Contemporary Arts Museum Houston 5216 Montrose Blvd.
Houston, TX 77006-6598
USA
city map
hotel accommodation
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+1 713 - 284 8250 |
| fax |
+1 713 - 284 8275 |
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Opening hours: Tu, We 10:00-17:00 Th 10:00-21:00 Fr, Sa 10:00-17:00 Su 12:00-17:00
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Institution's artists also shown at: |
| Institution |
№ |
№ |
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MoMA - Museum of Modern Art, USA |
788 |
806 |
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Leo Castelli Gallery, USA |
555 |
119 |
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Paula Cooper Gallery, USA |
304 |
152 |
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The Art Institute of Chicago, USA |
274 |
425 |
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San Francisco Museum of Modern Art - SFMOMA, USA |
267 |
313 |
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Public exhibitions 1
23.03. - 30.06. (still more than 1 month)
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Profile |
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Foundation year: 1948
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Director(s): Marti Mayo, Director
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Previous Exhibitions 457
2012
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 | Radical Presence: Black Performance In Contemporary Art |
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 | Perspectives 180 - Unfinished Country |
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 | Rob Pruitt: The Andy Monument |
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 | Jane Alexander: Surveys (from The Cape Of Good Hope) |
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 | Perspectives 179–Alvin Baltrop: Dreams Into Glass |
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 | It is what it is. Or is it? |
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 | Perspectives 178: Cineplex |
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 | The Deconstructive Impulse: Women Artists Reconfigure the Signs of Power, 1973-1991 |
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 | Perspectives 177: McArthur Binion |
2011
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 | Perspectives 176: Glen Fogel: With Me… You |
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 | Donald Moffett: The Extravagant Vein |
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 | Surveys (from The Cape Of Good Hope) |
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 | The Spectacular of Vernacular |
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 | Perspectives 175: Marc Swanson: The Second Story |
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 | Stan VanDerBeek: The Culture Intercom |
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 | Brad Tucker: Ten Records on Video |
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 | Answers to Questions: John Wood & Paul Harrison |
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 | Perspectives 173: Clifford Owens |
2010
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 | Benjamin Patterson: Born in the State of FLUX/us |
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 | Perspectives 172: Kirsten Pieroth |
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 | Perspectives 171: Jennifer West |
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 | Hand+Made: The Performative Impulse in Art and Craft |
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 | Perspectives 170: Cruz Ortiz |
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 | Perspectives 169: Odili Donald Odita |
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 | Barkley L. Hendricks: Birth of the Cool |
2009
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 | Perspectives 168: Anna Krachey, Jessica Mallios, and Adam Schreiber |
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 | Matthew Day Jackson: The Immeasurable Distance |
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 | Perspectives 167: Jason Villegas |
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 | Perspectives 166: Torsten Slama |
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 | No Zoning: Artists Engage Houston |
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 | The Puppet Show |
2008
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 | Perspectives 164 Stephanie Syjuco: Total Fabrications |
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 | Cinema Remixed & Reloaded: Black Women Artists and the Moving Image since 1970 |
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 | Sam Taylor-Wood |
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 | Perspectives 162: Snow |
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 | Perspectives 161: Tim Lee |
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 | The Old, Weird America |
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 | Perspectives 160: Dawoud Bey |
2007
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 | Perspectives 159: Superconscious, Automatisms Now |
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 | Mary Heilmann: To Be Someone |
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 | Perspectives 158: Kelly Nipper |
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 | Nexus Texas |
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 | Perspectives 157: Xaviera Simmons |
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 | Black Light White Noise - Sound and Light in Contemporary Art |
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 | Perspectives 156 - Impulse |
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 | Sam Gilliam - a retrospective |
2006
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 | Perespectives 154 - Robert Pruitt |
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 | Pipilotti Rist |
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 | Perspectives 153 - Demetrius Oliver |
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 | Kiki Smith |
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 | Perspectives 152 - 4 Artists 4 Stories |
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 | Jim Love |
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 | Perspectives: 153 - Demetrius Oliver |
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 | Perspectives 151 - Robyn O’Neil |
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 | Glenn Ligon |
2005
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 | Perspectives 149 - It's Only Rock 'n' Roll! |
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 | Perspectives 148: Su-En Wong |
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 | Andrea Zittel: Critical Space |
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 | Landscape Confection |
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 | Perspectives 147: Adrian Paci |
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 | Perspectives 146: Hit Me! New Work From Houston Area Teens |
