New Museum of Contemporary Art
235 Bowery at Prince (between Stanton and Rivington Streets)
New York City, NY 10002
USA
city map
hotel accommodation
|
| |
| tel |
+1 212 219 1222 |
| fax |
+1 212 431 5328 |
|
|
|
| |
Opening hours:
We, Sa, Su 12:00-18:00
Th, Fr 12:00-22:00
|
|
|
|
|
 Institution's artists also shown at: |
| Institution |
№ |
№ |
| |
Leo Castelli Gallery, USA |
74 |
2 |
| |
Metro Pictures Gallery, USA |
45 |
3 |
| |
Paula Cooper Gallery, USA |
40 |
9 |
| |
MoMA - Museum of Modern Art, USA |
37 |
16 |
| |
MoMA PS1, USA |
30 |
21 |
|
| |
Public exhibitions 1
13.02. - 26.05. (6 days remaining)
|
| |
|
Profile |
|---|
|
Foundation year: 1977
|
|
| |
|
|
| |
|
Artists |
|---|
Sue de Beer 1973, US
Peter Cain 1959-1997, US
Robert Colescott 1925-2009, US
Jessica Craig-Martin 1941, IE
Bob Flanagan 1952-1996, US
Eve Fowler 1964, US
Gran Fury US
Hans Haacke 1936, DE
Lisa Jevbratt 1967
Craig Kalpakjian 1961, US
Komar & Melamid RU
Louise Lawler 1947, US
Sherrie Levine 1947, US
Mark Lombardi 1951-2000, US
Kristin Lucas 1968, US
Allan McCollum 1944, US
Zwelethu Mthethwa 1960, ZA
Wangechi Mutu 1972, KE
Bruce Nauman 1941, US
Paul Ramírez-Jonas 1965, US
Gustavo Romano 1958, AR
Daniela Rossell 1973, MX
Andrés Serrano 1950, US
Nancy Spero 1926-2009, US
Hiroshi Sugimoto 1948, JP
Vibeke Tandberg 1967, NO
Techching Hsieh 1959, TW
Fatimah Tuggar 1967, NG
Camilo José Vergara 1944, CL
Lawrence Weiner 1942, US
Krzysztof Wodiczko 1943, PL
David Wojnarowicz 1954-1992, US
Martin Wong 1946-1999, US
|
|
| |
Previous Exhibitions 376
2013
| |
 | Walking Drifting Dragging |
2012
| |
 | Rosemarie Trockel: A Cosmos |
| |
| Judith Bernstein: Hard |
| |
| Your Land/My Land: Election ’12 |
| |
| Come Closer: Art Around the Bowery, 1969–1989 Bowery Artist Tribute |
| |
| Preoccupied Waveforms |
| |
| Ghosts in the Machine |
| |
| Pictures from the Moon |
| |
| Carlos Motta: We Who Feel Differently |
| |
| Ellen Altfest: Head and Plant |
| |
| Tacita Dean: Five Americans |
| |
| Klara Lidén: Bodies of Society |
| |
| Stanya Kahn / Shaft Space |
| |
| Phyllida Barlow: siege / Fourth Floor |
| |
| The Parade: Nathalie Djurberg with Music by Hans Berg |
| |
| Dani Gal: Nacht und Nebel |
| |
| Enrico David: Head Gas |
| |
| Brian Bress: Status Report |
2011
| |
| Museum as Hub: Beirut Art Center: Due to unforeseen events... |
| |
| Carsten Höller: Experience |
 |
| Spartacus Chetwynd: Home Made Tasers |
| |
| Steffani Jemison and Jamal Cyrus: Alpha’s Bet Is Not Over Yet |
| |
| Elizabeth Price: Choir |
|
| Ostalgia |
| |
| Apichatpong Weerasethakul: Primitive |
| |
| Gustav Metzger: Historic Photographs |
| |
| Museum as Hub: The Incongruous Image - Marcel Broodthaers and Liliana Porter |
| |
| Cronocaos |
| |
| After Hours: Murals on the Bowery |
| |
| Lynda Benglis |
| |
| Shirana Shahbazi |
| |
| Mental States |
2010
| |
| Isa Genzken: Rose II |
| |
| Free |
| |
| Voice and Wind |
|
| The Last Newspaper |
| |
| Brion Gysin: Dream Machine |
| |
| Rivane Neuenschwander: A Day Like Any Other |
| |
| Amy Granat: Light 3 Ways |
|
| Skin Fruit: Selections from the Dakis Joannou Collection |
2009
| |
| Nikhil Chopra: Yog Raj Chitrakar: Memory Drawing IX |
| |
| Urs Fischer: Marguerite de Ponty |
| |
| Emory Douglas: Black Panther |
 |
| Dorothy Iannone: Lioness |
