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Heinrich Campendonk (1889-1957, DE)

Artist Rank (2007): 2135 +

Most exhibitions in:
Germany	19

Most exhibitions with:
Name	Rank	№
August Macke	466	11
Wassily Kandinsky	18	10
Alexej von Jawlensky	321	10

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Heinrich CAMPENDONK (1889-1957)

"Sitzender Harlequin", Print, Woodcut (GERMANY)

Image links:

339 x 280 pixels - 35k

www.kunstmuseum-mh.de [X]

380 x 280 pixels - 57k

www.kunstmuseum-mh.de [X]

304 x 280 pixels - 26k

www.kunstmuseum-mh.de [X]

Please be aware that the images can be assigned wrongly!

Biography

3.11.1889
Born in Krefeld, Niederrhein, NW (DE)

After his studies at the Kunstgewerbeschule in Krefeld under the Dutch artist Johan-Thorn Prikker Heinrich Campendonk accepted an invitation to Sindelsdorf in Bavaria by Franz Marc and settled there in 1911. Already at that time he found the basic subject of his works: the depiction of harmony of man and beast, Creation, the circle of life. Beside paintings, watercolours, gouaches and first woodcuts came into existence. In Sindelsdorf he got acquainted with the members of the artist group 'Blauer Reiter' and participated in exhibitions their that very same year. Together with this group of artists he also exhibited at the 'Erster Deutscher Herbstsalon' of the 'Sturm', led by Herwarth Walden in Berlin, two years later. His artistic creativity was strongly influenced by Marc, Macke and Kandinsky during these years and had a first climax. A stiff geometrical form language was combined with colour in pure complementary contrasts to a dynamic, rhythmic form language. In 1916 Campendonk moved to Seeshaupt at the Starnberger See, from where he travelled extensively. His painting is now formed by softly flowing forms, large areas of intensive light and a lyrical, often fairytale-like mood. Behind glass paintings were also created. In 1926 the artist was appointed professor at the Kunstakademie in Düsseldorf. Campendonk gained artistic recognition since the mid-1920s particularly through doing windows of churches and public buildings (the Landtag and Paulskirche in Duesseldorf, Essener Münster et al.). When he was dismissed from his teaching profession in 1933, he emigrated to Belgium, where he lived in Ostende for the time being, before he accepted a teaching post at the Rijksakademie van beeldende Kunsten in Amsterdam in 1935. Campendock did not return to Germany at the end of world war II. He continued his teaching profession and got several orders for glass windows in the Netherlands and in Germany. In 1956 he was awarded the Quellinus-Preis of the city of Amsterdam and was dubbed a knight of the order De Neederlandse Leeuw.

9.5.1957
Died in Amsterdam, NH (NL)

Public exhibitions 23

until 1.6.
Liebe. Love. Paare
Gustav-Lübcke-Museum, Hamm