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Solo show: Anthony Haughey: Citizen (over)

8 February 2013 until 6 April 2013
  Anthony Haughey: Citizen
Camp near the Separation Fence Morocco, Anthony Haughey
 
  Highlanes Municipal Art Gallery

Highlanes Municipal Art Gallery
Laurence Street
Drogheda, County Louth
Ireland (Republic) (city map)

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tel + 353 (0)41 - 980 33 11
www.highlanes.ie


Anthony Haughey: Citizen
8 February - 6 April, 2013

Citizen is a new exhibition and installation by artist Anthony Haughey, a unique cross-border collaboration between the artist, Highlanes Gallery, Drogheda and Millennium Court Arts Centre, Portadown.

The border in Ireland has been historically marked with signs of conflict and sectarian division, the subject of earlier work by the artist in his exhibition and publication, Disputed Territory(2006). The border has been documented and defined culturally in literature, art and filmic representations. Yet it is easy to forget that the border is also an international boundary. There are no fences or passport control; a more subtle and pervasive form of surveillance is used instead. For migrants, the border is part of ‘Fortress Europe’ where they are subjected to the vagaries of European immigration policies.

Borders and transnational migration has been a major theme of Haughey’s art practice for more than twenty-years. Although his work has encompassed a wide range of subjects, he has continually returned to this on-going investigation of what Saskia Sassende scribes as ‘informal citizenship’, where migrants contest the right to move freely across borders in search of a better life. The movement of people across continents, seas and oceans is no longer fixed to a specific sense of place; migrants exist in-between states, attempting to negotiate citizenship with reluctant hosts. Despite the current economic crisis, migration is a global phenomenon that is here to stay.

Haughey has worked collaboratively with individuals and groups who have left their countries of origin in the most urgent of times, many are living in temporary Reception Centre’s such as Mosney, near Drogheda for more than seven-years. Others are living on the periphery of European cities, near harbours in derelict buildings and squatter camps, and in forests behind six-metre high razor wire fences in North Africa waiting for an opportunity to enter ‘El Dorado’, the Spanishenclaves of Cueta and Melilla. Migrants are variously described by as refugees, asylum seekers, illegal aliens and sans papiers, stateless figures relegated to new spaces described by Giorgio Agamben as ‘camps’ or non-spaces located within state boundaries, and yet outside. The camp is a 'space of exception' within and without national space, where rights afforded to citizens of the state are suspended.

Through a series of long-term encounters, and in many cases close personal relationships Haughey and a growing collective of migrants from all over the world have collaborated to produce video installations, photographs, texts and performances. These transformative actions set out to dispel myths and reductive stereo typing surrounding transnational migration. Instead, migrants reclaim their agency and participate as active ‘informal citizens’.

Commenting on the exhibition, Aoife Ruane said “Haughey’s exhibition with Highlanes Gallery and MCAC isparticularly timely. According to Migration and Diversity - A Profile of Diversity in Ireland taken from Census 2011, one-in-ten of those living in Louth are foreign-nationals, with Polish nationals making up the largest group of people who were born outside Ireland. A total of five per cent were originally born in former Eastern Bloc countries, including the Czech Republic, Estonia, Hungary, Latvia, Lithuania, Romania, Slovakia, Slovenia, Ukriane and the Russian Federation, with over two per cent of Louth's population originally from African countries; and of these, 62 per cent are of Nigerian birth. I expect that Citizen will engage and provoke discussion around the subject of migration, both in to and out of the country, especially given Louth’s unique position as a border county.”

Biographical Note:
Anthony Haughey is an artist and a lecturer in the Dublin Institute of Technology, where he supervises doctoral practice-based projects. He was a Research Fellow (2005-8) at the Interface Centre for Research in Art,Technologies and Design at the University of Ulster Belfast, where he completed a PhD in 2009. His art practice works from the premise of a principal situatedness of art in place and community and its connectedness through dialogic exchange. His work has been widely exhibited internationally, most recently in Belfast Exposed, where he was nominated for the Deutsche Borse prize, Künstlerhaus S11, Solothurn,Switzerland, Helsinki Photography Biennial, the Copper House Gallery Dublin,New York Photography Festival and the Korea Foundation in Seoul. Monographsinclude The Edge of Europe (1996),Disputed Territory (2006) and anartist’s book, State (2011) with German artist Susanne Bosch. His work is represented in many internationalpublic and private art collections. He has published several chapter contributions including,(2010)Dislocations:Participatory Media with Refugees in Ireland and Malta, in Goodnow, K and Skartveit, H L. (eds) Changesin Museum Practice New Media and Refugees: Forms and Issues of Participation, Berghahn and (2007) Imagingthe Unimaginable, in Grossman, A. andO’Brien, A. (eds) Projecting Migration,Transcultural Documentary Practice,London: Wallflower Press.

Haughey is currently researching a project, for the centenary of the Dublin 1913 Lockout and editing a publication, Art, Media and Contested Space.

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