| |
| Intersections Intersected: The Photography of David Goldblatt |
|
| Rigo 23 |
|
| The Generational: Younger Than Jesus |
|
| STRUCTURES - SPACE |
| |
| Jeremy Deller: It Is What It Is: Conversations About Iraq |
| |
| Daria Martin: Minotaur |
| |
| Mathias Poledna: Crystal Palace |
| |
| Agathe Snow, Master Bait Me |
2008
|
| Mary Heilmann: To Be Someone |
| |
| Live Forever: Elizabeth Peyton |
| |
| Museum as Hub: Six Degrees |
| |
| Museum as Hub: Antikhana |
| |
| After Nature |
| |
| 2008 Altoids Award |
| |
| Dongducheon: A Walk to Remember, A Walk to Envision |
| |
| Double Album: Daniel Guzman and Steven Shearer |
| |
| Tomma Abts |
|
| Paul Chan: The 7 Lights |
| |
| SANAA: Works 1998-2008 |
| |
| Tlatelolco and the localized negotiation of future imaginaries |
| |
| Under The Skin: New Video From Poland |
| |
| The Sound of Things: Unmonumental Audio |
| |
| My Barbarian - The Golden Age |
| |
| Collage: The Unmonumental Picture |
2007
| |
| Unmonumental: The Object In The 21st Century |
| |
| Sharon Hayes: I March in the Parade of Liberty, But as Long as I love you I'm Not Free |
| |
| Young-hae Chang Heavy Industries Black On White, Gray Ascending |
2006
| |
| Andrea Zittel - Critical Spaces |
2005
| |
| Fresh Projects - Shimmer |
| |
| Brian Jungen |
| |
| Seventh Annual Altoids Curiously Strong Collection |
| |
| Patty Chang - Shangri-la |
|
| Aernout Mik - Refraction |
| |
| Rhizome ArtBase 101 |
|
| Contagious Media |
|
| Fiona Tan - Correction |
|
| Transmission II - Airborne |
2004
|
| East Village USA |
|
| Sixth Annual Altoids Curiously Strong Collection |
|
| Adaptive Behavior |
|
| Rules of Crime: Kayle Brandon & Heath Bunting |
|
| Counter Culture |
|
| Point of View: An Anthology of the Moving Image |
|
| John Waters: Change Of Life |
2003
|
| Killer Instinct |
| |
| Trisha Brown: Dance and Art in Dialogue 1961-2001 |
|
| Marco Brambilla: Halflife |
| |
| José Antonio Hernández-Diez |
| |
| Black President - The Art and Legacy of Fela Anikulapo-Kuti |
|
| Jun Nguyen-Hatsushiba: Memorial Project Vietnam |
|
| Living Inside The Grid |
|
| Super-Ficial - The Surfaces of Architecture in a Digital Age |
2002
|
| Nalini Malani - Hamletmachine |
|
| The Paintings of Carroll Dunham |
|
| Videodrome II |
| |
| Rhizome.org 2002 Net Art Commissions |
| |
| Hélio Oiticica - Quasi-cinemas |
| |
| Leah Gilliam - Agenda for a Landscape |
|
| Out of Site: Fictional Architectural Spaces |
| |
| Lee Bul - Live Forever |
| |
| Open_Source_Art_Hack |
| |
| Marlene Dumas - Name No Names |
| |
| The Films of Francesco Vezzoli |
| |
| Wim Delvoye - Cloaca |
| |
| New Additions to the Altoids Curiously Strong Collection |
2001
| |
| World Views - Open Studio Exhibition |
| |
| Cin-o-matic - Memory and Cinematic Perception |
| |
| Tom Friedman |
| |
| A Work in Progress - Selections from the New Museum Collection |
| |
| Jacqueline Fraser: A PORTRAIT OF THE LOST BOYS<< in five partys deftly and six details of straining>> |
| |
| Jason Middlebrook: Dig |
| |
| Location/Dislocation |
| |
| The Electric Donut - Kristin Lucas & Joe McKay |
| |
| William Kentridge |
| |
| Graham Gussin - States of Mind |
| |
| Trompe-l’oeil: Fictional Internet Sites |
| |
| Waveform - David Galbraith and Teresa Seemann |
| |