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 | Terry Winters - Paintings, Drawings, Prints 1994–2004 |
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 | Perspectives 145 - Bodys Isek Kingelez |
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 | Double Consciousness - Black Conceptual Art Since 1970 |
2004
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 | Perspectives 144 - Amalgama |
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 | Perspectives @ 25: A Quarter Century of New Art in Houston |
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 | Perspectives 143: Katharina Grosse |
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 | How Latitudes Become Forms: Art in a Global Age |
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 | Perspectives 142: Boys Behaving Badly |
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 | Perspectives 141: Aaron Parazette |
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 | Fade In: New Film and Video |
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 | Perspectives 140 : Anne Wilson: Fagmented Territories |
2003
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 | Matthew Ritchie: Proposition Player |
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 | Perspectives 139: Abraham Cruzvillegas |
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 | Shirin Neshat |
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 | Trisha Brown - Dance and Art in Dialogue - 1961-2001 |
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 | Perspectives 138 - Russell Crotty |
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 | Splat Boom Pow! The Influence of Comics in Contemporary Art |
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 | Strange Messenger: The Works of Patti Smith |
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 | Juan Muńoz- Brown Foundation Gallery |
2002
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 | Sanford Biggers: Afrotemple |
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 | Roxy Paine - Second Nature |
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 | See America First: The Prints of H.C. Westermann |
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 | Pertaining to Painting |
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 | When 1 is 2 - The Art of Alighiero e Boetti |
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 | Christine Borland |
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 | William Kentridge |
2001
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 | Bill Lundberg: Syntax of Illusion |
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 | The Inward Eye - Transcendence in Contemporary Art |
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 | Relative Positions |
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 | Vito Acconci: Acts of Architecture |
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 | Trenton Doyle Hancock: The Life and Death of #1 |
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 | Ghada Amer: Pleasure |
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 | Y E S YOKO ONO |
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 | Uta Barth: In Between Places |
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 | Dario Robleto: I Thought I Knew Negation Until You Said Goodbye |
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 | Subject Plural - Crowds in Contemporary Art |
2000
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 | Robert Therrien |
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 | Charles Mary Kubricht : Where Time Dwells |
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 | Brian Maguire: Inside/Out [ |
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 | Afterimage - Drawing Through Process |
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 | Outbound - Passages from the 90's |
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 | Sharon Engelstein : Boolean Unions |
1999
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 | Introjection: Tony Oursler, 1976-1999 [ |
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 | Ernesto Neto: Nhó Nhó Nave |
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 | Peter Shelton: sixtyslippers |
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 | Nic Nicosia: Real Pictures 1979-1999 |
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 | Eye Spy |
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 | Maya Lin: Topologies |
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 | Nan Goldin: Recent Photographs |
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 | Other Narratives |
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 | Sam Reveles: Recent Paintings and Drawings |
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 | Art at Work - Forty Years of the Chase Manhattan Collection |
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 | Texas Draws |
1998
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 | Mexico Now - Point of Departure |
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 | Andreas Gursky |
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 | Abstract Painting - Once Removed |
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 | Liz Ward: The Present of Past Things |
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 | Projected Allegories - A Video Series |
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 | James Turrel: Spirit and Light |
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 | DeWitt Godfrey: A Sculpture and Two Drawings |
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 | Field of Vision - Five Gulf Coast Photographers |
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 | Robert Rauschenberg: A Retrospective |
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 | David McGee: Black Comedies and Night Music |
1997
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 | Ann Hamilton: kaph |
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 | Alexis Rockman: Diorama |
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 | Tableaux |
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 | Contemporary Narrative Painting from India: Epic Reality |
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 | Simply Beautiful |
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 | Being & Time: The Emergence of Video Projection |
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 | Jenny Holzer: LUSTMORD |
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 | Yasumasa Morimura: Actor/Actresses |
1996
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 | Jesse Amado: Renascence |
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 | Rene Yung: The Opacity of Dreams |
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 | Lari Pittman |
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 | Dan Friedman: Radical Modernist Designer |
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 | Sugimoto |
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 | Kirk McCarthy and Jackie Tileston: Hybrid Vigor |
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 | Richard Long: Circles Cycles Mud Stones |
