
Dan Flavin
an artificial barrier of blue, red and blue fluorescent light
(to Flavin Starbuck Judd), 1968
Participating Artists:
| Josef Albers 1888-1976, DE |
| Robert Delaunay 1885-1941, FR |
| André Dérain 1880-1954, FR |
| Kees van Dongen 1877-1968, NL |
| Dan Flavin 1933-1996, US |
| Rupprecht Geiger 1908, DE |
| Vincent van Gogh 1853-1890, NL |
| Ferdinand Hodler 1853-1918, CH |
| Alexej von Jawlensky 1864-1941, RU |
| Wassily Kandinsky 1866-1944, RU |
| Ellsworth Kelly 1923, US |
| Ernst Ludwig Kirchner 1880-1938, DE |
| Yves Klein 1928-1962, FR |
| Mischa Kuball 1959, DE |
| František Kupka 1871-1957, CZ |
| Henri Matisse 1869-1954, FR |
| Maurizio Nannucci 1939, IT |
| Bruce Nauman 1941, US |
| Ernst Wilhelm Nay 1902-1968, DE |
| Barnett Newman 1905-1970, US |
| Gerhard Richter 1932, DE |
| Mark Rothko 1903-1970, LV |
| Robert Ryman 1930, US |
| Paul Signac 1863-1935, FR |
| Nicolas de Staël 1914-1955, RU |
| Mark Tobey 1890-1976, US |
| | Joseph Mallord William Turner 1775-1851, UK |
| Michel Verjux 1956, FR |
| Maurice de Vlaminck 1876-1958, FR |
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Classic Modernism section
The transformation of colour into light is one of the major themes of 20th-century art. By means of some 110 works by 54 artists, the exhibition explores the development of this theme in Neo-Impressionism, Fauvism and the movements that followed, right up to contemporary light art. Artists no longer represented a single light source in their works, replacing it by pure colour contrasts. Their paintings and colours are consequently charged with luminosity.
Contemporary section
Moving beyond the monochrome painting of the 1950s (Rothko), artists ventured away from easel painting and started painting in space with real light sources such as fluorescent and neon tubes. Visitors can experience for themselves the transition from "painted light to painting with light" as they view these works in the special setting constructed for them.
Commissioned works
Renzo Piano made very conscious use of light when he designed the Fondation Beyeler. His approach is now accentuated by three commissioned works in the exhibition, which are being displayed in the foyer, the winter garden and on the external walls. Those works are being complemented by a second huge installation by Michel Verjux on the Theaterplatz in Basel, which will transport the exhibition's light into the city when night falls.
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