| In response to the work of Paul McCarthy |
| |
| Paul McCarthy |
| |
| fighting for you! |
| |
| Fresh - The Altoids Curiously Strong Collection 1998-2000 |
| |
| Antoni Abad - Ego |
2000
| |
| Christian Marclay |
| |
| Trust Me |
| |
| Glasbead |
| |
| rhizome@ newmuseum.org |
| |
| Candice Breitz: Babel Series |
| |
| Adrian Piper - A Retrospective, 1965 - 2000 |
| |
| Pierre et Gilles |
|
| Martha Rosler - Positions in the Lifeworld |
|
| Tiborocity - Design And Undesign by Tibor Kalman 1979-1999 |
| |
| Picturing the Modern Amazon |
1999
| |
| Cildo Meireles |
| |
| Videodrome |
| |
| Keith Piper - Relocating the Remains |
| |
| Offside - Dolores Zinny and Juan Ignacio Maidagan |
| |
| The Time of Our Lives |
| |
| Open House - Michael Smith and Joshua White |
| |
| Anaida Hernandez - Juegos Ilegales / Illegal Games |
| |
| Fever - The Art of David Wojnarowicz |
1998
| |
| Xu Bing - Introduction to New English Calligraphy |
| |
| Marcel Odenbach |
| |
| Ana Prada |
| |
| Dancing at the Louvre - Faith Ringgold's French Collection and Other Story Quilt |
| |
| Urban Encounters |
| |
| Bili Bidjocka, Los Carpinteros, and Rivane Neuenschwander |
| |
| Sweet Oblivion - The Urban Landscape of Martin Wong |
| |
| The Cardoso Flea Circus Video |
| |
| Video Copenhagen |
| |
| Whose history is it anyway? |
| |
| Unland - Doris Salcedo |
| |
| John Salvest - Nothing Endures |
| |
| Keeping Track of the Joneses |
1997
| |
| Mona Hatoum |
| |
| Remota: Airmail Paintings by Eugenio Dittborn |
| |
| Installation: Aleksandra Mir |
1996
| |
| Carolee Schneemann: Up To And Including Her Limits |
| |
| Enclosures |
| |
| alt.youth.media |
| |
| Edouard Pierre-Louis |
| |
| Knot |
| |
| Anne Deleporte |
| |
| Untitled (Colored Water): Tony Feher |
| |
| A Labor of Love |
1995
| |
| Temporarily Possessed: The Semi-Permanent Collection |
| |
| Unperturbed Abstraction |
| |
| Andres Serrano: Works 1983-1993 |
| |
| Discontinuous Teasers: Valeska Soares |
1994
| |
| Visiting Hours: An Installation by Bob Flanagan in collaboration with Sheree Rose |
| |
| Who are we? What are we? Where did we come from?: Rita Akermann |
| |
| Courage: David Leslie |
| |
| Self-Help Library |
| |
| Chinese Hand Laundry |
| |
| Close Ties: Susan Unterberg |
| |
| Field of Waste: Chen Zhen |
| |
| Mondrian Ping-Pong: Atsushi Nishijima |
| |
| Westward Expansion Inwards: Cindy Tower |
| |
| Bad Girls (Part II) |
| |
| Bad Girls (Part I) |
1993
| |
| Thornton Dial: Image of the Tiger |
| |
| Intoxication, or The Echo of One Hand Clapping: Joan Bankemper |
| |
| L'Adieu: Pearls Before Gods |
| |
| Testimonio |
| |
| Trade Routes |
| |
| Kazumi Tanaka |
| |
| Breeding Unit for Reassigning Flight: Andrea Zittel |
| |
| Carpet Angel: Nari Ward |
| |
| The Final Frontier |
| |
| A Flower for Ethyl Eichelberger |
| |
| Face: Lyle Ashton Harris |
| |
| In Transit |
| |
| Skin Deep |
1992
| |
| FluxAttitudes |
| |
| The Spatial Drive |
| |
| The Art Mall: A Social Space |
| |
| Last Words |
| |
| My Spirit |
| |
| 1+1+1: Works by Alfredo Jaar |
| |
| The Big Nothing or Le Presque Rien |
| |
| The Window: The Age Machine |
1991
| |
| The Interrupted Life |
| |
| Pintura I Representación |
| |
| Africa Explores: 20th Century African Art |
| |
| Embodying Faith |
| |
