet - Palazzo Bricherasio, Turin |
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| Ensor and the avantgardes by the sea - Museum Voor Moderne Kunst (PMMK), Oostende |
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| Von Monet bis Mondrian - Galerie Neue Meister, Dresden |
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| Cézanne to Picasso. Ambroise Vollard, Patron of the Avant-Garde - The Metropolitan Museum of Art, New York City, NY |
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| Körper, Gesicht und Seele; Vom 16. bis zum 21. Jahrhundert - Leopold Museum, Vienna |
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| The Renoir Returns - A Celebration of Masterworks at The Phillips Collection - The Phillips Collection, Washington, DC |
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| Chefs-d'oeuvre du musée d'Orsay - Musée d´Orsay, Paris |
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| Van Gogh and Rembrandt - Van Gogh Museum, Amsterdam |
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| 100 Jahre Brücke - Kunsthalle der Hypo-Kulturstiftung, Munich |
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| On View - Stellar Works from the Collection - Albright-Knox Art Gallery, Buffalo, NY |
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| Self Portrait Renaissance to Contemporary - Art Gallery of New South Wales, Sydney, NSW |
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| Melancholie - Genie und Wahnsinn in der Kunst - Neue Nationalgalerie, Berlin |
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| Fest der Farbe; Die Sammlung Merzbacher-Mayer - Kunsthaus Zürich, Zurich |
2005
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| Van Gogh's park view and other works from the Noro Foundation - Van Gogh Museum, Amsterdam |
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| Mélancolie - Galeries nationales du Grand Palais, Paris |
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| Fierce friends - Van Gogh Museum, Amsterdam |
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| Impressionisten aus dem Pariser Musée d'Orsay - Leopold Museum, Vienna |
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| Right under the Sun - The Montreal Museum of Fine Arts - Musée des beaux-arts de Montréal, Montreal, QC |
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| The Phillips Collection - Washington - MART- Museo d'Arte Moderna e Contemporanea di Trento e Rovereto, Rovereto |
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| Unknown Story of Modern Art - Hiroshima Museum of Art, Hiroshima |
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| van Gogh bis Beuys - Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, Bonn |
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| The splendid palette - Frist Center for the Visual Arts, Nashville, TN |
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| Dromen van Dordrecht - Dordrechts Museum, Dordrecht |
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| Msterworks from the MFA Boston: celebrating the human form in art - Nagoya - Boston Museum of Fine Arts, Nagoya |
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| Le Néo-impressionnisme, de Seurat ŕ Paul Klee - Musée d´Orsay, Paris |
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| Pastels from the Stedelijk Museum - Van Gogh Museum, Amsterdam |
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| Leporello, Een reis door de collectie - Stedelijk Museum Amsterdam, Amsterdam |
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| The Triton Collection - Gemeentemuseum Den Haag, The Hague |
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| Blumenmythos - Van Gogh bis Jeff Koons - Foundation Beyeler, Riehen |
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| Masterworks from The Phillips Collection - The Cleveland Museum of Art, Cleveland, OH |
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| Figure & Ground - Works on Paper by Dutch Masters - Crawford Municipal Art Gallery, Cork |
