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Solo show: Lisa Ruyter: Let us now Praise Famous Men - new paintings (over)

8 September 2012 until 20 October 2012
  Lisa Ruyter: Let us now Praise Famous Men - new paintings
Lisa Ruyter (detail) Marion Post Wolcott "Natchitoches, Louisiana", 2010, acrylic on canvas, 47 x 59 inches

1358-60 Florida Avenue, NE
Washington, DC 20002
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CONNERSMITH. is delighted to announce "Let us now Praise Famous Men," an exhibition of new paintings by Lisa Ruyter. The show marks the first solo exhibition by this internationally renowned artist in her native city of Washington, DC.

In "Let us now Praise Famous Men," Ruyter presents a new series of acrylic paintings that appropriate 1930-40s black and white photograph from the archive of the Farm Security Administration/Office of War Information in the Library of Congress. "These photographs are of Americans, and they represent those who go unnoticed, unrecognized and, um, unrepresented," Ruyter explains. "They are us, or at least some idea that we have of ourselves, they belong to us because of the way that they came into our world, as photographs, not as people. It is a record of what was already being lost to Americans even as it was being constructed, an American dream of self-determination, independence and freedom."

Ruyter, the daughter of a Dutch immigrant, is attuned to dialogues formed around migrant communities in earlier generations. Economic and ecological hardships that shaped families' lives during the days of the Dust Bowl and the Great Depression echo in her reclaimed images and resonate with the challenges that face many families in today's global economy.

Ultimately, Ruyter is interested in the nature of an archive, appropriation strategies, and the fugitive qualities of color in relationship to history and theory. With these paintings of photographs, the project's core concern of identity construction is refined via specific combinations of photography, painting, color and subject matter. Positing the archive as a paradigm of our time, she recycles images, mediating memories within the expanding web of sources and appropriations that increasingly fill our experiential reality, our everyday life, and therefore modify our relationship to gesture.

Ruyter's works may be seen in the following collections: Collection of Melva Bucksbaum and Raymond Learsy, Sharon CT; Collection le Consortium, Dijon, France; Denver Art Museum; Sammlung Essl, Klosterneuburg, Austria; Colección INELCOM, Madrid; La Colección Jumex, México; Museum der Moderne, Salzburg; Museum of Modern Art, New York; Proje4L Elgiz Museum of Contemporary Art, Istanbul; San Francisco Museum of Modern Art and Collection VAC (Valencia Arte Contemporáneo),Valencia, Spain.

Lisa Ruyter (b.1968, Washington DC) lives in works in Vienna, Austria.

Ruyter will speak on this new body of work, Saturday, September 8th @ 11am.

There will be an opening night reception at CONNERSMITH. on Saturday, 8th from 6 to 8pm.
Artist in attendance.

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