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 | Carrie Mae Weems: The Kitchen Table Series |
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 | Brilliant! New Art from London |
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 | Nayland Blake: Hare Attitudes |
1995
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 | Derek Boshier: The Texas Years |
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 | Wallpaper Works |
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 | Alan Rath: Bio-Mechanics |
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 | Andres Serrano: Works 1983–1993 |
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 | Neo-Dada: Redefining Art 1958–1962 |
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 | Changing Perspectives |
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 | Rachel Hecker: Pleasure and Commerce |
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 | The Art Guys: Think Twice 1983–1995 |
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 | George Condo: Recent Paintings |
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 | Perspectives from Texas Collections: California Light |
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 | Elvis + Marilyn: 2 X Immortal |
1994
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 | Lucas Johnson: Drawings from the Underworld/Dibujos del bajomundo |
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 | Dennis Adams: Selling History |
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 | Sophie Calle: Romances |
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 | Pieter Laurens Mol |
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 | Stan Douglas |
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 | Land Spirit Power |
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 | Rachel Ranta: The Discrete Inquiry |
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 | Out of This World |
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 | Robert Cumming: Cone of Vision |
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 | Julio Galán |
1993
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 | Texas: Between Two Worlds |
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 | Liz Phillips: Graphite Ground (A Rock Garden and Interactive Sound Installation) |
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 | Agnes Martin |
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 | Seeing the Forest Through the Trees |
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 | Dominique Blain: Primitive Room |
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 | Public Address: Krzysztof Wodiczko |
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 | Works by Lorna Simpson |
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 | On the Road: Selections from the Permanent Collecton of the Museum of Contemporary Art, San Diego |
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 | 3-D Rupture |
1992
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 | Meg Webster: Garden and Sculpture |
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 | Robin Utterback: Paintings 1989–1992 |
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 | Ange Leccia: Arrangements |
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 | Guillermo Kuitca |
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 | Steve Barry: Poseidon |
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 | William Wegman: Paintings, Drawings, Photographs and Videotapes |
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 | Faces: Nancy Burson |
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 | El Corazón Sangrante/The Bleeding Heart |
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 | Bert L. Long, Jr.: Looking and Seeing in Rome |
1991
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 | Tony Cragg: Sculpture 1975–1990 |
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 | Christian Boltanski: Shadows |
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 | South Bronx Hall of Fame: Sculpture by John Ahearn and Rigoberto Torres |
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 | Contemporary Latin American Photographers |
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 | Robert Wilson’s Vision |
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 | Alvin Lucier: Resonant Things |
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 | Word As Image: American Art 1960–1990 |
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 | MANUAL: Forest/Products |
1990
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 | Against Nature: Japanese Art in the Eighties |
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 | Everyday Miracles: Retablos, Ex-Votos and Contemporary Art in Texas |
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 | The Perfect Thought: An Exhibition by James Lee Byars |
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 | The International Pinhole Photography Exhibition |
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 | Revered Earth |
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 | Benito Huerta: Attempted, Not Known |
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 | Ida Applebroog: Happy Families |
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 | Terry Berkowitz: When the World Was Flat |
1989
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 | German Art of the Late 80’s |
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 | The Mindful Page |
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 | Vernon Fisher |
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 | Ross Bleckner |
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 | The Arts for Television |
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 | Fred Sandback: Sculpture |
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 | Mark Innerst: Landscape and Beyond |
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 | Frank Stella: 1970–1987 |
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 | Patricia Gonzalez: Paintings |
1988
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 | Robert Colescott: A Retrospective 1975–1986 |
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 | James Drake: The Border/La Frontera |
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 | The First Texas Triennial Exhibition |
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 | Al Souza: Paintings |
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 | Rodney Alan Greenblat: Reality and Imagination – Two Taste Treats in One! |
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 | Billy Al Bengston: Paintings of Three Decades |
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 | Joan Nelson: Paintings |
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 | Sally Gall: Tropical Landscapes |
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 | Bill Viola: Survey of a Decade |
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 | Gretchen Bender: Total Recall |
1987
