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Solo show: Susan Derges & Hildegard von Bingen (over)

9 February 2008 until 16 February 2008
  Susan Derges & Hildegard von Bingen
Susan Derges
 
  Ingleby Gallery

Ingleby Gallery
15 Calton Road
Edinburgh, Scotland EH8 8DL
United Kingdom (city map)

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tel +44-(0)131-556 4441
www.inglebygallery.com


Susan Derges & Hildegard von Bingen

OPENS:
9th February
CLOSES: 16th February
PREVIEW: Bloody Marys will be served from 12 to 3pm on Saturday.

This is the 16th exhibition in our current programme, presenting a series of 26 pairings of artists and ideas. In this case, the photographer Susan Derges has chosen to show alongside the 12th century visionary Hildegarde Von Bingen.

Derges' newest works are a remarkable continuation of her exploration of the possibilities of her camera-less photography. Made at night in the open air, and using the natural world as her darkroom, she draws both on the experiments of the earliest 19th century photographers, and on the potential of new technologies. In doing so she has quite literally invented a new way of making pictures and in this group of three new works she presents some of the most original, and beautiful images of her already distinguished career.

Von Bingen (1098-1179) is best known for her music: she is thought to be the first composer whose work, mostly in plain song and chant, can be ascribed to her name. She was also the author of many important religious and visionary texts; as well as being the founder of her own convent, the first writer of either sex to describe, in words, the female orgasm and, more relevantly in our current context, was responsible for some of the most beautiful illuminated manuscripts of Medieval times.

We are very grateful to the keepers of Von Bingen's legacy at the Abbey she founded in Rüdesheim am Rhein for their permission to project an image of one of these 'illuminations' Recycling Lucifer's Fall directly onto the gallery wall.

Derges has written of her first discovery of Von Bingen's illuminations:

"I had known her music for a long time but was completely amazed at the beauty and depth of her cosmological diagrams - particularly a long, vertical piece titled Recycling Lucifer's Fall into Humanity's Glory, depicting a field of stars becoming submerged in waves of water. I was intrigued, partly because I had just begun to work with star fields and water, but also because I sensed a psychological reading of the image that might shed some light on what I was trying to articulate in the images I had just started making."

We are delighted to be giving these new works their first ever showing.

The exhibition will be open every day from 10am to 5pm within the dates of the show.

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