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Solo show: Avish Khebrehzadeh - painting (over)

5 May 2006 until 17 June 2006
  Avish Khebrehzadeh - painting
Avish Khebrehzadeh
 
  CONNERSMITH.

CONNERSMITH.
1358-60 Florida Avenue, NE
Washington, DC 20002
USA (city map)

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tel +1 202 - 588 87 50
www.connersmith.us.com


There will be opening night reception at Conner Contemporary Art on Friday, May 5th from 6-8pm. The artist will be in attendance.

Conner Contemporary Art is pleased to announce an exhibition of new paintings and video animation by Avish Khebrehzadeh. The poetic sensibilities of this accomplished Washington, D.C.-based artist stem from her childhood memories of the underground art movement in post-Revolution Tehran. Seeking to experience a different cultural approach to art, Khebrehzadeh later studied in Rome, where she absorbed the essential simplicity of Giotto’s paintings and cultivated an appreciation for the reductive visual language of the Arte Povera movement.

In her new video animation, A Swim, she draws inspiration from a figure removing his robe in the background of Piero della Francesco’s 15th c. Baptism of Christ. This gesture unfolding in the context of water encapsulates what the Khebrehazadeh describes as the depth and fluidity of a moment frozen in time. Through her drawings for the animation she captures the universality of this concept by setting an isolated figure in motion through an expansive body of water, a recurring motive in her work. The artist projects the swimmer’s symbolic journey through life onto Theatre a large-scale painting of a romantic theater interior, thereby imparting historical warmth as well as a collective frame of reference.

For this exhibition, Khebrehzadeh further amplifies the life-narrative for her audience in a series of small-scale oil paintings on canvas and wood panel. She probes the essence of identity with iconic animal imagery and scenes of human figures performing simple activities. These images thematize the duality between human and animal existence that, in her conception, stimulates us to see our own characteristics in animals in reduced or exaggerated capacities. The artist’s command of form and stylistic restraint instills the works with an emotionally direct quality that is free of contemporary irony. She explains, “I like to be frugal in giving the visual information to viewers. I want each viewer to participate and finish the story with his or her own imagination.” She intensifies the imaginative potential of these paintings with contemplative tones of rich blue and deep shadows, which signal a momentous departure from the soft amber hues of her works in olive oil on paper.

Khebrehzadeh has a distinguished record of international achievements. Her work was recently featured at the Rhode Island School of Design Museum (2006); in Persian Gardens at the Tehran Museum of Contemporary Art, Tehran/Iran (2004); in Contemporary Art in the Mediterranean Area at the Museum of the Contemporary Art, Rome, Italy (2004); at the Kunst Film Biennial at the Ludwig Museum, Cologne, Germany (2003); in The Hidden Half: Iranian Women Directors at the Smithsonian’s Freer Gallery of Art, Washington, DC.(2003) as well as garnering Young Italian Art Award, Lion D’or, at the 50th Venice Biennale (2003).

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