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 | Eric Fischl: Scenes Before the Eye: The Evolution of Year of the Drowned Dog and Floating Islands |
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 | Bruce Nauman: Drawings 1965–1986 |
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 | Sue Coe: Police State |
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 | The Armoury of the 1984 Miss General Idea Pavillion |
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 | Warhol/Beuys/Polke |
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 | Heroic Stance: The Sculpture of John McCracken 1965–1986 |
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 | Mel Kendrick: Recent Sculpture |
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 | The Window in Twentieth-Century Art |
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 | Susan Whyne: Recent Paintings |
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 | Jon Kessler |
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 | The Architecture of Frank Gehry |
1986
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 | Lee N. Smith III: Recent Paintings |
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 | Jane Freilicher: Paintings |
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 | Anne Turyn: Work from Five Series |
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 | Roy Lichtenstein as Sculptor: Recent Works 1977–1984 |
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 | Melissa Miller: A Survey 1978–1986 |
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 | Robert Longo: Sequences/Men in the Cities |
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 | Joseph Glasco 1948–1986: A Sesquicentennial Exhibition |
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 | Robert Rauschenberg: Photographs 1949–1984 |
1985
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 | Nancy O’Connor: Milam’s Journey |
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 | James Rosenquist: Paintings 1961–1985 |
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 | Milton Resnick: Paintings 1945–1985 |
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 | Barbara Kruger: Striking Poses |
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 | Robert Mangold: Paintings |
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 | Chuck Close: Works on Paper |
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 | Owen Morrel: Works 1976–1984 |
1984
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 | Mark Tansey: Paintings |
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 | Edward and Nancy Reddin Kienholz: The Art Show |
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 | Philip Glass: The Manuscript for Akhnaten |
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 | Video: Heroes/Anti-Heroes |
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 | The Heroic Figure |
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 | Fluxus, etc.: The Gilbert and Lila Silverman Collection |
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 | Gilbert & George |
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 | Rauschenberg/Performance |
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 | Laurie Anderson: Works from 1969–1983 |
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 | Felipe Archuleta: Modern Folk Master |
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 | Robert Helm: Recent Work |
1983
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 | Earl Staley: 1973–1983 |
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 | Scott Burton Chairs |
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 | Michael Tracy: Requiem Para Los Olvidados |
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 | American Still Life: 1945–1983 |
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 | Frank Freed: People and Places |
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 | Southern Fictions |
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 | Laura Russell: Surfaces in Space |
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 | Form Illusion Myth: Prints and Drawings of Pat Steir |
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 | Michael Tetherow: Paintings |
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 | Louise Bourgeois |
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 | The Works of Edward Ruscha |
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 | Andy Feehan: Contemporary Allegories |
1982
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 | Eva Hesse: A Retrospective of the Drawings |
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 | In Our Time: Houston’s Contemporary Arts Museum 1948–1982 |
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 | Photo-Collage |
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 | The Americans: The Collage |
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 | Charles Simonds: Circle s and Towers Growing |
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 | Some Contemporary Portraits |
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 | Gay Block: Portraits |
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 | Robert Gordy: Paintings and Drawings 1960–1980 |
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 | Tony Berlant: Recent Work |
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 | John Baldessari: Work 1966–1980 |
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 | Hans Namuth: Pollock Painting |
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 | Texas on Paper |
1981
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 | Events: Artists in Collaboration |
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 | Melissa Miller: Recent Paintings |
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 | Robert Morris: Selected Works 1970–1980 |
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 | Derek Boshier: Paintings from 1980–1981 |
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 | Jun Kaneko: Parallel Sounds |
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 | Brian Eno: Video and Music |
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 | Other Realities – Installations for Performance |
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 | Charles Schorre: Pages from Books Unpublished |
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 | Neil Jenney: Paintings and Sculpture 1967–1980 |
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 | Sylvia Plimack Mangold: Nocturnal Paintings |
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 | The Americans: The Landscape |
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 | Jonathan Borofsky: An Installation |
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 | Ansel Adams and the West |
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 | The New Photography |
1980
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 | Roger Brown |
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 | Vernon Fisher: Story Paintings and Drawings |
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 | Earl Staley: Mythologies |
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 | Nancy Graves: A Survey 1969/1980 |