| Cadences: Icon and Abstraction in Context |
| |
| Manuel Pardo: Late 20th Century Still Lifes |
| |
| . . . And 22 Million Very Tired And Very Angry People |
1990
| |
| Rhetorical Image |
| |
| $pent: Currency, Security, and Art on Deposit |
| |
| From Receiver To Remote Control: The TV Set |
| |
| The Decade Show: Frameworks of Identity in the 1980s |
| |
| Cornered: Adrian Piper |
| |
| Works by Jana Sterbak |
| |
| Mary Kelly: Interim |
1989
| |
| Satellite Cultures |
| |
| Annette Lemieux: The Appearance of Sound |
| |
| Have You Attacked America Today? |
| |
| Strange Attractors: Signs of Chaos |
| |
| Nancy Spero: Works Since 1950 |
| |
| Guillaume Bijl |
| |
| Common Land / Greenham |
| |
| Robert Colescott: A Retrospective |
| |
| Overlooked/underplayed: Videos On Women And Aids |
| |
| Until That Last Breath: Women With Aids |
1988
| |
| Christian Boltanski: Lessons of Darkness |
| |
| An Installation by General Idea |
| |
| Félix González-Torres |
| |
| Girls Night Out (Femininity as Masquerade) |
| |
| Impresario: Malcolm McLaren and the British New Wave |
| |
| Markus Raetz: In the Realm of the Possible |
| |
| Nitelife |
| |
| Artists Projects: One Plus or Minus One (May Stevens) |
| |
| Requiem: Wolfgang Staehle |
| |
| Artists Projects: The Living Paintings |
1987
| |
| New Paintings: Charles Clough and Mimi Thompson |
| |
| Ana Mendieta: A Retrospective |
| |
| American Dining: A Working Woman's Movement |
| |
| Social Studies: Recent Work on Video and Film |
| |
| Bruce Nauman Drawings: 1965-1986 |
| |
| Betty Goodwin: New Work |
| |
| The Navigator’s Encyclopedia |
| |
| Pile of Heads: Installation by Linda Peer |
| |
| The Other Man: Alternative Representations of Masculinity |
| |
| Peering Beyond the Mask |
| |
| Fake: A Meditation on Authenticity |
| |
| Pat Steir: Self-Portrait: An Installation |
| |
| Exit: Ulrik Samuelson |
| |
| Reading Art: William Anastasi, Su-Chen Hung, Larry Johnson |
| |
| Sweet Red-2 |
| |
| Museum Notions |
1986
| |
| Hans Haacke: Unfinished Business |
| |
| Homo Video: Where We Are Now |
| |
| Three Photographers: The Body |
| |
| Uh-Oh: Richard Baim |
| |
| Triptych: Kristin Jones and Andrew Ginzel |
| |
| Baseball Action Shots Annual: Future Hall of Famers: Susan Grayson |
| |
| A Distanced View: One Aspect of Recent Art from Belgium, France, Germany, and Holland |
| |
| Sets from Cinderella: Ericka Beckman |
| |
| Leslie Sharpe |
| |
| Anne Doran |
| |
| Damaged Goods: Desire and the Economy of the Object |
| |
| Past, Present, Future |
| |
| Komar and Melamid |
| |
| Jessica Diamond, Connie Hatch, Group Material |
| |
| Born from Sharp Rocks |
| |
| Sots Art |
| |
| William Copley: The Tomb of the Unknown Whore |
| |
| Nightsea Crossing: Three-day meditation piece by Abramovic and Ulay |
| |
| Kim Jones as the Mudman |
| |
| Choices: Making an Art of Everyday Life |
| |
| New York Foundation for the Arts Video Fellows 1985 |
| |
| Rear Window: Wallace and Donahue |
1985
| |
| Nancy Chunn, Michael Corris, Olivier Mosset |
| |
| An Image of God: Michael Lebron |
| |
| The Art of Memory / The Loss of History |
| |
| Look-Out for Broadway |
| |
| Natural History |
| |
| The Art of Memory / The Loss of History: Re-viewing History: Video-Documents |
| |
| Vikky Alexander |
| |