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| De Cézanne ŕ Dubuffet - La collection Jean Planque - Musée d'Ixelles - Museum van Elsene, Brussels |
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| Von Delacroix bis Bonnard – Sammlung Wolfer - Kunstmuseum Winterthur, Winterthur |
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| Reflections and Shadows. Impressionism and Nineteenth Century Style - The Wadsworth Atheneum Museum of Art, Hartford, CT |
2004
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| What's New? - Annet Gelink Gallery, Amsterdam |
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| L'Art Nouveau - The Bing empire - Van Gogh Museum, Amsterdam |
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| Renoir to Matisse - The Eye of Duncan Phillips - Los Angeles County Museum of Art - LACMA, Los Angeles, CA |
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| The Wynn Collection - Nevada Museum of Art NMA, Reno, NV |
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| The Flower as Image - Louisiana Museum of Modern Art, Humlebćk |
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| Folkwang in München - Museum Folkwang Essen, Essen |
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| Helenes Favourites - Kröller-Müller museum, Otterlo |
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| The Impressionists - Masterpieces from the Musée d’Orsay - NGV National Gallery of Victoria, Melbourne, VIC |
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| Van Gogh to Mondrian - Modern Art from the Kröller-Müller Museum - Seattle Art Museum, Seattle, WA |
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| Masterpieces from the National Museum in Belgrade - Gemeentemuseum Den Haag, The Hague |
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| Delacroix to Munch: 19C Visions - Nagoya - Boston Museum of Fine Arts, Nagoya |
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| Van Gogh and Gauguin - An Artistic Dialogue in the South of France - Virginia Museum of Fine Arts, Richmond, VA |
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| Das MoMA in Berlin. Meisterwerke aus dem Museum of Modern Art, New York - Neue Nationalgalerie, Berlin |
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| Francis Bacon and the Tradition of Art - Foundation Beyeler, Riehen |
2003
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| X-rayed! - The recycling of paintings - Van Gogh Museum, Amsterdam |
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| Presentation new acquisition - Van Gogh Museum, Amsterdam |
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| A Century of Painting - From Renior to Rothko - - Guggenheim Hermitage Museum, Las Vegas, NV (closed) |
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| Passion for Art: 100 Treasures 100 Years - Dallas Museum of Art, Dallas, TX |
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| The Heroic Century: The Museum of Modern Art Masterpieces, 200 Paintings & Sculp - MFAH - Museum of Fine Arts Houston, Houston, TX |
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| Van Gogh, Millet and the Barbizon Artists - Hiroshima Museum of Art, Hiroshima |
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| Old Masters, Impressionists & Moderns: French Masterworks fr. Pushkin Museum - Los Angeles County Museum of Art - LACMA, Los Angeles, CA |
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| Vincent van Gogh and the contemporary art - Van Gogh Museum, Amsterdam |
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| Masterworks from The Phillips Collection - Albright-Knox Art Gallery, Buffalo, NY |
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| Paris in the Age of Impressionism: Masterworks from the Musée d´Orsay - MFAH - Museum of Fine Arts Houston, Houston, TX |
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| EXPRESSIV! - Foundation Beyeler, Riehen |
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| Vincent's choice - The Musée imaginaire of Van Gogh - Van Gogh Museum, Amsterdam |
|