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 | A Sound Selection: Audio Works by Artists |
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 | Jack Mims: Petty Disasters and Petit Grotesqueries |
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 | Ken Price: Selections from “Happy’s Curios” |
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 | Ree Morton: Retrospective |
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 | Elmer Bischoff: New Paintings |
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 | Richard Artschwager’s Theme(s) |
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 | Cindy Sherman: Photographs |
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 | Extensions: Jennifer Bartlett, Lynda Benglis, Robert Longo, Judy Pfaff |
1979
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 | Steve Gianakos: Recent Works |
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 | Dotty Attie: Drawings 1975–1979 |
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 | American Painting: The Eighties |
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 | Pat Colville: Recent Works |
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 | Windows/Doors, Janelas/Portas: Photographs by Barbara Cusack |
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 | Parameters of Space: A Photographic Environment by John Taylor |
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 | Charles Greeley/Bunny Tobias |
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 | FIRE! |
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 | Jerry Dantzic and the Cirkut Camera |
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 | Lynn Lennon: Images from Big Thicket |
1978
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 | Andy Burns |
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 | Gwendolyn Bennett Pappas, Rita Gardner, and Lynn M. Randolph |
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 | Peter Voulkos: A Retrospective 1948–1978 |
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 | Frank Gillette: Aransas, Axis of Observation |
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 | Dale Eldred: Solar Sculpture |
1977
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 | American Narrative/Story Art: 1967–1977 |
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 | Marisol Escobar: Recent Drawings and Sculptures |
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 | Dále Gas: An Exhibition of Contemporary Chicano Art |
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 | James Surls: Recent Drawings |
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 | James Hill |
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 | Myron Stout: Paintings and Drawings |
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 | Paul Sarkisian: Photo-realism |
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 | Frank Davis: Art Ray |
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 | Salvatore Scarpitta |
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 | Margaret Webb Dreyer |
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 | Richard Mock: Portraits |
1976
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 | Douglas Davis: Video Tapes |
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 | Mel Casas: Humanscapes |
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 | Alex Traube: Photographs |
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 | Video Trans Americas: Juan Downey |
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 | Suzanne Paul: Photographs |
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 | Gary Panter and Laurick Heitzman: Drawings |
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 | Double Diamond |
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 | Honey Beeman |
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 | Norman Bluhm |
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 | Julian Schnabel |
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 | Forrest Prince |
1975
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 | Donald Schule |
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 | Hannah Stewart |
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 | Terry Allen: Juárez Series |
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 | Dick Wray |
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 | George White |
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 | Ira Schneider: Video |
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 | Larry Scholder |
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 | Photography: Shot in Texas |
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 | Gulf Coast, East Coast, West Coast |
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 | Paul Sarkisian |
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 | John Alexander: Landscapes |
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 | James Surls: Sculptor |
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 | Richard Stout: Recent Paintings |
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 | John Chamberlain: Recent Sculptures |
1974
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 | Jim Roche: Florida Drawings |
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 | Luis Jiménez: (Progress I) |
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 | Luckenbach – Brian Heck |
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 | 12/Texas |
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 | William Allan |
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 | László Moholy-Nagy |
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 | Brice Marden: Drawings 1963–1973 |
1973
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 | 20/20 Vision: Ant Farm |
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 | Harvey Quaytman: Recent Paintings |
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 | Private Works |
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 | Alan Shields |
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 | David McManaway |
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 | Billy Al Bengston Watercolors |
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 | Joe Goode: Work Until Now |
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 | Jim Love: In Pursuit of the Bear |
1972
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 | John Baldessari, Frances Barth, Richard Jackson, Barbara Munger, Gary Stephan |
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 | Piero Manzoni |
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 | Roy Lichtenstein |
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 | Exhibition 10 |
1971
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 | Antonakos: Pillows 1962–1963 |
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 | Richard Mock: Situations |
1970
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 | Dorothy Hood: Recent Paintings |
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 | Stanley Landsman |
