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Solo show: Allora & Calzadilla (over)

10 October 2007 until 17 November 2007
  Allora & Calzadilla
Internal Combustion (Eye of the Neede), 2007, 35mm film transfered on video
 
  Lisson Gallery

Lisson Gallery
29 & 52-54 Bell Street
London (England) NW1 5DA
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Allora & Calzadilla
10th October - 17th November 2007
29 Bell Street

Lisson Gallery will present an exhibition by collaborative artists, Jennifer Allora (b.1974, USA) and Guillermo Calzadilla (b.1971, Cuba). Based in San Juan, Puerto Rico, Allora & Calzadilla have worked together since 1995, and have established themselves as prominent figures in the international contemporary art scene.

Through sculpture, photography, performance, sound and video, Allora & Calzadilla's works have been informed by questions of mark making, traces, and survival in a way that is simultaneously conceptual, metaphorical, and spatial. Their understanding of the material and the metaphorical as a couple is crucial. For them a material is never simply self-evident in its meaning; it is always marked with histories, cultures, and politics that are at once irreducible to, and inseparable from, the material in question. Another recurrent trope in their work is that of animality, and its unstable relationship to the realm of the human.

Most recently they have created a series of works that explore the interplay between militarism, war and the significance of music, sound, and performance. Two major commissions, Clamor, 2006 and Wake Up, 2007, both employed the genre of war music to stage a musical, bodily and corporeal investigation into the nature of this music in the context of today's global state of war.

Clamor, 2006, consisted of a large sculptural hybrid chamber resembling a bunker, a ruin, a cave, and a sound booth. It was the locus of a live performance event as well as a musical archive that enacted a confrontation between various examples of war music back to the earliest of military encounters. Musicians played various repertories of this form of sonic expression from different geographical territories and historical periods, using these artifacts of human warfare as the raw material and subject of a visual and aural battle whose antagonisms were united in a monstrous montage of war music, somewhere between a symphony and a cacophony.

Wake Up, 2007, is a sound and light installation for which the artists asked a host of trumpet players from around the world, working in a range of styles, to interpret Reveille, the military call which signals soldiers to wake up and assemble at the start of the military day. The trumpeters, who represent the vanguard of the instrument's contemporary potential, interpreted and sonically re-worked this petrified document of music history, re-invigorating it with new associations and meanings; pushing the original melody beyond its militaristic origins, and at times, even beyond recognition. As a result, Wake Up became a platform for advanced experimentation as to what the trumpet is capable of as an expressive instrument, putting it at a radical distance from its origins within military traditions.

Allora & Calzadilla first exhibited internationally in 1998 at the 24th Sao Paulo Biennial. Important group exhibitions have followed, including Common Wealth at Tate Modern in 2003, the 2005 Venice Biennial, and the 2006 Whitney Biennial. In the last few years Allora & Calzadilla have taken part in numerous major international solo exhibitions, such as; One Person, One Watt, Walker Art Center, Minneapolis, 2004; Chalk, ICA Boston, 2004; Land Mark, Palais de Tokyo, Paris, 2006, Clamor The Serpentine Gallery, 2007; Wake Up, The Renaissance Society, Chicago, 2007; and Jennifer Allora & Guillermo Calzadilla at the Whitechapel Laboratory, London, 2007. A large selection of Allora and Calzadilla's most recent works is on view at the Kunsthaus Zürich until 12 August 2007. New works will be presented at the Istanbul Biennial (8 September - 4 November 2007); the San Francisco Art Institute (19 October - 15 December 2007); and the Lyon Biennale (18 September - 25 December 2007).

Allora & Calzadilla's work can be found in major public collections, including Tate Modern, London; FMAC (Fonds Municipal d'Art Contemporain), Paris; Centre Pompidou, Paris; Musée d'Art Moderne de la Ville de Paris/ARC, Paris; SMAK Stedelijk Museum voor Actuele Kunst, Ghent; Dallas Museum of Art, Texas and the Philadelphia Museum of Art, Pennsylvania.

Allora & Calzadilla Press Release as pdf-File 78 KB

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