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Solo show: CALLUM INNES (over)

4 November 2004 until 18 December 2004
  CALLUM INNES
Callum Innes at the Ingleby gallery, November 2004
 
  Ingleby Gallery

Ingleby Gallery
15 Calton Road
Edinburgh (Scotland) EH8 8DL
United Kingdom (city map)

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tel +44-(0)131-556 4441
www.inglebygallery.com


We are delighted to announce our third solo exhibition of new paintings by Callum Innes which opens on 5 November 2004. Exhibition images will be available on the website from this date.

We are publishing a new book to mark the exhibition in an edition of 1000 copies. This will be available from 15 November, please contact the gallery for advance orders and further details.

We are also proud to have published for this exhibition Callum Innes' first suite of prints, made at Edinburgh Printmakers in collaboration with the master print-maker Alfons Bytautas in November 2004.

I £475 + vat (unframed) £585 + vat (framed)
II £475 + vat (unframed) £585 + vat (framed)
III £475 + vat (unframed) £585 + vat (framed)
IV £475 + vat (unframed) £585 + vat (framed)
V £475 + vat (unframed) £585 + vat (framed)

Suite of 5 £2,000 + vat

The above are photopolymer intaglio prints, with chine colleé printed in editions of 30 on Fabriano Artistico paper, paper size: 48cm x 44cm

CALLUM INNES makes work in a number of different ways, all of which are gradually evolving. The shifts that appear from one series to the next are rarely dramatic, but each new painting builds on those that have gone before in a subtle but constant progression. Over the past few years it is the works described as Exposed Paintings that have become best known, but there are other types of Innes painting that share the central contradiction of all his work: namely that something so apparently simple can have such a complex effect on the mind and eye. Like the Exposed Paintings, which are made by layering different pigments onto the canvas and then removing the paint with washes of turpentine, works such as Agitated Verticals, Resonance and Monologue paintings are made by un-painting as well as painting, so that the potential for uncertainty is ever present. Our third exhibition of Innes' work at the Ingleby gallery looks at a small but diverse group of paintings that have emerged from his studio in Edinburgh in the Summer and Autumn of 2004.

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