| Drinks by - the Beer, Wine and Other Alcohol Art Archive - Matthieu Laurette - ICA - Institute of Contemporary Arts London, London (England) |
| |
| Masterworks from El Greco to Picasso in The Phillips Collection - Phoenix Art Museum, Phoenix, AZ |
2002
|
| Impressions of Light: The French Landscape from Corot to Monet - MFA - Museum of Fine Arts, Boston, Boston, MA |
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| Old Masters, Impressionists & Moderns: French Masterworks fr. Pushkin Museum - MFAH - Museum of Fine Arts Houston, Houston, TX |
| |
| Millet to Matisse - Speed Art Museum, Louisville, KY |
|
| Masterworks from El Greco to Picasso in The Phillips Collection - MFAH - Museum of Fine Arts Houston, Houston, TX |
| |
| Meisterwerke aus der Sammlung des Kunstmuseums Solothurn - Kunstmuseum Solothurn, Solothurn |
| |
| Art through the ages - - Guggenheim Hermitage Museum, Las Vegas, NV (closed) |
|
| Die Geburt der Moderne: Von der Schule von Barbizon bis zum Konstruktivismus Meisterwerke aus dem Nationalmuseum Belgrad - Wien Museum Karlsplatz, Vienna |
| |
| Impressionist Still Life - MFA - Museum of Fine Arts, Boston, Boston, MA |
|
| Van Gogh & Gauguin - Van Gogh Museum, Amsterdam |
| |
| Melting snow - Kröller-Müller museum, Otterlo |
2001
| |
| The Kindness of Friends - A Selection of Gifts of Drawings and Prints, 1919–200 - Los Angeles County Museum of Art - LACMA, Los Angeles, CA |
| |
| The Triumph of French Painting - Masterpieces from Ingres to Matisse - Albright-Knox Art Gallery, Buffalo, NY |
| |
| European 19th- and 20th-Century Paintin - The State Hermitage Museum, St. Petersburg |
|
| Bilderschatz - The Best of Kunsthaus - Kunsthaus Zürich, Zurich |
| |
| Van Gogh and Gaugiun - The Studio of the South - The Art Institute of Chicago, Chicago, IL |
| |
| Masterpieces and Master Collectors - - Guggenheim Hermitage Museum, Las Vegas, NV (closed) |
| |
| Vincent van Gogh und die Maler des Petit Boulevard - Städel Museum, Frankfurt/Main |
| |
| De Caspar David Friedrich a Picasso (Obras maestras sobre papel del Museo Von He - Museu d´Art Espanyol Contemporani (Fundación Juan March), Palma de Mallorca |
| |
| The triumph of french painting - The Dayton Art Institute, Dayton, OH |
| |
| The Global Guggenheim - Selections from the Extended Collection - Solomon R. Guggenheim Museum, New York City, NY |
| |
| De Caspar David Friedrich a Picasso - Fundación Juan March, Madrid |
2000
| |
| Monet, Renoir and the Impressionist Landscape - Virginia Museum of Fine Arts, Richmond, VA |
| |
| Van Gogh to Mondrian - Dutch Works on Paper - MFA - Museum of Fine Arts, Boston, Boston, MA |
|
| Farbe > Licht - Foundation Beyeler, Riehen |
1999
| |
| Cézanne to Van Gogh. The collection of Dr. Gachet - Van Gogh Museum, Amsterdam |
| |
| La joie de vivre - Beck & Eggeling International Fine Art, Dusseldorf |
| |
| Classics of Modern Art - Museum of Contemporary Art - Basil & Elise Goulandris Foundation, Hora, Andros |
| |
| Do impresionismo ao Fauvismo. Colección Carmen Thyssen-Bornemisza - CGAC - Centro Galego de Arte Contemporánea, Santiago de Compostela |
| |
| Impressionism. Paintings collected by European museums - The High Museum of Art, Atlanta, GA |
1998
| |
| Magie der Bäume - Foundation Beyeler, Riehen |
| |
| Master Drawings - Worcester Art Museum, Worcester, MA |
|
| Exhibition of the century - Wellington City Gallery, Wellington |
1996
| |
| Masterpieces from the Guggenheim Museu - Singapore Art Museum, Singapore |
1964
| |
| documenta 3 - Documenta, Kassel |
1963
| |
| W4egbereiter der modernen Malerei - Kunstverein in Hamburg, Hamburg |
1933
| |
| Gemäldeausstellung alter Meister - Kunstverein in Hamburg, Hamburg |
1931
| |
| Masters of Ukio-ye and Nineteenth and Twentieth Century Western Prints - The Renaissance Society at The University of Chicago, Chicago, IL |
1930
| |
| Modern European and Antique Oriental Art - The Renaissance Society at The University of Chicago, Chicago, IL |
1929
| |
| Cézanne, Gauguin, Seurat, Van Gogh - MoMA - Museum of Modern Art, New York City, NY |
1927
| |