| Allen Ruppersberg: The Secret of Life and Death |
| |
| Five from Minnesota |
| |
| Tom Finkelpearl |
| |
| Signs |
| |
| T.V. Picture, Diana Formisano, John Glascock, Rene Santos |
| |
| Sustained Visions: Pierre Tal-Coat |
| |
| Ellen Brooks |
| |
| Currents: John Hull, Mia Westerlund Roosen |
| |
| Robin Ticho |
| |
| Judy Fiskin, Janet Pihlblad, Lance Rutledge |
| |
| Barbara Ess |
1984
| |
| Susan Dallas Swann |
| |
| Seven Years of Living Art: Linda Montano |
| |
| John Hernandez, Shelly Hull, Robin Winters, Krzysztof Wodiczko |
| |
| Jarvis Rockwell |
| |
| Difference: On Representation and Sexuality |
| |
| Golub |
| |
| The Nicaragua Media Project |
| |
| Kay Rosen |
| |
| Nate Shiner (In Memoriam) |
| |
| Yura Adams |
| |
| Perry Bard, Richard Bloes, James Elaine, Pio Galbis |
| |
| Currents: David Ireland |
| |
| Currents: Martin Puryear |
| |
| Paradise Lost / Paradise Regained: American Visions of the New Decade |
| |
| New Work: New York / Outside New York |
| |
| Lee Newton |
| |
| Al Wong |
| |
| Joan Jonas |
| |
| Earl Staley: 1973 – 1983 |
| |
| Beverly Owen |
| |
| Don Dudley |
| |
| Gary Goldberg, Iona Kleinhaut |
| |
| Art and Ideology |
| |
| Tom Hatch |
| |
| Rande Bache, Stephen Frailey |
| |
| Michael Byron, Lisa Hoke, Amy Sillman |
1983
| |
| Ken Aptekar, Greg Drasler, Shelley Kaplan |
| |
| The End of the World: Contemporary Visions of the Apocalypse |
| |
| Kate Ericson |
| |
| Mark Kloth |
| |
| Language, Drama, Source & Vision |
| |
| Classified: Big Pages from the Heresies Collective |
| |
| En Foco: La Gran Pasión |
| |
| Vanalyne Green: Tender Me |
| |
| Outside New York: Seattle |
| |
| Gary Falk |
| |
| Workspace: Eleanor Dube, E'wao Kagoshima, Jamie Summers |
1982
| |
| Richard Armijo |
| |
| Lessons and Notes: Ann Turyn |
| |
| Extended Sensibilities: Homosexual Presence in Contemporary Art |
| |
| Counter Angel |
| |
| Bissie at the Baths |
| |
| Currents: The Reverend Howard Finster |
| |
| Currents: Candace Hill-Montgomery |
| |
| Brad Melamed |
| |
| Currents: Mary Stoppert |
| |
| Currents: Al Souza |
| |
| Kenneth Shorr - Crowds and Power |
| |
| Early Work |
| |
| Joseph Hilton |
| |
| New Work / New York |
1981
| |
| David Troy |
| |
| Not Just For Laughs: The Art of Subversion |
| |
| Persona |
| |
| Stay Tuned |
| |
| Claudia Fitch |
| |
| Alternatives in Retrospect: An Overview 1969-1975 |
| |
| Gina Wendkos |
| |
| John Baldessari: Work 1966 – 1980 |
| |
| James Holl |
1980
| |
| Investigations: Probe • Structure • Analysis |
| |
| Richard Prince |
| |
| Deconstruction/ Reconstruction: The Transformation of Photographic Information into Metaphor |
| |
| Hallwalls: 5 Years |
| |
| Jeff Koons |
| |
| Laurie Hawkinson |
| |
| Ree Morton: Retrospective 1971 – 1977 |
| |
| John Ahearn |
1979
| |
| New Work / New York |
| |
| Dimensions Variable |
| |
| In a Pictorial Framework |
| |
| The 1970s: New American Painting |
| |
| Sustained Visions |
| |
| The Invented Landscape |
1978
| |
| Barry Le Va: Four Consecutive Installations and Drawings 1967 – 1978 |
| |
| Outside New York |
| |
| New Work / New York |
| |
| Alfred Jensen: Paintings and Diagrams From the 1957-77 |
| |
| Bad' Painting |
1977
| |
| Early Work By Five Contemporary Artists |
| |
| Memory |
1910
| |
| Eclipse of the Earth |
|
| |
|
