Princeton University Art Museum
Nassau St
Princeton, NJ 08544-1018
USA
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hotel accommodation
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+1 609 258-3788 |
| www.princetonartmuseum.org |
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Opening hours:
Tu, We, Th, Fr, Sa 10:00-17:00
Su 13:00-17:00
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 Institution's artists also shown at: |
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MoMA - Museum of Modern Art, USA |
197 |
34 |
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Leo Castelli Gallery, USA |
132 |
7 |
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The National Gallery of Art, USA |
124 |
27 |
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The Art Institute of Chicago, USA |
78 |
32 |
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The Metropolitan Museum of Art, USA |
58 |
27 |
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Public exhibitions 1
23.03. - 23.06. (still more than 4 weeks)
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Profile |
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Foundation year: 1882
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Artists |
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Milton Avery 1893-1965, US
Max Beckmann 1884-1950, DE
Thomas Hart Benton 1889-1975, US
Paul Berger 1948, US
Paul Cézanne 1839-1906, FR
William Merritt Chase 1849-1916, US
John Singleton Copley 1737-1815, US
Edgar Degas 1834-1917, FR
William Eggleston 1939, US
Max Ernst 1891-1976, DE
Julian Faulhaber 1975, DE
Vincent van Gogh 1853-1890, NL
Hai Bo 1962, CN
Childe Hassam 1859-1935, US
Winslow Homer 1836-1910, US
Edward Hopper 1882-1967, US
Jasper Johns 1930, US
Michiko Kon 1955, JP
Willem de Kooning 1904-1997, NL
Jacques Lipchitz 1891-1973, FR, LT
Édouard Manet 1832-1883, FR
Ray Metzker 1931, US
Amedeo Modigliani 1884-1920, IT
Claude Monet 1840-1926, FR
Wangechi Mutu 1972, KE
Emil Nolde 1867-1956, DE
Georgia O'Keeffe 1887-1986, US
Odilon Redon 1840-1916, FR
Ad Reinhardt 1913-1967, US
Ilya Repin 1844-1930, RU
Kay Sage 1898-1963, US
John Singer Sargent 1856-1925, US
David Smith 1906-1965, US
Chaïm Soutine 1893-1943, RU
Julian Stanczak 1928, PL
Frank Stella 1936, US
Alfred Stieglitz 1864-1946, US
Yves Tanguy 1900-1955, FR
Henri de Toulouse-Lautrec 1864-1901, FR
Andy Warhol 1928-1987, US
Clarence Hudson White 1871-1925, US
Minor White 1908-1976, US
Zhi Lin 1959, CN
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Previous Exhibitions 49
2012
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 | Two Views: Atget & Friedlander |
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 | John Constable: Oil Sketches from the Victoria and Albert Museum |
2011
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| Lee Friedlander: Cars and The New Cars |
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| The Life and Death of Buildings |
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| Kurt Schwitters: Color and Collage |
2010
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| Nobody |
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| Gauguin's Paradise Remembered: The Noa Noa Prints |
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| Starburst: Color Photography in America 1970-1980 |
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| Presence and Remembrance: The Art of Toshiko Takaezu |
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| The Artist as Image |
2009
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| Emmet Gowin: A Collective Portrait |
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| Outside In: Chinese x American x Contemporary Art |
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| Myth and Modernity: Ernst Barlach's Images of the Nibelungen and Faust |
2008
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| Felix Candela: Engineer, Builder, Structural Artist |
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| Frank Gehry: On Line |
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| Jasper Johns: Light Bulb |
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| Strangers in a Strange Land: Chinese Art from the Imperial Palaces |
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| Polygons to Printmaking: The Work of Frank Stella, 1958-1997 |
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| An Educated Eye: the Collections of the Princeton University Art Museum |
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| Invoking the Comic Muse: Toulouse-Lautrec's Parody of "The Sacred Grove" |
2007
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| Ansel Adams, Moonrise: Print the Legend |
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| El Maestro Francisco Toledo: Art from Oaxaca, 1959 – 2006 |
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| Beloved Daughters: Photographs by Fazal Sheikh |
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| Pop Art at Princeton - Permanent and Promised |
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| Treasures from Olana: Landscapes by Frederic Edwin Church |
2006
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| Pietro da Cortona’s "Saint Martina Refuses to Adore the Idols": A Painting in Context |
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| Front and Center: Figure Drawings by Pietro da Cortona and His Contemporaries |
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| Andy Warhol - Electric Chair |
2005
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| Between Image and Concept: Recent Acquisitions in African-American Art |
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| Chantal Akerman - 25ème écran (25th Screen) |
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| Homer's Laughter - Honore Daumier's Ancient History |
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| Thomas George - A Retrospective |
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| For Presentation and Display - Some Art of the 80s |
2004
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| West to Wesselmann |
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| Nineteenth-Century Photographs from the Permanent Collection |
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| Robert Adams - From the Missouri West |
2003
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| Aaron Siskind at 100 |
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| Shuffling the Deck - The Collection Reconsidered |
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| The New Vulgarians - New York Pop |
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| Book from the Sky - A Work by Xu Bing |
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| Edward Ranney Photographs - The John B. Elliott Collection |
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| Seeing the Unsee - Abstract Photography, 1900-40 |
2002
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| Cézanne in Focus - Watercolors from the Henry and Rose Pearlman Collection |
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| Lewis Baltz - Nevada and Other Photographs |
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| Contemporary Views |
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| Klinger to Kollwitz - German Art in the Age of Expressionism |
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| Anxious Omniscience - Surveillance and Contemporary Cultural Practice |
1994
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| Arshile Gorky and the genesis of abstraction: drawings from the early 1930s |
1983
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| Nicolas Poussin, The Rape of the Sabines |
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