The understanding of what is objective in the photograph is undergoing a significant change. The status quo of this process is being observed by photographer STEFFEN JUNGHANS using an exquisite example.
Besides the theoretic discourse of objectivity, JUNGHANS is mainly interested in the aspect of authenticity of photography.
In the examination of photography by JUNGHANS the attention lies on a historic condition of photography - the negative.
In the superelevation to its origin, the photograph can help to realize that it is not reality. A photograph is only an image, an illustration of what is real in JUNGHANS' construction of it. An intelligent experiment.