| Europäische Kunst der Gegenwart - Kunstverein in Hamburg, Hamburg |
1919
| |
| Französische Kunst bis 1914 - Kunstverein in Hamburg, Hamburg |
| Dealer Directory 9 |
Canada
| | Landau Fine Art Inc., Montreal, QC
|
Switzerland
United Kingdom
| | THE ANDIPA GALLERY, London (England)
|
| | Thomas Gibson Fine Art, London (England)
|
| | Richard Nagy, London (England)
|
USA
| | Acquavella Galleries, Inc., New York City, NY
|
| | Modernism Fine Arts, New York City, NY
|
| | Sophie Scheidecker Fine Art, New York City, NY
|
| | Pascal de Sarthe Fine Art, Paradise Valley, AZ
|
Public collections 80
Argentina
| | Museo Nacional de Bellas Artes - MNBA, Buenos Aires
|
Austria
Belgium
| | Royal Museums of Fine Arts of Belgium, Brussels
|
| | MAMAC Musée d´Art Moderne et Contemporain, Ličge
|
Brazil
| | Museu de Arte de Săo Paulo Assis Chateaubriand - MASP, Săo Paulo
|
Canada
| | McMaster Museum of Art, Hamilton, ON
|
| | Art Gallery of Ontario, Toronto, ON
|
Denmark
| | Ny Carlsberg Glyptotek, Copenhagen
|
Finland
| | Ateneum Art Museum, Helsinki
|
France
| | Musée Auguste Rodin - Paris, Paris
|
Germany
| | Sammlung Berggruen, Berlin
|
| | Wallraf-Richartz-Museum & Fondation Corboud, Cologne
|
| | Museum Folkwang Essen, Essen
|
| | Städel Museum, Frankfurt/Main
|
| | Pommersches Landesmuseum, Greifswald
|
| | Städtische Kunsthalle Mannheim, Mannheim
|
| | Von der Heydt Museum, Wuppertal
|
Iran
| | Tehran Museum of Contemporary Art, Tehran
|
Israel
| | The Israel Museum, Jerusalem
|
| | Tel Aviv Museum of Art, Tel Aviv
|
Italy
| | PAC - Padiglione d'Arte Contemporanea, Milan
|
| | Galleria Nazionale d'Arte Moderna, Rome
|
Japan
| | Hiroshima Museum of Art, Hiroshima
|
| | Pola Museum of Art, Kanagawa
|
| | Kasama Nichido Museum of Art, Kasama
|
| | Kita Modern Art Museum, Sakurai, Nara
|
| | Bridgestone Museum of Art, Tokyo
|
| | NMWA The National Museum of Western Art, Tokyo
|
Netherlands
| | Stedelijk Museum Amsterdam, Amsterdam
|
| | Van Gogh Museum, Amsterdam
|
| | Dordrechts Museum, Dordrecht
|
| | Groninger Museum, Groningen
|
| | Kröller-Müller museum, Otterlo
|
Russia
| | The Pushkin State Museum of Fine Arts, Moscow
|
| | The State Hermitage Museum, St. Petersburg
|
Spain
| | Museo Thyssen-Bornemisza, Madrid
|
Sweden
| | Göteborgs Konstmuseum, Göteborg
|
Switzerland
| | Fondation Pierre Gianadda, Martigny
|
| | Musée des beaux-arts de La Chaux-de-Fonds, Neuchâtel
|
| | Foundation Beyeler, Riehen
|
| | Kunstmuseum Solothurn, Solothurn
|
| | Kunstmuseum Winterthur, Winterthur
|
| | Villa Flora Winterthur - Sammlung Hahnloser, Winterthur
|
United Kingdom
| | Courtauld Institute of Art, London (England)
|
| | The National Gallery, London (England)
|
| | Tate Britain, London (England)
|
| | The New Art Gallery Walsall, Walsall, West Midlands (England)
|
USA
| | The Baltimore Museum of Art, Baltimore, MD
|
| | MFA - Museum of Fine Arts, Boston, Boston, MA
|
| | Albright-Knox Art Gallery, Buffalo, NY
|
| | The Art Institute of Chicago, Chicago, IL
|
| | Cincinnati Art Museum, Cincinnati, OH
|
| | Dallas Museum of Art, Dallas, TX
|
| | The Detroit Institute of Arts, Detroit, MI
|
| | The Wadsworth Atheneum Museum of Art, Hartford, CT
|
| | Indianapolis Museum of Art - IMA, Indianapolis, IN
|
| | Arkansas Arts Center, Little Rock, AR
|
| | The Getty Center, Los Angeles, CA
|
| | UCLA Hammer Museum, Los Angeles, CA
|
| | The Minneapolis Institute of Arts, Minneapolis, MN
|
| | Yale University Art Gallery, New Haven, CT
|
| | Solomon R. Guggenheim Museum, New York City, NY
|
| | MoMA - Museum of Modern Art, New York City, NY
|
| | Norton Simon Museum of Art, Pasadena, CA
|
| | Carnegie Museum of Art, Pittsburg, PA
|
| | Princeton University Art Museum, Princeton, NJ
|
| | The RISD Museum - University of Rhode Island, Providence, RI
|
| | Saint Louis Art Museum, Saint Louis, MO
|
| | The McNay Art Museum, San Antonio, TX
|
| | Fine Arts Museum of San Francisco, San Francisco, CA
|
| | Toledo Museum of Art, Toledo, OH
|
| | Kreeger Museum, Washington, DC
|
| | The Phillips Collection, Washington, DC
|
Catalogs
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