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Faisal Abdu’ Allah - Goodnight Uncle Sam (detail), 2003
200 x 300 cm
Courtesy The Agency gallery, London | | |
In July 2003, the South London Gallery will separate from Southwark Council, of which it has been a part for nearly a century, and will operate as an independent charitable trust. To celebrate this newly independent status, more than one hundred artists, from Barbara Kruger and Tracey Emin to Keith Tyson and Lawrence Weiner, are contributing work to ‘Independence’, arguably the most ambitious and experimental exhibition ever staged at the South London Gallery.
Taking the subject of independence as a point of departure, local, national and international artists who have been involved in the gallery over the past ten years have been invited to exhibit works relevant to the theme. Ranging from the political to the personal, issues raised in this exhibition span international, national and individual liberty, cultural and sexual identity, individuality, democracy and freedom of expression.
In the recently vacated gallery offices, a project by Christian Boltanski opens the exhibition out to any artist who wishes to participate. Relying on the principle of starting a rumour, artists from all over the world have been invited to fax through a work during the show on the basis that all those received will be exhibited and then offered for sale as photocopies at £1 each. Whatever the response, the project democratises the exhibition-making process. In Marcia Farquhar’s installation visitors can add their thoughts on independence to hand-written quotes from well-known speeches on the subject and Jeremy Akerman has placed a stage in the main gallery space to provide an arena for visitors to air their views.
At a time when the meaning of words like freedom, democracy, liberation and independence have taken on a new and urgent significance, a number of artists in the exhibition have chosen to show overtly political works. Gustav Metzger premiers his video work of children in Britain demonstrating in the lead up to the war in Iraq while Nathan Coley’s model of the Manchester branch of Marks and Spencers, which was bombed by the IRA in 1996, is a reminder of conflicts closer to home. Faisal Abdu’ Allah’s work focuses on images of racial stereotyping and cultural identity whilst Yinka Shonibare’s work looks at the history of imperialism. Mark Wallinger’s Union Flag in green, white and gold directly confronts the situation in Ireland and American artist, Barbara Kruger has made a new billboard especially for the show.
More personal reflections on independence include AK Dolven’s photograph of a lone, naked woman sitting on the edge of a lake, whereas Gillian Wearing’s image of a teenage girl points to a time of life when we can be at our most self-consciously independent. In different ways, the sculptures of Jacqui Poncelet and Franko B both evoke a child’s first steps toward adulthood. Sexual politics are the subject of works by Michael Petry, Isaac Julien and Ann Sofi-Siden.
With such a wide range of artists giving their perspectives on Independence, this will undoubtedly be a fascinating and thought-provoking exploration of a subject that is significant to us all.
Attention All Artists !!!
Christian Boltanski invites you to participate in the South London Gallery's Independence exhibition by making a fax work on the subject of independence. It can be faxed to the following number at any time between Sunday 1 June and Sunday 3 August 2003:
Telephone: +44(0)207 703 9799
Text: South London Gallery |
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