Curtain. Behind the strained look of the audience. And behind the eager gaze of the photographer.
When the curtain goes up then, opens up an artificial space, artificially made, with clever trickery, full of resonances, lights and music. The temptation to steal in this list is very large for a photographer. Perhaps there is even the secret desire of the viewer, ... this much to capture fleeting moments freeze movement to stop the life.
Bayram Tarakçi goes a step further by stepping into the scenes, ie behind the stage, and so is working with the mirror image of the mirror image, their photo set is designed to set the motives. Bayram Tarakçi captures moments in which his protagonists enter the stage or have just come back from the stage, sometimes as theatrical characters, sometimes as individuals, the artificial or artistic attitude is not, stop or not.