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 | Contemporary Black Artists |
1969
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 | Paul van Hoeydonck: Spaced Out |
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 | Directions 2: Aspects of a New Realism |
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 | Donald Roller Wilson: Polarity and Expansion |
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 | New British Painting and Sculpture |
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 | Al Held: Recent Paintings |
1968
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 | Boyd Mefferd: Light Environment |
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 | Vera Simons: Aerial Sculpture |
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 | Two Happening Concepts: Allan Kaprow and Wolf Vostell |
1967
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 | John Alberty |
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 | Victor Vasarely |
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 | Harvey Quaytman |
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 | Four Dallas Collectors |
1966
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 | Contemporary Spanish Artists |
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 | Art Across America |
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 | Robert Motherwell: Works on Paper |
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 | Light in Art |
1965
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 | Personal Choice: Paintings and Sculpture from Houston Private Collections |
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 | Josef Albers |
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 | Robert Rauschenberg |
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 | French Abstract Tapestry |
1964
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 | Dealer’s Choice: An Exhibition of Paintings, Drawings and Prints |
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 | Paintings and Sculptures from the Collection of Mr. And Mrs. Ted Weiner |
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 | Martha Mood: Tapestries |
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 | Francis Bacon |
1963
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 | Symbolist Legacy |
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 | Pop! Goes the Easel |
1962
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 | San Francisco 9 |
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 | Images from the Stone |
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 | Forrest Bess |
1961
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 | Ways and Means |
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 | The Emerging Figure |
1960
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 | New Europeans |
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 | Image and Idea! |
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 | Anni Albers: Pictorial Weavings |
1959
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 | Out of the Ordinary |
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 | 10th Street |
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 | The Romantic Agony: From Goya to de Kooning |
1958
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 | Personal Contacts: A Decade of Contemporary Drawings, 1948-1958 |
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 | Modern Abstract Japanese Calligraphy |
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 | Collage International: From Picasso to the Present |
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 | The Disquieting Muse: Surrealism |
1957
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 | Irons in the Fire: An Exhibition of Metal Sculpture |
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 | Mark Rothko |
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 | Recent Contemporary Acquisitions – Houston |
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 | Pacemakers |
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 | The Sphere of Mondrian |
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 | The Magical Worlds of Redon, Klee and Baziotes |
1956
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 | Monumentality in Modern Sculpture |
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 | Let’s Face It: An Exhibition of Contemporary Portraits |
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 | Large Scale Paintings II |
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 | Contemporary German Graphics |
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 | Contemporary Calligraphers: John Marin, Mark Tobey, Morris Graves |
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 | Shadow and Substance: The Shadow Theater of Montmartre and Modern Art |
1955
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 | Contemporary European Tapestry |
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 | Ten American Collectors |
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 | Picasso |
1954
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 | Georges Rouault |
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 | Modigliani |
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 | Don Barthelme: Recent Works |
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 | 4 Americans: From the Real to the Abstract |
1953
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 | Mexican Painting and Drawing |
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 | Women in Art |
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 | Modern Painting: Ways and Means |
1952
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 | Texas Contemporary Artists |
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 | New Directions: Domestic Architecture |
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 | Rufino Tamayo |
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 | Max Ernst |
1951
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 | Calder - Miro |
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 | Contemporary Photography (memorable Life Photographs) |
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 | Frescoes and Other Works by Reynold Arnould |
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 | Vincent van Gogh |
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 | Sheeler - Dove Exhibition |
1950
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 | Christian Bérard: Painter, Decorator, Designer |
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 | Contemporary Drawings |
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 | Lyonel Feininger |
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 | Contemporary Art from Houston Collections |
1949
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 | Graphic Works and Watercolors from Private Collections in Houston |
1948
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 | L. Moholy-Nagy: Memorial Exhibition |
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 | This Is Contemporary Art |
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